Blueprints: "The Big Sick"

This week Jorge dives into one of the WGA Nominees and looks at how this screenplay gives its supporting characters a chance to shine.

 

At its heart, The Big Sick is the story of Kumail and Emily falling in love, falling out of love, and finding each other again. But it's more than a romantic comedy. It’s also a story about the people around Kumail, once Emily falls into a coma and the main relationship is no longer functional. It’s a movie where the supporting cast do more than merely support the lead’s love story; they actually get the chance to be developed into fully fleshed-out characters.

Let’s take a look at one of the most memorable moments in the movie, where a supporting character (Holly Hunter’s brilliantly defined Beth) takes a step into the spotlight, and grabs it...

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WGA Nominations: Logan, Lady Bird, Mudbound, etc...

by Nathaniel R

The WGA nominations are out as as always they must be taken both seriously and not at all when considering Oscar predictions. Due to the WGA's very strict rules they often deem films ineligible that Oscar has no such aversion to (for instance, the WGA never honors animated films... not that any of them are really in the Oscar running this year).

This year's nominees with commentary are after the jump...

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Writers Guild Nominations

Manuel here bringing you the latest guild awards courtesy of the writers in the industry. As with SAG and DGA, what the writers enjoy and choose worthy of a nomination helps those of us intent on predicting the Oscars see what might be in the running not only for the screenplay categories but also what films are gaining steam enough to see the across-the-board support that nets them a Best Picture citation. 

A few caveats, though. Given the Writer's Guild rules, there are a number of high profile screenplays that weren't even in the running for their award and thus their absence should in no way be taken as a slight on their quality or a notch against their potential come Oscar nomination time. As usual, animated fare and foreign language (and foreign-produced) films are the ones least likely to show up here given the eligibility requirements—one must be a member of the WGA in order to be nominated.

Without further ado, find the nominees below with some quick commentary. Scroll further down still if you want to see the TV and New Media categories which were announced back in December.

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Interview: Oscar-Winner Asghar Farhadi Returns with "The Salesman"

by Nathaniel R

Two award winners: Asghar Farhadi with his star Shahab Hosseni

Asghar Farhadi's fame is finally catching up to his talent. After his international breakthrough with A Separation (2011) which won the Oscar and the Globe Globe for Best Foreign Language Film and became a significant arthouse hit internationally, the Iranian auteur has had three other movies travel to cinemas abroad. The acclaimed About Elly (2009) found renewed life and finally a US release, and his two follow up pictures The Past (2013) and The Salesman (2016) both took home coveted acting prizes from Cannes.

The Salesman, which will begin its US release in January after an Oscar-qualifying week recently in Los Angeles, is Farhadi's fourth consecutive film to be chosen by Iran to represent the country at the Academy Awards. Like A Separation, it's a stunner which begins simply before a fraught incident sends out large ripples complicating the story and the characterizations. We talked to Farhadi about the pressure of representing Iran, his Oscar night journey, and his creative process. The interview is after the jump...

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Top Ten: Loving those "20th Century Women"

by Nathaniel R

Mike Mill's terrific new film 20th Century Women, inspired by his own mother with Annette Bening further fictionalizing her, doesn't open until Christmas (disappointing as RIGHT NOW or August might've been the perfect time for it). But since it played the NYFF and we said so little, it's time to attempt to share the joy it offers. In lieu of a standard review...

Ten Amazing Things About 20th Century Women
first impressions of a film that will surely make our 2016 top ten list

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