94 Songs vie for the Oscar

by Cláudio Alves

ORLANDO: MY POLITICAL BIOGRAPHY is an unlikely contender but you gotta love its boldness.

The Academy has released a couple of eligibility lists, including one for the Best Original Song race. Ninety-four different tunes have been submitted for the Oscar. It's three maximum for each movie, from which only two can be nominated for the same title. Barbie, The Face of the Faceless, A Good Person, The Little Mermaid, State of the Unity, and Wish have submitted three, while many other projects went for double trouble. There are no significant surprises in terms of omitted contenders, but some submission choices delight with their boldness, and others shock because their origin is so obscure. For example, I quibble with the one song chosen from Dicks: The Musical and Carmen. I'm also delighted that Orlando: My Political Biography threw its hat in the race and just found out some of these movies even exist.

From American Symphony to Wonka, come discover the complete list of submissions…

Click to read more ...

Critics Choice Awards: "Barbie" Scores the Most Nominations EVER!

by Cláudio Alves

The Critics Choice Association, formerly the Broadcast Film Critics Association, has announced its nominees for 2023. As always, rather than reflecting the critical consensus, they're little more than an attempt at predicting the Oscars. One wonders how an organization like this can feel so divorced from what critics are actually celebrating. In any case, it's time to analyze their choices as precursors in the race for gold and point to whatever idiosyncrasy can be found amid the boredom. Barbie is the big champion here, having scored 18 nominations, the most of any film in the organization's history...

Click to read more ...

"Barbie" leads the Golden Globe Nominations

by Nathaniel R

After a tumultuous few years for the Golden Globes, will we back on track this year? Or, rather, what kind of track will it be? The Hollywood Foreign Press Association is no more, really, at least not in the previous sense. The organization has been restructured and bought up by Penske Media (which also owns the big trade journals like Variety and The Hollywood Reporter) and the voter pool significantly expanded. But the big question is will it matter for viewers and celebrities after the past few years – the Globes were once a habitual must-attend/must-watch tradition but once you stop a tradition cold turkey can it return? 

The nominations (the Barbenheimer phenomenon leads in the movie categories with 9 and 8 nods respectively) and more commentary are after the jump…

Click to read more ...

For the LAFCA, the Future is Female

by Cláudio Alves

The Los Angeles Critics LOVE actresses, and Sandra Hüller most of all.

Many bristled (and still do) when some awards bodies started changing their acting awards to genderless categories. One of the principal complaints was that this would mean fewer artists awarded and that men would dominate. Or, in the LAFCA's case, a new name on the same system since having two winners each for Lead and Supporting meant they could go on giving prizes equivalent to the gendered divide of yore. That happened last year when Blanchett and Nighy took the Lead, Quan and de Leon Supporting. This year, however, the Los Angeles Film Critics Association decided to forego tradition altogether. Their four acting prizes went to women, making this their first edition without a single male actor among the honorees. 

Come discover the complete set of winners and a lot of statistics, after the jump…

Click to read more ...

Oscar Volley: Costume Design Needs More Modernity

Team Experience is discussing each Oscar category as we head into the precursors. Here's Elisa and Cláudio to talk Costume Design...

Will MAESTRO bring Mark Bridges back into the Oscar fold?
CLÁUDIO: To borrow an idea from Nathaniel, let me introduce the conversation with an imaginary outfit. Please think of me in a Priscilla powder blue suit tailored to Ferrari Italian perfection. There's a Wonka scarf in there, too, and Tomas' bearish coat from Passages on top. On my wrist, Felicia's pearls from Maestro, on my feet pink rollerblades from Barbie. For other accessories, I shall pick a revolutionary rosette from Napoleon to pin to my lapel and a pair of Victorian sunglasses from Poor Things. To complete the ensemble, Oppenheimer's hat with a Killers of the Flower Moon beaded band, everything topped by some showgirl-ready plumes straight out of Shug Avery's wardrobe. Do I look even more clownish than Melissa McCarthy and Brian Tyree Henry at the 91st Academy Awards? But I also look fabulous...maybe…

Click to read more ...