Emmy FYC: Eva Green and Christian Camargo, "Penny Dreadful"

Team Experience shares their dream Emmy nominations. Consider it an FYC as nomination ballots are out...

by Dancin' Dan

Showtime's now cancelled gothic horror show Penny Dreadful has never been one to receive much awards love, even when it should have been (has there been a better villain on any television show in recent memory than Helen McCrory's Evelyn Poole in the show's second season?). Part of this had to do with timing: Airing always began around June, near the time the Emmy nominations for the previous season were voted on, meaning that by the next nominating period, it was long forgotten. The other part is the nature of the show itself. Emmy has rarely favored genre shows, much less ones as bloody and occasionally over-the-top as this.

Sadly this has meant that the series's leading lady, Eva Green, has been ignored despite giving the most committed, most fearless, and best performance on television...

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Splendid Sally makes "Maudie" a delight

by Murtada

If you are a fan of Sally Hawkins then Maudie is a gift full of joy made just for you. Hawkins plays real life folk artist Maud Lewis, a smart lively woman who’s hunched with crippled hands from arthritis, as she finds solace and purpose in becoming an artist. Maud works a housekeeper for a hardened reclusive bachelor, Everett Lewis (Ethan Hawke). Of course she thaws his heart and they eventually couple up. The film is a two-hander even as Hawkins is its unquestionable center and beam of delight...

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Q&A: Best 'Best Actress' Decade? Gay for Play as Actorly Rite of Passage?

Four more reader questions to kick off the weekend. Wheeee. As ever, I'd love to hear your answers to these questions thrown my way.

MATT ST CLAIR: Is there an unseen awards contender this year that you are hoping doesn't fail?

NATHANIEL: My "please let this be successful" hopes reside with Blade Runner 2049 (because the original's reputation being tarnished would be such a pity), The Greatest Showman (because musicals MUST continue to thrive) and Film Stars Don't Die in Liverpool (because it's infinitely annoying that Annette Bening doesn't have an Oscar yet and didn't even get nominated for such gorgeous work in 20th Century Women). While we're well- wishing please let Wonderstruck, How to Talk to Girls at Parties, and The Florida Project could be bigger hits than usual for Todd Haynes, John Cameron Mitchell, and Sean Baker, since they're three of our most distinctive American auteurs. I could go on but I'll stop as no genie grants unlimited wishes.

CATBASKETS: I've been thinking a lot about straight actors getting their starts or big breaks playing gay roles--Hugh Grant in Maurice, Guy Pierce in Priscilla, DDL in Beautiful Launderette, Charlie Hunnam in Queer as Folk, Eddie Redmayne in Savage Grace, etc. etc. Do you think this was/is a major rite of passage for actors? Do you think this will slow down now that there's more awareness/active demand for gay actors to play these roles?

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Revisiting "Crimes of the Heart"

In honor of Diane Keaton’s AFI Lifetime Achievement Award tomorrow, here’s Eric Blume with a look back at Crimes of the Heart (1986)

Beth Henley won a Pulitzer Prize in 1981 for her play Crimes of the Heart, and five years later it was retooled by Henley herself in a film version directed by Bruce Beresford.  The film teamed three of the biggest actresses of the 80’s:  Diane Keaton as the oldest spinster sister Lenny, Jessica Lange as saucy middle child Meg, and Sissy Spacek as spacey youngest Babe.   

Keaton is forced to carry the film for the first ten minutes out of the gate, and she’s strapped with some clunky exposition.  She feels tentative, which is partly aligned with her character, but in a way where she feels not fully assured, like she’s finding her way into the role.  Her Southern accent doesn’t come easily to her, and it takes her a while to learn how to make the accent soar to funny dimensions. 

But then ten minutes in, she has her first scene with Lange, and the film starts to find its groove...

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Cannes: "You Were Never Really Here" and Palme d'Or Predictions

Previously: Day 1, Days 2-4, Days 5-6, Days 7-8, and Days 9-10
Fashion: French Divas & Kidmanifestations 1, 2, 3

Joaquin Phoenix, an antihero saving girls from sex slavery, in Lynne Ramsay's thriller "You Were Never Really Here"

Cannes wraps up Sunday with the closing ceremony which means the Palme d'Or! The last competition film to premiere (tomorrow officially is Lynne Ramsay's You Were Never Really Here  and as is sometimes the case in the more dramatic Cannes festivals, many critics are proclaiming that the festival saved the best for last. Variety's Guy Lodge loved it calling it a "a stunning return," The Guardian compares it to Taxi Driver in its "nightmarish psychological drama" 

Does that mean it will win the Palme d'Or or that Joaquin Phoenix has Best Actor wrapped up? Not really. It's foolish with Cannes to ever assume you know what will win but let's make some tentative predictions for fun after the jump shall we? 

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