Venice: Angry Filmmakers, Smoking Lights, Disappointing Films

[Editor's Note: Manolis, our correspondent from Greece, is wrapping up his time in Venice. But hopefully he'll go out on a higher note that this day, which disappointed him.  -Nathaniel R]

The last two days were bad days for me at the festival. Films I had high hopes for proved to be less that satisfying and smaller films that I hoped would surprise me didn't.

People Mountain, People Sea
This was the ‘surprise film’ of the Competition section of the festival announced just a few minutes before its first press screening. But this was not the only surprise for the press attending. Halfway through the film smoke started coming out of a headlight in the screening room and many journalists started running towards the exits panicked. The screening was interrupted, the firemen came and fixed the problem that could have resulted in a fire. After 25 minutes the screening resumed and the remaining critics watched the rest of the story. The movie is about a man Lao Tie in a small province of China who realizes that the local police force are unable to catch his younger brother’s killer, so he decides to do it himself. He embarks a journey that not only brings him face to face with the killer but also brings out all the fears and anger hiding inside him for many years. Unfortunately the fire incident was far more interesting than the film. I would say that this was the worst film I saw in the festival thus far, if it wasn’t for...

4:44 Last Day on Earth
In a large New York penthouse a couple of lovers (William Dafoe & Shanyn Leigh) are spending their last night talking and making love. Tomorrow at 4:44 pm the world will come to an end. Director Abel Ferarra's (Bad Lieutenant, Dangerous Game, Mary) new film, which describes the way this couple faces the impending collapse of the world it thematically interesting (Don McKellar made a fine film on the topic with “Last Night” in 1998) but the potential is never fulfilled. What Ferrara has to offer is ideological deliriums and a cheap morality lessons. 

[SPOILERS] The movie goes like this: the couple make love, they watch an Al Gore interview about global warming, they make love, they meditate, they make love, they watch a Dalai Lama speech about human nature, they quarrel, the clock shows 4:44 and they die. The audience should only hope that the world ends at 3:20 so that they won't have to endure the 84 minutes of this movie. A few of the reporters left during the screening and some of those who chose to remain till the end, did not hesitate to boo.

And More...
Both Dark Horse by Todd Solondz and Himizu from Sono Sion were also nothing to write home about.  The former started off promising but soon fell into the same category as nearly all of Todd Solondz's films: not exactly a failure but nowhere near the quality of his masterful Happiness (1998). The latter film, from Japan, was advertised here in Venice as one of the first films to deal with the Fukushima catastrophy but its use of the shots of the tsunami's aftermath played more like a marketing device than an essential or important part of the story. The average acting didn’t help either. 

Wuthering Heights
The biggest disappointment for me was Andrea Arnold's newest film. I've been a fan since Red Road and especially loved Fish Tank so I expected that her new film would be absolute festival highlight, rather than just a good film with intriguing elements. She gambled on unknown and teenage actors in the leading roles which was gutsy but doesn't always pay off. The story is told from Heathcliff’s point of view, but unfortunately we never understand his very complicated relationship with Catherine. Worse Catherine comes off as a very unlikable and it's hard to understand how two men both become so obsessed with her. The cinematography is the standout element in the film, with Robbie Ryan (who lensed both Red Road and Fish Tank) delivering truly exceptional work. Arnold reveals a strange obsession with mud and with hanged puppies and though her angry filmmaking is fascinating it doesn’t suit this kind of film. It’s not that her black teenage ex-slave Heathcliff is the problem but it feels rather strange when he says, in the true Bronte fashion, “F*ck you, you c*nt”. It’s an original approach for sure but, for me, an experiment that could lead to future greatness but doesn't do so here.

Red Carpet: Mildred vs. Veda, Madonna vs. World

With world luminaries hitting the red carpet from here until, oh, late February, it's time for the high season of Red Carpet Convos. Once again I'm chatting with Jose from Movies Kick Ass. This week we travel to Venice with a brief layover in China.

Nathaniel: ‪Shall we start with Madonna or the "Pierces"?‬ ‪
Jose: ‬ As you wish‬. I was just so happy to see Madge in a pretty dress that all the awful things people have been saying about "W.E" slipped my mind.
Nathaniel: Then that's where we start.

