Oscar Submissions: Japan, Sweden and Germany's "Pina"

Three more films have been announced for this year's foreign film Oscar competition, and all are from countries with a fairly large degrees of success with Academy's foreign nominating committee. Though the Academy always has a veritably orgy of films to choose from (usually sixty-plus) for its five-wide profile boosting arguably hit-making honors, they do tend to prefer European pictures. They also tend to prefer Japanese films to other countries when it comes to Asian cinema. Will they choose any of these three pictures?

JAPAN (12 noms, 1 win, and 3 honorary awards before the foreign category existed)
Postcard, an anti-war film about a soldier (Etsushi Toyokawa) returning home from World War II to see his family devastated, comes from the 98 year old director Kaneto Shindo. He has already stated that this will be his last film. 

SWEDEN (14 noms, 3 wins)
Beyond is the directorial debut of the actress Pernilla August (More and more actresses are making the leap: see also Vera Farmiga and we're loving it. Why shouldn't they?) The actor-centric heavy drama stars Noomi Rapace as the adult survivor of alcoholic parents in the 1970s. Noomi's real life husband Ola Rapace co-stars. Beyond opened at last year's Venice Film Festival but didn't premiere in Sweden until December 2010, placing it safely within the eligibilty period for this year's submission.

Wim Wender working on his documentary homage "Pina"

GERMANY (18 nominations, 3 wins)
Pina is a high profile 3D documentary on the work of the influential German dance artist Pina Bausch who died two years ago -- it was not intended, originally, to be a posthumous film. Dancers convinced the acclaimed filmmaker Wim Wenders to continue with the project which is now an homage to Bausch featuring several of her most acclaimed pieces performed by dancers onstage and outdoors.

Honestly dance is a great use of 3D if you must use 3D at all. Unfortunately the dance movies that have used it previously have rarely understood that to get 3D to work its spatial relations magic and what that means to choreography (a lot), you need to actually not cut every second to a different camera angle so that the eyes can observe the physicality, distance, and depth. I haven't yet seen Pina (very soon I hope) but I'm assuming Wim Wenders understands this in a way, say, the makers of Glee the 3D Concert Movie would not. Just a hunch.

This is not the first time a filmmaker has been inspired by Pina or used that inspiration to really heartbreaking affect. Remember the way Pedro Almodóvar used Pina to set the stage for the ineffable emotional pull of Talk To Her?

My guess right now is that the documentary Pina may have enough acclaim and novelty interest to make the finals (at least). But documentaries have a tough road for Oscar acclaim in any category other than Documentary. To my knowledge no documentary -- and at least one is submitted each year in this category -- has ever been nominated for Best Foreign Language Film. (Unless you count Waltz With Bashir which you could; it strikes me more as an uncategorizable hybrid film.)

Foreign Film Oscar Chart -NEW & SPARKLY!
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INTERVIEW: Ludivine Sagnier on "Love Crime", Her Star Persona and Catherine Deneuve

If you first discovered Ludivine Sagnier, as many movie lovers did in the early 00s through the films of François Ozon, the sensation was something like wide-eyed whiplash. One moment she was the exuberant tomboyish daughter of Catherine Deneuve in the musical 8 Women and the next she was anything but as a lusty bikini-clad (or unclad) vixen causing trouble for Charlotte Rampling in the thriller Swimming Pool. Both films were international hits and her turn as "Tinker Bell" in the UK/USA/Australia production of Peter Pan further upped her profile.  Sagnier has been a movie star in France ever since. 

 Ludivine Sagnier in Alain Courbet's Love Crime

Currently both The Devil's Double in which she plays leading lady to a Dominic Cooper double-act and the thriller Love Crime  in which she plays headgames with Kristin Scott Thomas are now in theaters and  Beloved with Catherine Deneuve will undoubtedly follow; consider her international profile revived. 

