Have you caught up with "Cats" on streaming yet?

by Eric Blume

While many Americans are talking about their life in terms of Before and After the Pandemic, I'm now talking about my life in terms of Before and After watching Cats the movie.  The much-maligned Tom Hooper musical opus is currently available on iTunes and Amazon, so I felt I should give it a shot after all the chatter, here, and elsewhere.  But beware, kind viewer:  once you've seen this movie, there is no coming back.

Preface that I am not a "Cats" hater (or even a cats hater...they're not dogs, but that's not their fault).  I saw the almost-original Broadway production back when it was all the rage, so I have a tender spot for it in my heart...

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Review: The Lion King (2019)

by Tim Brayton

The refrain echoing through many of the negative reviews of Disney's new remake of The Lion King – and even a few of the not-as-enthusiastic positive reviews – has been that the film is "pointless." Which, yeah, it is: a scene-by-scene, line-by-line, and frequently shot-by-shot remake of the 1994 classic that is weaker on essentially every possible point of comparison. The only reason to watch the new film while the 1994 film exists is because the new one is in theaters and thus is bigger.

So let's not belabor that. Instead, let's try, as much as possible, to take the film on its on terms. Let's pretend, if we possibly can, that this is a brand new story told using cutting-edge technology, and freed from the shackles of memory and nostalgia. Sad to say, even if that might mean that The Lion King isn't pointless, it's still not very good...

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Watch at Home: The insane "Serenity" and "Extremely Wicked" Zac Efron

Nathaniel R giving you the heads up on what's available to you now to screen at home.

Newish on DVD/Blu-Ray
• Serenity - Must be seen to be believed. We can't wait for it to hit streaming and watch the masses catch on to this new camp classic.
• Tickled - Unsure why this famous doc about fetish videos and the shady man who produced them took 3 years to end up on DVD.
• The Gospel According to André - well-reviewed fashion doc.

Also new: Taraji P Henson hears What Men Want, Gina Rodriguez gets kidnapped in the remake of Miss Bala, Mads Mikkelsen freezes in Arctic, and Everybody Knows something or other about Penelope Cruz and Javier Bardem. Great iTunes deals and new to streaming after the jump... 

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Howard Keel Centennial: "Day of the Triffids"

We conclude (probably) our Howard Keel Centennial celebration with one of the actors last pictures before retirement (though he returned in the 1980s via "Dallas" stardom). Here's Deborah Lipp...

When Nathaniel announced a celebration of Howard Keel’s centennial, I had my pick of Keel movies. Perhaps counter-intuitively, I lept at the chance to write about my beloved The Day of the Triffids (1963). Once committed, I had a moment of fear. Here is a movie I have loved almost my entire life; a movie played over and over on local television in the pre-cable days of my youth. I have probably not seen Triffids since graduating from high school—what if it doesn’t hold up?

I need not have worried but if you want to argue that Triffids is a terrible movie, there is plenty of evidence...

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"London Fields" and Bad Movies as Palette Cleansers

Please welcome new contributor Tony Ruggio...

Have you ever wondered why Film Twitter is more fickle than critics? If you spend a reasonable amount of time there you’ll find deep pockets of hate among many non-professional critics for critical darlings as varied as Birdman, La La Land, even Black Panther. Critics, often dismissed as snobs or "the elite", actually appear to enjoy more films per year than other journos, pundits, and regular Joe or Jane cinephiles on social media. Critics are the only animals in our film bubble ecosystem who are forced to watch everything, even the bad ones. Others might skip the latest Adam Sandler romp or Netflix original dump, but critics (many of them anyway) see it all and I'm here to argue that it gives them perspective. Bad movies have a place, and can serve an under-discussed purpose, and that purpose is encouraging a greater appreciation for what the Inarritus and Andersons of the world are putting out there.

Art is subjective, yes, but most of the time we know a BAD movie when we see it. On the heels of SXSW, I was drowning in good cinema. Between Captain Marvel the week before, Jordan Peele’s near-masterpiece Us, and a few little gems I could find nowhere else, the festival had given so much yet deprived me of a proper palette cleanser. London Fields was it, a gonzo film noir so inept and ill-advised that I was left more than a little awestruck...

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