MADONNA, VALERIA, ABBIE, ASIA, and MARISA

Nathaniel: Of all the things people could fault her for, I hope this look isn't one of them. Every thing about it is working.‬ It's memorable. The glasses are a fun diva choice.
Jose: They so are. She looks so happy.
Nathaniel: If this look were a single I'd say it's definitely "Take a Bow"
‪Jose: ‬ The dress actually reminds me of "Love Profusion" now that you bring up her singles.
Nathaniel: You've just named the single that describes me looking at her in this.

Jose: The gown also reminds me of this ...which makes sense because the dress is Vionett as well‬. 
Nathaniel:  I never care about "who" people are wearing but I'm glad you always know. I care only about "who" they are presenting themselves as while they're wearing it, you know?
Jose: Don't make me do Meryl's cerulean monologue...‬   Do you think Madonna was on meds. She looks TOO happy given the reviews earlier in the day.
Nathaniel: ‪I'm guessing no celebrity has a thicker skin at this point.‬
 Jose: ‬ ‪Cher maybe but for all the wrong reasons.

Did you see the slutty Catholic librarian thing Madonna had been doing earlier that day? She looked fantastic.  ‪
Nathaniel: I'm a huge fan of slutty librarians; promote literacy however you can!
‪Jose: ‬ ‪Now I'm thinking of "Spanish Lesson"...but sigh Madge can spank me whenever she wants‬ and FYI dear Madge lovers, almost everything she says in that song is inaccurately translated.  ‪
Nathaniel: ‪This is an Italian lesson, actually. I threw two actual Italians in so this Venice red carpet lineup would feel more at home. But the Italians just aren't trying as hard this time. Valeria Golina looks classy but it's so black sheath plain.
Jose: Maybe she's trying to go for "I'm a serious actress, stop staring at my boobs"?
Nathaniel: And Asia Argento is a crazy person so why is she wearing such a normal dress... and black too!
Jose: Maybe Madonna stole her happy meds?

Nathaniel: And I can't even start on Monica Bellucci (not pictured, but obvs one of the most beautiful women in the world) who just wore a black pantsuit to her photocall.‬ She better turn it out when she hits her premiere tonight.
 ‪Jose: ‬ Although Ms. Ciccone is representing Italy quite well, I think.
Nathaniel: Oh right. Madonna Ciccone. We keep coming back to her because she wiped the floor with the other divas the dress is so great. I'm glad we're back to her because she's distracting me anyway. ‪Now I'm remembering those doves exploding from her gown in "Bedtime Stories"... translated to butterflies here. Though now I'm lamenting AGAIN that she isn't desperate enough for attention to walk the Venice red carpet in a wedding dress with a lion by her side. Because that would be... I would die. Dead. Do not resuscitate.

Jose: I'd make her perform an exorcism to "Like a Prayer" to bring you back to life‬  
Nathaniel: Cruel! But this is the only time I've ever wished "has-been" status on Madonna  because only an attention starved diva would attempt to relive their über iconic breakthrough in its original locale you know?
Jose: Ha. But "Madge" and "has-been" will never go together.
Nathaniel: True. Moving on. ‪I think Abbie Cornish looks fab. Great styling choice with her hair and the dress has so much texture and structure. And I'm thrilled that she looks womanly in it and not stick-like the way so many young rising stars try for.
Jose: ‬When I first saw Abbie's pic I thought to myself "my does Jennifer Coolidge look fantastic". What is wrong with her makeup people? They overdo her ALL the time. Dress is fab I agree, love the curves.

Nathaniel: I learned a new word on Project Runway... "ombré"  It's the color gradation how it changes as it goes along. I love the ombré on this dress but the only problem with this new favorite word o' mine is the other night I mispronounced it as "Hombre" and my friends all laughed at me.
Jose: ‬ ‪lol‬.
Nathaniel: ‪‪Abbie has no trouble attracting beautiful hombre, either.‬  ‪Please note Oscar Isaac on her arm.
Jose: ‬ ‪In my mind she will always belong to John Keats...  ‪
Nathaniel: As well she should.‬ 

Anyway... I keep wanting peope to go ALL OUT with the color but the trending in Venice so far is definitely "classy"... lots of whites, blacks, creams, and such. Tasteful.
Jose: And this is freaking Venice! God knows what people will wear to the Oscars...muumuus?‬
Nathaniel: But we do have some color. What do we think of the mustard on Marisa Tomei?
Jose: It reminds me of Sandy Powell's costumes for Cate as Kate in "The Aviator" kinda has that retro thing going for it, no?

