Visual Index ~ Can't Stop the Music's Best Shot(s)

April Fools! I needed an infamous 'bad movie we love' for today's edition of Hit Me With Your Best Shot a crowd source visual party, where anyone with a love for movies can watch the pre-assigned film and chime in on the one moment that makes it or defines it or reflects it. In other words, whatever "best" means to you.

The Village People musical Can't Stop the Music (1980) starring Valerie Perrine (of Lenny & Superman fame), Olympian Bruce Jenner (long before the Kardashian days) and Steve Guttenberg early on in his career, came through. And how. You can barely believe this movie while you're watching it but you can't exactly look away either. (Credit where it's due, the lightbulb for this week's selection came to mia via an e-mail from Awards Watch, about their new series pairing Razzie winners with Oscar winners.) 

This musical, the very first Razzie Worst Picture winner is awful, sure, but it's also adorable in its own glittery misguided 'let's put on a show' kind of way. The Razzies, which are also crowd sourced, have a long history of homophobia (they're no fans of camp or gay icons of any kind) so it's no surprise that it all started here with this super gay film that's weirdly caught between "Liberation" and the closet and the cusp of the decades it straddling. But more on that in these fine fun articles.

Can't Stop the Music's Best Shots
click on the photos for the corresponding article 

Its massively ineffective attempt to split the difference between the look and mood of the 1970s versus the 1980s...
-Tim Brayton, Antagony & Ecstasy 

The movie it might have been in another time. NOT THAT IT WOULD HAVE EXISTED IN ANOTHER TIME....
-Nathaniel R, The Film Experience

The kind of joyous, “ZOMG out of ★★★★” masterpiece that I would place in the same company as Battlefield Earth and Showgirls... 
-Robert Hamer, Awards Circuit 

Presented as a dream sequence with lyrics that veer quite close to an imagined rape sequence...
-Manuel Betancourt 

a wacko comedic origin story with occasional music-video interludes...
- Jake D, Minnesota Gneiss 

Half trying to phone it in, half trying to get out...
-Lam Chop Chop 

This is the '80s, darling. You're going to see a lot of things you've never seen before...
 - (Home) Film Schooled 

The Rosetta Stone to understanding the pleasures of Can't Stop the Music...
-Coco Hits NY 

I chose the reaction shot because I imagine he’s thinking what I’m thinking...
-Drink Your Juice, Shelby pt 1 and pt 2

It’s such a ludicrously mounted production that it thrills me to no end that it was a hit in Australia and nowhere else...
-Glenn Dunks 

I adore this shot for SO many reasons... let me list them for you"
-Nathaniel R, The Film Experience 

Following the film's gonzo logic, this sequence does nothing to advance the plot...
- Jason Henson, The Entertainment Junkie 

Guys! Wait! This can’t be The Gayest because LOOK AT THIS PRETTY STRAIGHT LADY!
- Anne Marie & Margaret, We Recycle Movies 

You can hang out with all the boys...
-Shane Slater, Film Actually 

a product of its time...
-abstew - The Film's The Thing

 

literally shooting out rainbows...
-Sorta That Guy 

These 15 articles are so fun, people. Please do enjoy them in all their jaw-dropped glory.

Previously on "Hit Me"
Eternal Sunshine & L.A. Confidential

Next time on "Hit Me": Bette Davis in the Best Picture noir nominee THE LETTER (1940). Choose and post your 'Best Shot' by 9 PM Tuesday April 15th to be included in the visual roundup.

Linksy

TV Blend Mad Men Season 7 key art features a famous graphic designer - April 13th, y'all
My New Plaid Pants first pic of Dane Dehaan as James Dean in yet another bio of the actor
/Film gross... the proposed reboot of Zorro is going to be Dark Knight-esque. Good god, Hollywood, be smarter. Anyone interested in Zorro, its own brand which is why you're rebooting it, is going to expect light swashbuckling FUN.  

New Now Next Teen Wolf adding a third gay character for season 4. (Weird that they haven't expanded the opening credits sequence to feature the other regulars from the ever expanding show.)
Towleroad RuPaul teaches his Pit Crew to "Sissy That Walk"
Guardian Idris Elba providing the voice of Shere Khan in the new live action/CGI Jungle Book
Fashionista costume designer extraordinaire Janie Bryant on what's next for her after Mad Men wraps
i09 on 30 cult movies everyone should see once. I love this type of list except for when they put something totally mainstream on it. It's mostly solid until Lost Boys? nope. try again. Saw it in theaters opening weekend, had a major release not cult at all but standard grab for teen audience. I think it was even a minor hit.
Gawker Lindsay Lohan already complaining about her reality show's portrait of her 
Attitude Jamie Lee Curtis, suddenly busy again, in addition that pilot she's shooting is producing a biopic film about a gay baseball player 
/bent has a handy list of all the LGBT filmmakers on twitter. Follow! 

