Almost There: Cher in "Mask"

by Cláudio Alves

To commemorate Cher's 75th birthday, I'm dedicating this week's "Almost There" to a celebration of the superstar. For someone who gained fame as a singer and TV personality, Cher's an acting powerhouse. Over the years, she has amassed a small but impressive filmography. In 1985, after proving her dramatic abilities in supporting roles, directed by Robert Altman and Mike Nichols, Cher got her first leading part in Peter Bogdanovich's Mask. She wowed critics, filmgoers, and festival juries worldwide, and many predicted her for a Best Actress Oscar nomination. Even Cher herself seemed to believe she deserved the honor. Unfortunately, AMPAS disagreed…

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You Can Count On Me: Fraternal Cinema

In preparation for Thursday's Smackdown Team Experience is traveling back to 2000.

by Cláudio Alves

Mainstream cinema, such as it is, has an understandable fondness for the portrayal of interpersonal relationships. That's what happens when narrative cinema dominates and character-based drama is the rule. Nevertheless, it's interesting to note how some bonds are more privileged than others in storytelling. Romantic love is common. Friendship has its own subgenres. Parents and children are at the center of many tales. Enemies, rivals, hateful adversaries have their place too. But sibling relationships, though very common in life, are very rarely at the forefront of any given motion picture. Consequentially, when such a film appears, there's an added value to its existence. At least, that's how I feel.

Kenneth Lonergan's debut feature, You Can Count On Me, is probably one of the best examples of this rare fraternal cinema…

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Almost There: Björk in "Dancer in the Dark"

by Cláudio Alves

Premiering at the 53rd Cannes Film Festival, Lars von Trier's Dancer in the Dark became one of the most discussed films of 2000. At the end of the festivities, von Trier would walk away with the Palme D'Or while his leading lady, Icelandic music artist Björk, won the Best Actress prize. It's unusual for any Cannes competition title to win more than one award from the main jury, but sometimes it's impossible to deny a performance's magnificence. Such was the case in 2000. As the musical hit theaters critics worldwide began to chime in and the praise for Björk's achievement became more mountainous. Even some who objected to von Trier's experiment had words of adoration for its star.

It's fair to say that Björk's performance in Dancer in the Dark was one of the most acclaimed acting achievements of 2000. Nonetheless, when Oscar nomination morning arrived, she wasn't among the Best Actress nominees…

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Sophia Loren crowned again in Italy. And other Italian movie awards news.

by Nathaniel R

Sophia Loren just won her 7th Best Actress statue at home in Italy

Strangely we never saw any of the trades print a full list of Italy's David Di Donatello nominations this year, always just linking to the Italian site which does not have the list displayed in a way where you can copy and paste it easily. Alas. Hidden Away, a biopic of an obscure artist, led the nominations and came out the big winner too. Bad Tales was not far behind in the nomination count but won only one prize. Netflix's Italian original Rose Island had the third most nominations.

The awards were held a few days ago (oops) so it's past time to share the winners. Sophia Loren's Oscar hopes may not have panned out stateside but she won yet again in Italy for The Life Ahead. A few notes after the jump...

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My complicated feelings toward Frances McDormand's third win

please welcome new contributor Timothy Lyons

she likes to work

Frances McDormand’s performance in Nomadland was my favourite of the year. Full stop. Both the film itself and McDormand’s work as Fern blew me away with their deceptive simplicity quietly revealing hidden depths of feeling. Why oh why then did I feel such a crushing sense of disappointment when McDormand took her third Best Actress trophy at this year’s Oscars?

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