Nathaniel: Yes. What do you think of the necklace being part of the dress? It feels like you're supposed to yank her towards you with it for a mad embrace? It's... weird.‬ But i'm not saying I don't like it.
 ‪Jose: ‬ It's a bit weird but I guess if you're going to go for pearls you might as well try to spice 'em up a bit?‬ maybe she was afraid of losing the necklace those festival parties are insane and that's her way of keeping it safe.
Nathaniel: Sure. I'm probs projecting anyway since I always want to yank Marisa into a mad embrace. LOVE HER.
Jose: ‪Haha. I want to drink with her!‬  ‪

Nathaniel: I want to leave Venice behind -- very briefly -- for China.  
‪Jose: ‬ ‪What were these awards?‬  ‪

TANG WEI, KARA HUI, ZHANG ZIYI, GONG LI

Nathaniel: ‪I included a lineup of Asian superstars since they were all at the Huabaiao Awards in Beijing earlier this week.  
‪Jose: ‬ ‪oh is that where the awesome Crouching Tiger reunion happened?‬  ‪
Nathaniel: ‬ ‪YES!‬  So I was reading up on these awards because I love three of these women muchly (not as familiar with Kara Hui) and I'm like how did they get ALL the superstars there? And it turns out it's a movie awards show that only happens once every other year.  
‪Jose: ‬ ‪like an eclipse‬  ‪

Nathaniel: like an abomination! A crime against cinematic nature. It has to be every year. So then i lost interest.  Biannual is just... I'm not sure it even exists. Like bisexuality.‬  ‪
Jose: ‬ ‪LOL‬.
Nathaniel: ‬ ‪So they all look lovely, agreed?‬
Jose: ‬ ‪Yes, I love how Asian women aren't afraid of bringing on the sparkles in dresses‬.

Nathaniel: Yes. though it's weirdly lacking in color.‬ Also check out this headline from the awards show. I sincerely hope that is just an English as a second language problem and not a joke cuz it's just so wrong.
‪Jose: ‬ ‪LMAO‬.
Nathaniel: All because he stepped on Gong Li's glamour train, poor thing.
Jose: Ugh she's too amazing and graceful for me to laugh but that headline is sick‬ and then the first picture with the statuette is just wrong  ‪
Nathaniel: Yes. This is neither here nor there but Andy Lau is a fox.‬ I've rarely enjoyed a bow tie more. He turns 50 this year. just saying. OKAY.... moving on. Back to Venice to wrap up.  ‪

Jose: ‬ ‪Veda and Mildred time‬.

Kate Winslet, Kate Winslet, Evan Rachel Wood, Evan Rachel Wood, Mildred, Mildred, Veda, Veda

Nathaniel: ‪Since both actresses had two premieres to attend I thought we should have a total throwdown here.‬ From left to right that's Kate representing CARNAGE and MILDRED PIERCE and then Evan representing MILDRED PIERCE and THE IDES OF MARCH.
Jose: ‬ ‪I'd no idea they were showing Mildred in theaters, but Venice does love Todd Haynes, right?‬ Not that I blame them.
Nathaniel: ‬ ‪Yes. and he's on the jury this year‬.
Jose: ‬ ‪Oh true! Hopefully Kate will get a Volpi Cup.
Nathaniel: I laughed at what Manolis wrote about his response when a journalist asked him if he could be impartial about judging Kate's performance in Carnage... "He answered politely and predictably and persuaded nobody."
 ‪Jose: ‬ Haha‬  ‪

Nathaniel: ‬ ‪So who wins the fashion sweepstakes for you here?
‪Jose: ‬ ‪I'll have to go with Evan this time.‬ I absolutely adore Kate but I'm sick, SICK I tell you, of her tight fitting "look how hot I am" looks.
Nathaniel: She's gone with very severe beauty lately, huh. It's always very structural, very stiff... I've forgotten what she looks like in something flowy and more girlish. Not that she ever totally favored that look exactly.
‪Jose: ‬ ‪I totally dig the Metropolic robot look Kate is doing in the first number but it bores me...I have had enough of her calves‬.‪I like movement, perhaps I'm just favoring her because Kate's dresses feel like tattoos and I love the way in which fabric moves‬. I've always loved how adventurous Evan is and the Alessandra Rich dress (the white shirty one) is just perfect‬.

