Months of Meryl: Dark Matter (2007)

John and Matthew are watching every single live-action film starring Meryl Streep.  

#35 —Joanna Silver, a university patroness with a penchant for Chinese culture.

MATTHEW: On paper, the prospect of Meryl Streep offering her time and talents to an innovative Chinese director’s micro-budgeted filmmaking debut is immediately intriguing. Dark Matter sounds like a welcome divergence for an actress who has seldom strayed from inside Hollywood’s gates over the course of her 30 years in the industry. Noted opera helmer Chen Shi-Zheng’s first foray behind the camera is loosely based on the 1991 University of Iowa shooting, in which Gang Lu, a gifted Ph.D. graduate in the school’s Department of Physics and Astronomy, murdered five people on campus after being passed over for a prestigious dissertation prize, Shi-Zheng’s drama is a work of no small audacity, one in a scattering of American films that have dramatized the unrelenting pressure placed on young Chinese immigrants to provide and succeed in a country that has already stacked the deck against them.

But Dark Matter quickly dashes the hopes one might have harbored for Streep’s curious venture into post-Sundance indie cinema...

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Months of Meryl: Before and After (1996)

John and Matthew are watching every single live-action film starring Meryl Streep. 

 

 #23 —Dr. Carolyn Ryan, a suburban pediatrician attempting to keep her family together after her son becomes a prime suspect in his girlfriend’s murder.

MATTHEW: In a 2000 Entertainment Weekly profile that took stock of her screen efforts to-date, Meryl Streep amusingly and very appropriately described Before and After, Barbet Schroeder’s 1996 small-town crime drama, as “an airless thing.” Truer words, etc.

Before and After is one of those forgettable Streep misfires that appear with a bit more frequency in the latter half of her vaunted career. The tell-tale signs are all here: an appealing but hardly virtuosic director seemingly working on autopilot, bestselling literary source material that maybe didn’t cry out for cinematic treatment after all, and a Northeastern setting in close enough proximity to her Connecticut domicile...

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Links Don't Apply

• Cartoon Brew the effects work in The Shape of Water
• Coming Soon The Lady Gaga / Bradley Cooper version of A Star is Born gets pushed back to October. Does this mean they think it has Oscar potential or just that it wouldn't be competitive in its previous May slot?
• The Awardist I Tonya's breakout star (the parakeet) tattle-tales on Allison Janney
• The Guardian on Jessica Chastain's emergence as a outspoken activist this year
• THR We forgot to share the news that SAG was having all female presenters this year!
• THR Their first ever "live roundtable"... honestly there are so many roundtables now I have literally not watched a one this year. Can't keep up!

• Variety MoviePass has passed the 1 million mark in subscribers
• Deadline Remember Warren Beatty's short-lived but long gestating Rules Don't Apply? It's now got legal trouble
• Deadline Sufjan Stevens was originally going to do more than just sing for Call Me By Your Name but narrate it too. (We love Sufjan but sooo glad the movie opted out of narration)
• EW Annette Bening on why she's no longer doing American Crime Story: Katrina

LIST-MANIA
• Film School Rejects best under-the-radar films you probably missed this year
• Variety top ten shots of the year via Kris Tapley
• Out R Kurt Osenlund's top films of the year including Saturday Church, Girls Trip, Atomic Blonde
• IMDb ten most popular movie pages for 2017: Blade Runner 2049, Split, Wonder Woman, etc
• The Playlist worst movies of the year. I was furious with them for putting the excellent Atomic Blonde on the list but this bit on Emoji Movie made me lol

Is it shooting fish in a barrel to put “The Emoji Movie,” a film for children that had no aspirations at any point in its creation other than to milk money out of those children’s parents, so high on this list? Perhaps. But in this case, the fish in the barrel are savage fucking piranhas that would devour everything you loved if they remain un-shot. 

Review: "The Snowman"

by Eric Blume

There aren’t words in the English language which can adequately describe how terrible The Snowman is.  Talented director Tomas Alfredson (Let the Right One In and Tinker, Tailor, Soldier, Spy) has let the press know that “10-15% of the screenplay” was never shot during principal photography, which certainly explains why nothing in the movie makes a shred of sense.  

The film might be about a detective (Michael Fassbender) who is partnering but not partnering with another detective (Rebecca Ferguson) to track someone who may or may not be a serial killer, the identity of whom may or may not be traced back to a prologue which is undeniably heavy-handed and portentous...

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TIFF: "Disaster" is James Franco's Best Performance

by Chris Feil

It takes a particular kind of cinematic appreciation to love bad movies. For some, there can be a special charm to misguided clunkers and turkeys of only the best intentions. There is a stark difference between laughing at something and laughing with something. The Room has been one of the more recent additions to the beloved trash cinema pantheon and stands as a fascinating psychological testament to its creator and star Tommy Wiseau. As told on the page by Wiseau’s costar and close friend Greg Sestero, the making of the film was as haphazard as you expect.

The risk of The Disaster Artist, adapted from Sestero’s book, is confusing the affection or morbid fascination of The Room’s fanbase for something mockingly mean-spirited. Luckily the film is built on love for its subject, as directed by James Franco who also stars as Wiseau...

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