Beauty Break: Tang Wei & Takeshi

Tang Wei! We're just so happy the Lust, Caution star is working again. Here she is in Cannes for her Wu Xia (2011) photoshoot.

Photographed by Andreaz Rentz for Getty

She also walked the red carpet and hit the parties with another of our favorite Asian actors, Takeshi Kaneshiro.

He's the man Hollywood SHOULD be calling if they really want to skew older for the live action version of Akira as all of the casting reports indicate that they do.

46 year-old Keanu Reeves recently turned down the lead role in the live-action version of the classic anime. We've already griped about the casting, but mostly due to the white washing. That they're ignoring the film being about teenagers doesn't bother us as much since it's so rare that Hollywood decides to go older instead of younger. Takeshi is half Japanese, a decade younger than Keanu, has movie star appeal, and looks superb in action sequences (see House of Flying Daggers among others) so why not him?

Links: Arthur Laurents, Joel Edgerton, Parker Posey, Will Smith

TV Guide A brilliant suggestion: put Parker Posey in the boss's chair in The Office. Did you see her on Parks & Recreation last night? She's dependable with hilarity, that one.
The Art of Manliness how to jump from rooftop to rooftop, like a frenzied movie hero.
Boobs Radley Imagined conversations between Scarlett Johansson and Sean Penn. Teehee.
My New Plaid Pants a big week for Joel Edgerton. A leading role in the new Kathryn Bigelow flick? Yes please.
Variety Quentin Tarantino wants Will Smith for his Django Unchained movie. In our opinion any actor would be crazy to turn Tarantino down. He nearly always finds something new or untapped in their talent. He's pure magic that way.
The Beats Within new blog on Madonna as a musician (still underappreciated). This is a really interesting interview with Guy Sigsworth who cowrote "What It Feels Like For a Girl"
Movie Morlocksk spends an evening with Terence Stamp. We love him.

Hey U Guys shows the delightful first image from a pirate movie from Aardman Animations. Hugh Grant will be voicing it matey.
THR It might be Keanu Reeves for Akira. Hollywood is just determined not to cast Japanese actors even though the property is the selling point.
Movie|Line is every Kate Hudson movie the same? Chart!
Salon looks at the best devil portrayals on film.

Finally...I meant to write about Arthur Laurents passing yesterday but this one made me sick with loss. The theater great had a hand in so many properties that are just magic (Rope, West Side Story, The Way We Were, Gypsy ... the list goes on) and he lived to be 92 years old; a long and accomplished life it was. He won Tony Awards and was twice Oscar nominated (both nominations were for the ballet drama The Turning Point) but somehow they snubbed his brilliant screenplay for The Way We Were which is only among the pinnacle achievements of its entire genre. Seriously name ten romantic weepies that are better; you can't!

His life was inspiring, too. Imagine having the guts to live as an out gay man as early as the 1950s. I didn't know where to begin -- I'd need a whole blog week. MUBI is terrific with the obituaries, always rounding up good articles to read, like this recent lengthy dishy profile from New York Magazine when the revival of West Side Story opened on Broadway.

Akira Redux

You've heard that they're making a live action American version of Katsuhiro Otomo's Akira (1988), right? That's the sci-fi cartoon that really opened the Anime floodgates here in the States. I have a faint memory of seeing the movie in the theater when it arrived in the States -- I think 1990? -- and that memory involves two things: my jaw was mostly open throughout from the epic violent craziness, and my best friend at the time who I went to every movie with (hi Kevan!) turned to me during the climactic battle when Tetsuo transforms hideously into this blob like creature and said something silly like "quivering mounds of blubbery goo" in a dramatic but silly voice. We started giggling and a rather, um, large patron in front of us turned around to give us hateful looks. Embarrassing! But we were just reacting to the visuals on screen, I promise.

For those of you who are unfamiliar, the film is about a gang member biker Kaneda and his efforts to stop his powerful psychic friend Tetsuo from destroying Neo-Tokyo, an artificial city of sorts built after the destruction of the real Tokyo by another psychic boy named Akira who is still alive but imprisoned. (It takes place in 2019.) The new version will be directed by Albert Hughes (The Book of Eli) and the adaptation was done by Steve Kloves (The Fabulous Baker Boys, the Harry Potter franchise).

