Review: "Black Panther: Wakanda Forever"

by Nathaniel R

Presenting a task as impossible as hiding a futuristic country for centuries in Sub-Saharan Africa. Imagine having to follow up the phenomenon of Marvel's Black Panther (2018) which, like most explosive zeitgeist events, had ultra precise perfectly timed ingredients and arrived at the exact moment in culture when all of them would be most appreciated. Now imagine having to follow that up without its charismatic leading man, lost to cancer at the young peak of an already impressive career. Director Ryan Coogler was in an unenviable position. It's no surprise, then, that the sequel to Marvel's most popular solo adventure is a bit wobbly on arrival. Never mind that the sequel must bear the weight of all the absurd expectations and make sense of T'Challa's absence while trying to find new legs on both land AND at sea. Thank god for the latter. Whatever the movie's faults, it's not from attempting a simplistic retread...

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Was 1958 the all time greatest vintage for iconic women?

by Nathaniel R

HAPPY BIRTHDAY MADGE ❣️❣️❣️❣️❣️❣️❣️❣️❣️❣️❣️
-Sharon Stone

Today is Madonna's birthday which we celebrated over at our official Instagram account (are you following yet? Plz do!) and on Twitter. She's 64 today having been born on this day in 1958 in Michigan. Angela Bassett shares her exact birthday. It got us to thinking about what an incredible vintage 1958 was for women who became inarguable legends in their fields. Then, when Sharon Stone, who is also a '58 baby, shared the pic above we knew we had to discuss this nonscientific observation with you.

1958 is the greatest vintage for producing iconic women. Proof is after the jump...

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Doc Corner: 'Tina' on HBO

By Glenn Dunks

Tina Turner does not like to talk about herself and her life with abusive ex-husband and artistic collaborator Ike Turner. She notes this in Tina, a new HBO documentary about her life. But she is aware that public interest in it, which is why she has to keep on telling us all about it. This is show business after all, and if she doesn’t, somebody else will. First it was People magazine. Then it was Kurt Loder’s I, Tina. That was followed by a film adaptation, What’s Love Got to Do With It?

One would have hoped that that film would have been the end of it for Turner, her story of abuse and late career triumph captured on film to great acclaim and with an Oscar-worthy performance by Angela Bassett. Nearly 30 years later, however, Tina is back as the subject of T.J. Martin and Daniel Lindsay’s documentary. Whatever the directors’ reasons for doing so, I am unsure. But for Turner herself at least, she has decided to take this opportunity to bid farewell to her fans and to (hopefully) put her story to bed.

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The Strange Pleasures of "Strange Days"

by Cláudio Alves

In a future that's now our past, Strange Days tells a beguiling and disturbing tale of addiction and police brutality. Kathryn Bigelow's most most ambitious project to date, at least at the level of form and theme, opened in movie theaters twenty-five years ago today. Mixing social commentary with action excitement, insane feats of camera choreography, and feverish performances, the movie's a testament to its director's skill even if it wasn't the title that won her the Oscar. It's also a heady thrill ride that's out to dazzle the spectator, to shock them and galvanize too. Pleasure and violence are forever intertwined in this dream of celluloid.

The setting is Los Angeles on New Year's Eve, 1999, and the air is suffused with the threat of revolt. Strange Days, which opened in movie theaters on this very day in '95, posits a near future where technological advancements have made it possible to record and share memories...

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Emmy Review: Guest Actress in a Comedy

By Juan Carlos Ojano

More complicated than it seems, this race features acting veterans, comedic geniuses, and double the Maya Rudolph. Saturday Night Live has been dominant in this category since 2009 (the first year they were allowed to compete with the "Outstanding Individual Performance in a Variety or Music Program" category discontinued). So dominant, in fact, that they've only missed a nomination one year (2015) and in most of those 11 years they've had multiple nominations. SNL has won nearly 50% of the time since it began competing here. Meanwhile, Maya Rudolph makes history as the  first actress to be nominated in this category twice in the same year. Does that support her cause or result in a vote split? 

Let’s consider each nominee…

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