I sat down to talk with one of my favorite French actresses earlier this year during New York City's annual Rendezvous with French Cinema event. After introductions and a bit of small talk about French cinema and The Film Experience's actressy nature, we got down to business. 

NATHANIEL: You started so young Cyrano de Bergerac (1990). You were all of 9 or 10! 

LUDIVINE: People always ask me how I got started. My story is so common that it's a bit tiring. I went to an audition with my sister who wanted to be an actress and they asked me if I wanted to do an audition and they picked me and didn't take her. It happens so many times in the industry. I've talked to a lot of actresses...

Deneuve and Sagnier in Cannes in MayNATHANIEL: So when you were first coming up as an actor in France were you conscious of this great legacy. Like you're next in line after Huppert and Deneuve and well, so many actresses... France makes great ones.

LUDIVINE: NO! I Didn't see myself that concretely... I didn't like myself that much in the beginning. But it's funny because I just shot a movie where I was playing Catherine Deneuve in the 1960s and she is playing me older. It's Beloved from Christophe Honoré who I did Love Songs with. Maybe this time I had the feeling that we are part of the same family, that we have a common story. First she was my mom in 8 Women. Then I was Chiara's sister in Love Songs and Chiara is her daughter. And now Chiara is my daughter in Beloved. Everything is so mixed up!!!

And now I dare think we share the same history. When I started... NO.

Continue For Ludivine's Feelings on Star Persona, International Careers and Genre Hopping 

Click to read more ...

Fan Bingbing with Shaved Head and Elephants

File Under: Why Not?

Venice: Angry Filmmakers, Smoking Lights, Disappointing Films

[Editor's Note: Manolis, our correspondent from Greece, is wrapping up his time in Venice. But hopefully he'll go out on a higher note that this day, which disappointed him.  -Nathaniel R]

The last two days were bad days for me at the festival. Films I had high hopes for proved to be less that satisfying and smaller films that I hoped would surprise me didn't.

People Mountain, People Sea
This was the ‘surprise film’ of the Competition section of the festival announced just a few minutes before its first press screening. But this was not the only surprise for the press attending. Halfway through the film smoke started coming out of a headlight in the screening room and many journalists started running towards the exits panicked. The screening was interrupted, the firemen came and fixed the problem that could have resulted in a fire. After 25 minutes the screening resumed and the remaining critics watched the rest of the story. The movie is about a man Lao Tie in a small province of China who realizes that the local police force are unable to catch his younger brother’s killer, so he decides to do it himself. He embarks a journey that not only brings him face to face with the killer but also brings out all the fears and anger hiding inside him for many years. Unfortunately the fire incident was far more interesting than the film. I would say that this was the worst film I saw in the festival thus far, if it wasn’t for...

4:44 Last Day on Earth
In a large New York penthouse a couple of lovers (William Dafoe & Shanyn Leigh) are spending their last night talking and making love. Tomorrow at 4:44 pm the world will come to an end. Director Abel Ferarra's (Bad Lieutenant, Dangerous Game, Mary) new film, which describes the way this couple faces the impending collapse of the world it thematically interesting (Don McKellar made a fine film on the topic with “Last Night” in 1998) but the potential is never fulfilled. What Ferrara has to offer is ideological deliriums and a cheap morality lessons. 

[SPOILERS] The movie goes like this: the couple make love, they watch an Al Gore interview about global warming, they make love, they meditate, they make love, they watch a Dalai Lama speech about human nature, they quarrel, the clock shows 4:44 and they die. The audience should only hope that the world ends at 3:20 so that they won't have to endure the 84 minutes of this movie. A few of the reporters left during the screening and some of those who chose to remain till the end, did not hesitate to boo.

And More...
Both Dark Horse by Todd Solondz and Himizu from Sono Sion were also nothing to write home about.  The former started off promising but soon fell into the same category as nearly all of Todd Solondz's films: not exactly a failure but nowhere near the quality of his masterful Happiness (1998). The latter film, from Japan, was advertised here in Venice as one of the first films to deal with the Fukushima catastrophy but its use of the shots of the tsunami's aftermath played more like a marketing device than an essential or important part of the story. The average acting didn’t help either. 