Nathaniel: ‬ Really?‬ ‪Maybe I'm just not a fan of her new hair. It's throwing me. Though I like it with the retro eye makeup like in her Mildred premiere dress.‬
‪Jose: ‬  I've gotten used to the hair by now and she's working it nicely.
Nathaniel: I'm a huge fan of Kate's fashion robot look myself. I think she looks utterly sensational and that color which should be boring is somehow perfect with what she's been aiming for so much lately. This fierce mature beauty.‬ So for me the winner of all of these is Kate's Carnage dress.  ‪
Jose: ‬She sure looks like she could cut a bitch with those heels, she's fierce, but I'm still siding with Veda‬.
Nathaniel:  ‪Split opinion. We'll have to let the readers decide.‬

poll by twiigs.com

Jose: ‬ ‪Or wait, if it was a fave of ALL, I'll go with Madge, just looking at her makes me smile.
Nathaniel: Oh, yup, Madonna wins it all. "Love Profusion" on loop.

Foreign Film Oscar: South Korea's "Front Line"

Oscar's foreign film submission announcements will be flying at us for the next month and you can keep track of the whole list at my foreign oscar predictions pages. A short time ago I told you that South Korea had narrowed down their Oscar submissions. That news was shortlived as the competition is over and they've gone with the battlefield drama The Front Line. [Thanks to faithful TFE reader Jin for the info.]

Here's the warry trailer.

Excuse me but I barely see any actressing! I mean other than Kim Ok-bin. Shouldn't there be a rule against films light on actressing in South Korean cinema? They have so many good ones and their one representative film for AMPAS is practically bereft of them? sigh.

To make up for their sudden xy departure, here's a recent photoshoot starring Kim Ok-bin, who you'll recall was a Film Bitch nominee right here in 2009 for Thirst.

I feel much better already...

Three other selections were announced last week...

ROMANIA
Romania, like South Korea, doesn't have any Oscar nominations to show for years of cinephile enthusiasm. The Academy generally can take some time to catch up so if a country wants to get Oscar play their international cinema heat can't be shortlived. Their entry this year is Marian Crisan debut feature Morgen, a hit at the Locarno festival, which is about an unlikely friendship between a security guard and an illegal Kurdish immigrant.

MOROCCO 
Actor Roschdy Zem's second feature as a director Omar Killed Me stars Sami Bouajila, who international arthouse audiences might remember best from the gay comedy The Adventures of Félix or from major roles in two different Algerian Oscar nominees Days of Glory and Outside the Law (both of which happened to co-star Zem). Bouajila pops up in English language films once in awhile too (The Siege, London River). The previous Oscar heat doesn't stop there: Director Rachid Bouchareb, who directed both of the recent Algerian nominees starring these two, helped with the screenplay adaptation of this biopic about an innocent prisoner. The Hollywood Reporter calls it "intense and superbly acted."

VENEZUELA
Alejandro Bellame Palacios’s The Rumble of the Stones is about a mother attempting to rebuild her family's lives after a natural disaster. There are many hardships along the way but apparently it's an optimistic picture; one fan on Facebook called it a "true tribute to the nobility of Venezuelan women."

Not yet announced but getting there...

MEXICO
It's not official yet but you shouldn't be surprised if Mexico goes with festival sensation Miss Bala for their Oscar film which we've mentioned a few times. Awards Daily likes the trailer but I'm not watching it since I'm seeing the film in a couple of weeks and want to be surprised. I'm pretty wild for the poster. It's provocative ... and I mean story-wise though I'm sure breasts never hurt in selling a movie. The movie is getting a U.S. release in the fall courtesy of Fox International.