This is what Glenn Close was wearing underneath her long dress! She wins.Oscar Crumbs
... the internet is still sweeping up the party
Confabulations Brian (StinkyLulu) and Aaron discuss the Oscars
Gothamist Poor Leo. Now his 1990s teen self is appearing all over Manhattan 
My Space you must read this hilarious Oscar report from Jennifer Lawrence's bestie. 

❝I am one of maybe two non-famous people there. I kind of just sit there and smile creepily when someone catches me staring—shout out to Penelope Cruz.❞

wimp a pretty amazing video of the control room during an acceptance speech (Cuba Gooding Jr's in this case)... and this reminds me how glad we are that they didn't play people off this year
Guardian oh, so that's why Andrew Garfield wasn't at the Oscars! 
Dissolve on social media and the Oscars 
Slate really fun conversation about sexism and actress backlashes that's focused on Gwynnie, Hathaway, and the recent success of Jennifer Lawrence and Lupita Nyong'o 

Today's Watch
This video from the Oscars official account is titled in such a way that you think it's going to be a history of Best Actress but it's just about Oscar with famous Actresses educating you on the history of AMPAS: Katharine Hepburn, Olivia de Havilland, a brunette Grace Kelly (!!!) and Anne Bancroft who wins with a little winking trivia about Oscar gaining weight. 

A Year With Kate: Spitfire (1934)

Episode 5 of 52 wherein Anne Marie screens all of Katharine Hepburn's films in chronological order.

In which a New England debutante plays a hick named Hicks, and the result is about what you’d expect.

Oh man. This movie. I knew the day would come when this project tested my commitment, but I didn’t know it would come so soon. Folks, this movie is bad. Very, very bad. So bad that no book in the five Katharine Hepburn biographies I’m reading will devote more than a few sentences to it. The best way to sum up this film is in Katharine Hepburn’s own words, taken from her autobiography, Me:

"Shame on you, Kathy."

Some of you are probably still morbidly curious, so consider this next bit my public service. Here’s the plot... <SPOILERS AHEAD>:

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Oscar's Losing Game

Andrew here, to talk about the Oscar nominations. It’s been one week since they were announced and are we all talked out? Of course not. The Academy of Motion Pictures and Sciences can't catch a break from its loudest critics each year. People often view the Oscars as some kind of monolothic entity and not as a group of individual persons with specific tastes, which grants them the aura of sinister agenda like a Bond villain. And given the weight of the crown -- Oscar remains the most significant film award -- they're subject to the sort of ardent scrutiny that would reveal flaws in even the most ostensibly immaculate of things. 

Whether you're a lover or agnostic on AMPAS, there is no denying that they provide fodder for movie conversation the way few other things do. But there's one frustratingly circular and inescapable bit of criticism which comes each year that I find particular exasperating. I'm referring to the complaints which always follow a critically maligned film earning Oscar laurels, specifically for technical proficiency. “Did you hear The Lone Ranger earned as many nominations as Inside llewyn Davis.” or “The Transformers trilogy has earned more collective Oscar nominations than the Before trilogy.” or “The Wolfman has an Oscar, Peter O’Toole does not.” And so on. I almost always think it’s meant facetiously, until I realise these lazy claims are used as legitimate attempts to illegitimatise the worth of the AMPAS (an entirely different topic altogether). It’s all part of a yearly unchanging cry from movie lovers, “How can X (Terrible Film)  be an Oscar winner/nominee when Y (Great Film) is not?" [more...]

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A brief history of faux-Frankensteins

Tim here. All this talk of the great-looking movies we can’t wait to see, and the Sundance crop of interesting (or semi-interesting, or bad) indie films is pulling focus from the reality of filmgoing as most of us live it. Which is that it’s January, and unless you’re still cleaning off the last end-of-year films as they trickle out into medium-wide release, the options for seeing a movie in theaters right now are dire.

Case in point, tomorrow finds the release of I, Frankenstein, which, if I’m being honest, is very much I movie I’ve been looking forward to as much as anything on my official We Can’t Wait ballot, though for entirely different reasons: the combination of Frankenstein, demons, and chiseled abs promises bad movie awesomeness of a sort that I don’t expect to be replicated anytime soon.

It’s not the first nominal Frankenstein adaptation to go so far afield from the source material, either; not even the first outrageously bad one. There is a grand tradition of Frankenstein-derived films so utterly bizarre and off-the-wall and divorced from Shelley that they make I, Frankenstein look dull, sedate, and conventional. After the jump, let's take a quick look at some of the strangest.

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