Grammy Nominations: Taylor, SZA, Meryl Streep (!), and "Barbie"

by Nathaniel R

The Grammys are not a focus here at TFE (pick your lane!) but we do like to sound off at least a bit when the nominations are announced. Our primary excuse is that there are some categories that overlap with the acting arts (film, tv, stage). But before we get to those a quick look at the big four categories. The nominees for the top prizes at the 66th Grammys are...

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Best Costume Design is all about Big Hats

by Cláudio Alves

It's always interesting to find links between otherwise disconnected pictures, whether in the context of a film festival or just the calendar year. Sometimes, the awards season can suggest interesting threads uniting films by virtue of competition-born comparison. Note that one need not be very intellectual about this, and it's always good to have some fun about the race. This year, for example, I couldn't help but notice how three of our likely nomination leaders are bedecked in exuberant millinery, with Killers of the Flower Moon taking the cake as 2023's best hat movie. Or, at the very least, 2023's most hats movie.

And, as we all know, when it comes to the Academy, "most" often trumps "best." Not that Jacqueline West is locked to win Best Costume Design for the Scorsese movie. After all, even in hat terms alone, there's stiff competition from Barbie and Oppenheimer…

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What Does Oscar Campaigning Look Like During the Strikes?

By Ben Miller

The fall film festival season is upon us, but with a notable exception.  The usual lineup of Hollywood A-listers are (mostly) absent due to studio greed and the continuing SAG-AFTRA and WGA strikes.  But so far, the date of the 96th Oscars haven't moved.  Unless the strikes are resolved more quickly than anyone believes they will be, the best films and performances will have to go toe-to-toe without the benefit of a robust campaign.

But what does an Oscar campaign look like if you aren't allowed to campaign?  

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"Dune Part Two" down, "Barbie" up, the Warner Bros Oscar shuffle.

by Nathaniel R

"Dune Part Two" and "Barbie" both come from Warner Bros

No sooner had we entirely completed the first round of Oscar predictions than Warner Bros up and announced that Dune Part Two would be moving to 2024, March 15th to be exact. And we had to rearrange several charts. The delay for the sandy sci-fi sequel is surely due to the ongoing strikes and fears that Timothée and the other stars wouldn't be promoting the movie. [Aside to the AMPT: Just meet the actors and writers demands, already! You can't make movies without them and the asks are not unreasonable given how their wages have been dropping despite still mammoth earnings for entertaining. But it appears that when the only thing you understand is greed, little Oliver asking for slightly more gruel from your abundant pot is offensive!]

When it comes to the Oscar race this means there's far more room for other movies to benefit since the first installment of Denis Villeneuve's take on the classic sci-fantasy opera won a whopping six Oscars from fen nominations two years back. At first glance we think the film that benefits most is Barbie, which also happens to be from Warner Bros...

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Weekend Box Office: "Blue Beetle" (temporarily) dethrones "Barbie"

by Nathaniel R

After a full month at the top of the box office charts, Barbie finally slipped to second place. But only barely as the comic juggernaut is still selling tickets robustly. In fact I went to it again with friends who hadn't seen it this weekend. The film to unseat Barbie was a new superhero picture Blue Beetle, but given the character's low profile in the DC universe of caped crusaders, it's unlikely he'll hold #1 status next weekend...

Weekend Box Office Aug 18-20 🔺 = new or expanding /  ★ = Recommended
WIDE (Over 600 Screens)	LIMITED / PLATFORM
BLUE BEETLE	PASSAGES
1 🔺 BLUE BEETLE $25 *NEW* 3871 screens	1 🔺★ OLDBOY (South Korea, action) $493k *RERELEASE* 250 screens
2  ★ BARBIE $21 (cum. $566.8) 4003 screens	2 ★ THEATER CAMP (US, comedy) $135k (cum. $3.4) 130 screens

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