Wuthering Heights
The biggest disappointment for me was Andrea Arnold's newest film. I've been a fan since Red Road and especially loved Fish Tank so I expected that her new film would be absolute festival highlight, rather than just a good film with intriguing elements. She gambled on unknown and teenage actors in the leading roles which was gutsy but doesn't always pay off. The story is told from Heathcliff’s point of view, but unfortunately we never understand his very complicated relationship with Catherine. Worse Catherine comes off as a very unlikable and it's hard to understand how two men both become so obsessed with her. The cinematography is the standout element in the film, with Robbie Ryan (who lensed both Red Road and Fish Tank) delivering truly exceptional work. Arnold reveals a strange obsession with mud and with hanged puppies and though her angry filmmaking is fascinating it doesn’t suit this kind of film. It’s not that her black teenage ex-slave Heathcliff is the problem but it feels rather strange when he says, in the true Bronte fashion, “F*ck you, you c*nt”. It’s an original approach for sure but, for me, an experiment that could lead to future greatness but doesn't do so here.

Red Carpet: Mildred vs. Veda, Madonna vs. World

With world luminaries hitting the red carpet from here until, oh, late February, it's time for the high season of Red Carpet Convos. Once again I'm chatting with Jose from Movies Kick Ass. This week we travel to Venice with a brief layover in China.

Nathaniel: ‪Shall we start with Madonna or the "Pierces"?‬ ‪
Jose: ‬ As you wish‬. I was just so happy to see Madge in a pretty dress that all the awful things people have been saying about "W.E" slipped my mind.
Nathaniel: Then that's where we start.

MADONNA, VALERIA, ABBIE, ASIA, and MARISA

Nathaniel: Of all the things people could fault her for, I hope this look isn't one of them. Every thing about it is working.‬ It's memorable. The glasses are a fun diva choice.
Jose: They so are. She looks so happy.
Nathaniel: If this look were a single I'd say it's definitely "Take a Bow"
‪Jose: ‬ The dress actually reminds me of "Love Profusion" now that you bring up her singles.
Nathaniel: You've just named the single that describes me looking at her in this.

Jose: The gown also reminds me of this ...which makes sense because the dress is Vionett as well‬. 
Nathaniel:  I never care about "who" people are wearing but I'm glad you always know. I care only about "who" they are presenting themselves as while they're wearing it, you know?
Jose: Don't make me do Meryl's cerulean monologue...‬   Do you think Madonna was on meds. She looks TOO happy given the reviews earlier in the day.
Nathaniel: ‪I'm guessing no celebrity has a thicker skin at this point.‬
 Jose: ‬ ‪Cher maybe but for all the wrong reasons.

Did you see the slutty Catholic librarian thing Madonna had been doing earlier that day? She looked fantastic.  ‪
Nathaniel: I'm a huge fan of slutty librarians; promote literacy however you can!
‪Jose: ‬ ‪Now I'm thinking of "Spanish Lesson"...but sigh Madge can spank me whenever she wants‬ and FYI dear Madge lovers, almost everything she says in that song is inaccurately translated.  ‪
Nathaniel: ‪This is an Italian lesson, actually. I threw two actual Italians in so this Venice red carpet lineup would feel more at home. But the Italians just aren't trying as hard this time. Valeria Golina looks classy but it's so black sheath plain.
Jose: Maybe she's trying to go for "I'm a serious actress, stop staring at my boobs"?
Nathaniel: And Asia Argento is a crazy person so why is she wearing such a normal dress... and black too!
Jose: Maybe Madonna stole her happy meds?

