Isabelle Huppert, French Legends, and Oscar Stats

by Nathaniel R

Are you biting your nails yet? No prediction for this year's Best Actress shortlist can come without some degree of "I could be getting this very wrong!" nerves. We've been Oscar watching for a long time and it's genuinely never looked this open this late in the game (with the possible exception of 2003 but for nearly the opposite reason). If Best Actress is not a five-way lock up by now (and it often is) it's usually at least settled but for a minor battle between two women for the "just happy to be nominated" fifth spot. This year is different. Seven women remain strong and precursor supported and virtually any combination of five names seems possible as long as you include both Emma Stone (with the reliable boost of leading a Best Picture frontrunner) and Natalie Portman (with the reliable boost of Oscar's deep-deep love for mimicry).

We always believed that Isabelle Huppert was a genuine threat for a Best Actress nomination this season for her phenomenal star turn in Elle. It wasn't so much that Elle, in which she plays a video game enterpeneur who becomes obsessed with her rapist, was a a fresh look at an old star (against type) or right in Oscar's wheel house (a dark comedy about rape. LOL, no). The appeal instead is that in Elle is a suffusion of everything that's special about Huppert: her superior intellect, fascinating opacity, tortured psychology, and her daring sexuality. Oscar would be wise to pounce in a year where the media has been this celebratory about her unique place in the cinematic landscape. 'It's time!' feelings don't generally come around all that often for true iconoclasts or women of a certain age. She's both so they must act now.

Binoche, Cotillard, Adjani, Deneuve

Here's another far more superficial but still excellent reason why Isabelle Huppert needs to be nominated...

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What's your favorite Jane Wyman?

It's Jane Wyman's Centennial.  The actress was born on this day in Missouri in 1917 as Sara Jane Mayfield.

Like many major stars her legacy rests on a period that's only about a decade long -- in Wyman's case the mid 40s through the 50s, or more specifically the Best Picture winner The Lost Weekend (1945) through the Douglas Sirk classic All that Heaven Allows (1955) a period in which she specialized in childlike women and their inverse young widows-- but her career was long, stretching from bit parts in the early 30s through TV stardom in the 80s.

Her greatest hits and Oscar triumphs after the jump. Which is your favorite?

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W Magazine's 2016 Best Performances

Chris here. Have you seen this year's W Magazine "Best Performances" spread yet? Each year the photo collection features Oscar hopefuls and breakouts alike in one massive treat, and this year is as sprawling as ever. Previous years have ranged from the avant garde to the candid, but this year seems to spark inspiration straight from the loins. No seriously, its actually titled "Come Together", winks at gender and self-love, and recalls 90s lesbian chic supermodels on more than one occasion.

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Female Performance Heaven Across Mediums

Our Year in Review is doubling up now, two "best of" lists a daily to wrap up. This afternoon Matthew Eng exercizes his actressexuality.

Here are 25 scenes, songs, shots, reactions, line-readings, gestures, and whatnot that have stuck with me the longest from some — but not all — of my favorite female performances across film, television, music, and theater this year. Remember these? They are... in alphabetical order:

01 Kate Beckinsale and Chloë Sevigny’s bravura comic badinage is the main engine driving Love & Friendship, which only ever threatens to turn softhearted when these two catty soulmates are finally forced to part. Beckinsale and Sevigny carefully modulate their straight-faced hauteur during this fond farewell, but refuse to let even an ounce of sentimentality disrupt their regal self-possession. It’s one final, triumphant occasion for game to recognize game.

02 “Value,” the sixth episode of Donald Glover’s extraordinary first season of Atlanta, opens with an extended showcase scene of friendly rivalry between the luminous Zazie Beetz (as long-suffering public school teacher Van) and one-episode wonder Aubin Wise (as her childhood pal, now an “Instagram escort”). Both actresses tear into the scene with a comical trenchancy that scores its necessary laughs but also establishes a layered and fleetingly poignant background of affectionately-waged one-upmanship.

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New Oscar Predictions: Acting Categories... Locked Up or Not?

By Nathaniel R

Post SAG & Globe Nominations each year oscar's acting categories start feeling locked up. But here's something always worth remembering: Each year brings us 1 or 2 new additions to the "nominated for SAG & Globe but still missed Oscar" close-but-no-cigar club.  This year in particular seems unlikely to have as much exact 5/5 correlation due to the double whammy of Oscar's acting branch voting a little later than usual (they don't get ballots until January 5th) and the precursors voting a smidge earlier than usual. The next two weeks are crucial; no one who is remotely close to a nomination should give up just yet.

ACTRESS
Portman has been winning lots of critics awards but, strangely, her film (just as strong or even stronger than her eery performance) isn't doing as well. She's not exactly locked for a second win but she's definitely giving Emma Stone a fright and probably preventing Amy Adams or Annette Bening from dreaming of their first very long-awaited wins. The nomination race is even tighter...

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