Blueprints: "The Disaster Artist"

Jorge Molina continues with the 2017 Oscar nominated screenplays...

One of the most overused film tropes out there is the big pep talk that a leader gives his or her team before they get into some sort of defining battle. It’s meant to inspire, motivate, eliminate any form of self-doubt, and give them the necessary strength to embark on their journey. 

But what if the task at hand is the production of what would become one of the canonically worst films of all time? And what if its leader is a proto-European actor with a lot of heart and devotion, but almost no social skills? Let’s take a look at how the writers for The Disaster Artist managed to inject these doomed elements with sincerity...

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Blueprints: The Nominees for Best Adapted Screenplay

Jorge continues to dive into the Oscar writing nominees.

Last week we dove into the nominees for Original Screenplay, which was an incredibly crowded category from the start, and there’s not a real frontrunner at the moment; more than one candidate has strong chances. The race was always very different with Adapted Screenplays. From the very start, only Call Me by Your Name truly felt like lock, and the four other slots were anyone's guess for months. Let’s take a look at each of the scripts, and see what was it that got them here...

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The calm before the box office storm?

by Nathaniel R

Weekend Box Office (Dec 8-10)
W I D E 800+ screens	L I M I T E D excluding prev. wide
1. Coco  $18.4 (cum. $135.6) REVIEW | FEELING SEEN	1.🔺 The Shape of Water $1.1 on 41 screens (cum. $1.3)  CAPSULE | PODCAST
2. Justice League $9.6 (cum. $212.1) REVIEW	2.🔺 Darkest Hour $741k on 53 screens (cum. $1.1) CAPSULE | SECOND VISIT
3. Wonder $8.4 (cum. $100.3)	3.🔺 Man Who Invented... $687k on 720 screens (cum. $4.3)
4.🔺 Disaster Artist $6.3 (cum. $7.9) REVIEW	4.🔺 Call Me By Your Name $291k on 9 screens (cum. $1.3) SCREENPLAY | SEX SCENES
5. Thor Ragnarok $6.2 (cum. $301.1) REVIEW, YOUR QUEEN	5.🔺 I Tonya $264k on 4 screens REVIEW NEW

With only 2 new movies (I Tonya and Just Getting Started) in a big movie-going month like December it was a dire weekend at the box office with the box office essentially looking the same as last week. Somebody will need to write a book some day on what happened to distribution in 2017...

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You're Tearing Me Apart, Franco!: "The Disaster Artist"

By Spencer Coile 

Tommy Wiseau's The Room is a train-wreck. This is not a unique statement to make. Ask anyone who has seen it, and you'll surely be met with a healthy mix of laughter and endless quoting from 2003's "so bad it's good" disasterpiece. For years, fans have flocked to midnight showings at local theaters or gathered with friends around their TV to enjoy the messy writing, acting, and directing -- just three of the many hats Wiseau wore throughout filming.

What many fail to address, however, is that The Room was not always comedy; it began as a labor of love -- a melodrama with strong connections to Wiseau's personal (but very private) life. Adapted from the memoir by The Room co-star Greg Sestero and journalist Tom Bissell, James Franco dramatizes Wiseau's journey from obscurity to cult stardom in The Disaster Artist. But is his portrayal of Tommy Wiseau given the same loving treatment as Wiseau intended for The Room...? 

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Box Office: Lady Bird and Three Billboards Strike

by Nathaniel R

Weekend Box Office (Dec 1-3) UPDATED WITH ACTUALS
W I D E 800+ screens	L I M I T E D excluding prev. wide
1. Coco  $26.1 (cum. $108.6) REVIEW | FEELING SEEN	1.🔺 The Disaster Artist $1.2 on 19 screens
2. Justice League $16.5 (cum. $197.3) REVIEW	2.🔺 Man Who Invented Christmas $863k on 674 screens (cum. $3.1)
3. Wonder $12.5 (cum. $88)	3.🔺 Titanic (20th Anniversary) $415k on  87 screens
4. Thor Ragnarok  $9.6 (cum. $291.4) REVIEW, YOUR QUEEN	4. Call Me By Your Name $281k on 4 screens (cum. $908k) SCREENPLAY | SEX SCENES
5. Daddy's Home 2 $7.5 (cum. $82.8)	5. Loving Vincent $211k on 161 screens REVIEW

As expected Coco had no trouble keeping people's interest for another weeek. More impressive, due to lower expectations, is Wonder's continued performance. It just hit $100 million globally and if you think about it it could just as easily have been a $15-20 million grosser that few people noticed since bestselling books are hit and miss when they attempt to become bigticket movies. Kudos to the marketing team who were able to focus interest on it immediately despite so many other ostensibly family friendly movies in the marketplace.

(Maybe families are getting bored of superhero movies? Nah, that's wishful thinking since Justice League, is about to hit $200 million and will likely outperform the infinitely more beloved Wonder Woman in foreign markets if not at home). More after the jump...

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