Nathaniel: And I can't even start on Monica Bellucci (not pictured, but obvs one of the most beautiful women in the world) who just wore a black pantsuit to her photocall.‬ She better turn it out when she hits her premiere tonight.
 ‪Jose: ‬ Although Ms. Ciccone is representing Italy quite well, I think.
Nathaniel: Oh right. Madonna Ciccone. We keep coming back to her because she wiped the floor with the other divas the dress is so great. I'm glad we're back to her because she's distracting me anyway. ‪Now I'm remembering those doves exploding from her gown in "Bedtime Stories"... translated to butterflies here. Though now I'm lamenting AGAIN that she isn't desperate enough for attention to walk the Venice red carpet in a wedding dress with a lion by her side. Because that would be... I would die. Dead. Do not resuscitate.

Jose: I'd make her perform an exorcism to "Like a Prayer" to bring you back to life‬  
Nathaniel: Cruel! But this is the only time I've ever wished "has-been" status on Madonna  because only an attention starved diva would attempt to relive their über iconic breakthrough in its original locale you know?
Jose: Ha. But "Madge" and "has-been" will never go together.
Nathaniel: True. Moving on. ‪I think Abbie Cornish looks fab. Great styling choice with her hair and the dress has so much texture and structure. And I'm thrilled that she looks womanly in it and not stick-like the way so many young rising stars try for.
Jose: ‬When I first saw Abbie's pic I thought to myself "my does Jennifer Coolidge look fantastic". What is wrong with her makeup people? They overdo her ALL the time. Dress is fab I agree, love the curves.

Nathaniel: I learned a new word on Project Runway... "ombré"  It's the color gradation how it changes as it goes along. I love the ombré on this dress but the only problem with this new favorite word o' mine is the other night I mispronounced it as "Hombre" and my friends all laughed at me.
Jose: ‬ ‪lol‬.
Nathaniel: ‪‪Abbie has no trouble attracting beautiful hombre, either.‬  ‪Please note Oscar Isaac on her arm.
Jose: ‬ ‪In my mind she will always belong to John Keats...  ‪
Nathaniel: As well she should.‬ 

Anyway... I keep wanting peope to go ALL OUT with the color but the trending in Venice so far is definitely "classy"... lots of whites, blacks, creams, and such. Tasteful.
Jose: And this is freaking Venice! God knows what people will wear to the Oscars...muumuus?‬
Nathaniel: But we do have some color. What do we think of the mustard on Marisa Tomei?
Jose: It reminds me of Sandy Powell's costumes for Cate as Kate in "The Aviator" kinda has that retro thing going for it, no?

Nathaniel: Yes. What do you think of the necklace being part of the dress? It feels like you're supposed to yank her towards you with it for a mad embrace? It's... weird.‬ But i'm not saying I don't like it.
 ‪Jose: ‬ It's a bit weird but I guess if you're going to go for pearls you might as well try to spice 'em up a bit?‬ maybe she was afraid of losing the necklace those festival parties are insane and that's her way of keeping it safe.
Nathaniel: Sure. I'm probs projecting anyway since I always want to yank Marisa into a mad embrace. LOVE HER.
Jose: ‪Haha. I want to drink with her!‬  ‪

Nathaniel: I want to leave Venice behind -- very briefly -- for China.  
‪Jose: ‬ ‪What were these awards?‬  ‪

TANG WEI, KARA HUI, ZHANG ZIYI, GONG LI

Nathaniel: ‪I included a lineup of Asian superstars since they were all at the Huabaiao Awards in Beijing earlier this week.  
‪Jose: ‬ ‪oh is that where the awesome Crouching Tiger reunion happened?‬  ‪
Nathaniel: ‬ ‪YES!‬  So I was reading up on these awards because I love three of these women muchly (not as familiar with Kara Hui) and I'm like how did they get ALL the superstars there? And it turns out it's a movie awards show that only happens once every other year.  
‪Jose: ‬ ‪like an eclipse‬  ‪

Nathaniel: like an abomination! A crime against cinematic nature. It has to be every year. So then i lost interest.  Biannual is just... I'm not sure it even exists. Like bisexuality.‬  ‪
Jose: ‬ ‪LOL‬.
Nathaniel: ‬ ‪So they all look lovely, agreed?‬
Jose: ‬ ‪Yes, I love how Asian women aren't afraid of bringing on the sparkles in dresses‬.