Though it was to be expected that the American remake would Americanize the story (it'll now take place in a futuristic New York City. Will they call it "New New York"?), some of us were stupid enough to hope that they'd realize that America does not equal caucasian. When your movie is based on a famous Japanese movie, it's not like you couldn't win lots of street cred and fan favor by casting Japanese Americans in the lead roles. Hell, even just Asian Americans of any type would win you non-racist points, as you'd still be acknowledging that people of color should maybe lead properties that are non-white in origin. Oh sure, you can say "there are no bankable Asian American actors" but how will there ever be if they're never given opportunities? And here's a thing Hollywood often forgets in their risk averse decisions: remakes of famous movies as well as virtually all genre titles, are sold primarily on their brand awareness and on their genre. This may be an unpopular theory but even something like Inception. Consider: What sold more opening weekend tickets? The folding city in the trailer or Leonardo DiCaprio's name in the trailer. The latter cost them 8 figures. This is why I've never understood why Batman in his multiple incarnations always requires an expensive leading man; BATMAN IS THE STAR, not the actor. Movie producers used to understand this. Christopher Reeves was not famous when he signed on for Superman and it sure didn't hurt that film's box office. District 9's box office wasn't hurt by using an (excellent) unknown in the lead role. With certain genres (mostly the "geek" genres: superhero, sci-fi, horror) the genre and the concept is the star.

My points is this. New York City is not lacking for diversity. I am white and I am most definitely a minority in my neighborhood. So why do movies set in NYC always seem lily white? And surprise: Actors come in all nationalities and skin colors, not just American/British/Australian and white.

illustration by taka0801

The actors being discussed for the lead roles of Kaneda and Tetsuo, who'll obviously have to be renamed Ken and Todd, are the following: Robert Pattinson, Andrew Garfield, James McAvoy, Garrett Hedlund, Michael Fassbender, Chris Pine, Justin Timberlake and Joaquin Phoenix. That's a lot of different acting styles and accomplishments and types and even ages. So basically, once again, we see that casting has nothing to do with what's required for roles or what tone a film is aiming for, it's just "whoever is on the studio's lips" each time. Sad. Casting is an artform, too. I really wish we'd see some acknowledgement that it is.

If The Film Experience were a massive site with millions of readers I'd demand a casting call right here. I'd be asking for all unknown or 20to30something Asian actors with excellent English skills, physical action film aptitude, and movie star good looks to send in their headshots and reels and I'd be packaging it all up with the top 20 and sending it Warner Bros way. Freelance casting director for hire!

Daniel Henney, Won Bin, Chang Chen, Masahiro Motoki, Takeshi Kaneshiro, Dennis Oh, Matsuyami Kenichi and Hiroshi Tamaki

Seriously, I don't understand why I can spend (literally only) 15 minutes brainstorming and come up with a couple of handfuls of Asian actors that might be cool to think about / test / consider for these roles (even allowing for the studio's random age ranges and no discernable "type") if they spoke English well -- surely some of them do, especially the American ones! ;)  -- but Hollywood studios with all of their casting resources and their budgets and their months of pre-production work don't ever even consider meeting with any of them? Do they even look at headshots? Do they even know that male actors of Asian descent exist? I'm beginning to wonder.

I suppose the most we can hope for at this point is that they deign to let Ken's (née Kaneda) love-interest Kei keep her Asian-ness. Every once in awhile the studios will let an Asian actress play a girlfriend. But Asian men? Forget about it. Shame.

Need More Akira? We'll be celebrating again in April in our "Hit Me With Your Best Shot" series. It's collaborative so join in.

Are you a new reader? Welcome. Please consider subscribing or bookmarking - some more pieces on animated films and Asian cinema coming up. We've been in the mood.

Another article addressing this problem -- though not Akira related:
Asia Pacific Arts "Hot Asian Actors Hollywood Doesn't Yet Realize It Needs"