Mexico currently has these 11 features under consideration. Thanks to Armando for sending in the list. The films are

• Miss Bala (Gerardo Naranjo)
• 180˚(Fernando Kalife)
• Dias de Gracia (Everardo Valerio Gout Grautoff)
• El Baile de San Juan (Francisco Athie) 
• Flores en el desierto (José Alvarez)
• La Mitad del Mundo (Jaime Ruiz Ibáñez)
• Bala Mordida (Diego Muñoz Vega)
• Siete Instantes (Diana Cardoso)
• Somos lo que Hay (Jorge Michael Grau)
• Una Pared Para Cecilia (Hugo Rodríguez)
• Viaje Redondo (Gerardo Tort)

If I'm not mistaken, none of these filmmakers have ever been put forward by Mexico before so with no "favorite son" precedent it could be anyone's ball game ...were it not for the obvious critical enthusiasm for Miss Bala that is. The other film that has something of an international profile is the disturbingly grotesque Somos lo Que Hay which opened in the US as We Are What We Are. For all its horror dread potency, I can't see Oscar touching that one.

Global Box Office: Monks, Assassins, Maids & Trophy Wives

To speak in gross generalities the last weekend in August is Hollywood's last chance to nab easy-to-please summertime dollars before the films get more "depressing" (read: statue-hungry) and people get back to careerism/schooling in September. But with Hurricane Irene shutting down NYC's unshutdownable mass transit and keeping people locked up in their homes (or other people's homes) this weekend all over the Northeast the box office will probably be way down. The Help will try to fend off three wide release newcomers seeking different audiences be that the horror crowd (Don't Be Afraid of the Dark),  the action-hungry (Colombiana), or comedy seekers (Our Idiot Brother reviewed). We probably won't be discussing box office tomorrow -- especially if we get a power outtage tonight! -- so let's talk about a related topic today.

Let's talk about movies that box office reports elsewhere never talk about: non-English language movies. Which are the highest grossers worldwide? The figures are drawn from various box office mojo charts as of Friday 08/26. I'm assuming that India doesn't release figures since Bollywood is a huge industry and you'd think they'd factor into the first chart more than they do if they did.

UPDATE: After compiling the list I discovered through the comments -- thanks Kin -- that the "Yearly Worldwide" chart that was my primary source of information contradicts the "Overseas Total Yearly Box Office" chart to quite an insanely large degree (what gives box office mojo?). Some titles are totally absent from either list though that makes no literal sense as "overseas" by any definition is part of "worldwide". NEW UPDATED LIST AND APOLOGIES AFTER THE JUMP.

Click to read more ...

Remaking Kurosawa? People Have Been Doing It For Years

Akira Kurosawa's Centennial last spring is still causing ripples. Splendent Media extends the celebration in a potentially controversial way. They have the rights to an enormous part of the Kurosawa catalogue should anyone want to purchase them for a remake. Kneejerk reaction is NOOOOooooooooo. But then you realize that Rashomon, The Hidden Fortress, and The Seven Samurai (and to a lesser extent many of his other films) have already been ripped off hundreds of times for movies and television. Hell, I've even seen an Off Broadway musical based on Rashomon!

So why would a straight up remake be any different? 

Here are the 26 Kurosawa directed pics (of the 32 he made) that they're offering rights to:

Sanshiro Sugata (1943)
The Most Beautiful (1944)
Sanshiro Sugata Part2 (1945)
The Men who Tread on the Tiger’s Tail (1945)
No Regrets For Our Youth (1946)
One Wonderful Sunday (1947)
The Quiet Duel (1949)
Stray Dog (1949)
Scandal (1950)
Rashomon (1950) -- Honorary Oscar Foreign Film
Idiot (1951)
Record of a Living Being (1955)
Throne of Blood (1957)
The Lower Depths (1957)
The Hidden Fortress (1958)
The Bad Sleep Well (1960)
Yojimbo (1961)
Sanjuro (1962)
Red Beard (1965)
Dodes’Ka- Den (1970) -- Best Foreign Language Film Oscar Nominee
Dersu Uzala (1975) -- Oscar Winner, Foreign Film
Kagemusha (1980)  -- Best Foreign Language Film Oscar Nominee
Ran (1985)  -- Best Director Oscar Nomination
Dreams (1990)  
Rhapsody in August (1991)
Madadayo (1993)

QUESTION: Wouldn't it be strange to buy the rights to remake Ran or Throne of Blood when you can get their source material (King Lear and Macbeth) for free?

What's your favorite Kurosawa? Sometimes I wish I'd seen them all -- since I've yet to be disappointed -- but it's so daunting given how prolific he was.