Nathaniel: Yes. though it's weirdly lacking in color.‬ Also check out this headline from the awards show. I sincerely hope that is just an English as a second language problem and not a joke cuz it's just so wrong.
‪Jose: ‬ ‪LMAO‬.
Nathaniel: All because he stepped on Gong Li's glamour train, poor thing.
Jose: Ugh she's too amazing and graceful for me to laugh but that headline is sick‬ and then the first picture with the statuette is just wrong  ‪
Nathaniel: Yes. This is neither here nor there but Andy Lau is a fox.‬ I've rarely enjoyed a bow tie more. He turns 50 this year. just saying. OKAY.... moving on. Back to Venice to wrap up.  ‪

Jose: ‬ ‪Veda and Mildred time‬.

Kate Winslet, Kate Winslet, Evan Rachel Wood, Evan Rachel Wood, Mildred, Mildred, Veda, Veda

Nathaniel: ‪Since both actresses had two premieres to attend I thought we should have a total throwdown here.‬ From left to right that's Kate representing CARNAGE and MILDRED PIERCE and then Evan representing MILDRED PIERCE and THE IDES OF MARCH.
Jose: ‬ ‪I'd no idea they were showing Mildred in theaters, but Venice does love Todd Haynes, right?‬ Not that I blame them.
Nathaniel: ‬ ‪Yes. and he's on the jury this year‬.
Jose: ‬ ‪Oh true! Hopefully Kate will get a Volpi Cup.
Nathaniel: I laughed at what Manolis wrote about his response when a journalist asked him if he could be impartial about judging Kate's performance in Carnage... "He answered politely and predictably and persuaded nobody."
 ‪Jose: ‬ Haha‬  ‪

Nathaniel: ‬ ‪So who wins the fashion sweepstakes for you here?
‪Jose: ‬ ‪I'll have to go with Evan this time.‬ I absolutely adore Kate but I'm sick, SICK I tell you, of her tight fitting "look how hot I am" looks.
Nathaniel: She's gone with very severe beauty lately, huh. It's always very structural, very stiff... I've forgotten what she looks like in something flowy and more girlish. Not that she ever totally favored that look exactly.
‪Jose: ‬ ‪I totally dig the Metropolic robot look Kate is doing in the first number but it bores me...I have had enough of her calves‬.‪I like movement, perhaps I'm just favoring her because Kate's dresses feel like tattoos and I love the way in which fabric moves‬. I've always loved how adventurous Evan is and the Alessandra Rich dress (the white shirty one) is just perfect‬.

Nathaniel: ‬ Really?‬ ‪Maybe I'm just not a fan of her new hair. It's throwing me. Though I like it with the retro eye makeup like in her Mildred premiere dress.‬
‪Jose: ‬  I've gotten used to the hair by now and she's working it nicely.
Nathaniel: I'm a huge fan of Kate's fashion robot look myself. I think she looks utterly sensational and that color which should be boring is somehow perfect with what she's been aiming for so much lately. This fierce mature beauty.‬ So for me the winner of all of these is Kate's Carnage dress.  ‪
Jose: ‬She sure looks like she could cut a bitch with those heels, she's fierce, but I'm still siding with Veda‬.
Nathaniel:  ‪Split opinion. We'll have to let the readers decide.‬

poll by twiigs.com

Jose: ‬ ‪Or wait, if it was a fave of ALL, I'll go with Madge, just looking at her makes me smile.
Nathaniel: Oh, yup, Madonna wins it all. "Love Profusion" on loop.