Blueprints: Memorable Scenes from Your "Best Original Screenplay" Nominees

by Jorge Molina

We all rose at the crack of dawn on Tuesday morning to hear Kumail Nanjiani and Tracee Ellis Ross banter in a way that we won’t see anyone do on the actual Oscar stage. While we were all bracing for catastrophe (and yes, Bohemian Rhapsody is a Best Picture nominee), the nods balance between expected precursors and delightful surprises (still high on the Marina de Tavira wave). As for Best Original Screenplay, there were no surprises. Four out of the five nominees were pretty locked from very early on. It was the fifth slot that was the question mark. While I was hoping for Bo Burnham’s distillation on teen angst, Paul Schrader’s distillation on environmental nihilism works just fine as well.

After the jump the writers, their history with Oscar, and what scene we think landed them that nomination...

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Blueprints: FYC Original Screenplays

Following the first major award nominations of the season, Jorge takes a chance to remind any Academy votes to keep in mind some of the best screenplays of the year… 

Historically, Best Original Screenplay has been the category in which the Academy takes some of its biggest risks. Or maybe where it likes to think it does. This is the place where more daring, inventive, or “non-traditional” movies tend to get a shout-out, perhaps as a recognition of the overall novelty of the film without going as far as honoring those edgier achievements with a Best Picture nod or win...

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Blueprints: Post-Oscar Stat Madness!

Here we are. The Oscars are over. After six months (this was a long season!) of never ending think pieces, desperate For Your Consideration ads, and prediction anxiety, we can finally take a breather.

So, before we’re ready to start doing it all over again (because, let’s be honest, despite everything, we love this), let’s decompress a little. And if you’re like me, there’s nothing better than a good list of stats and numbers to clear your mind.

As a pallet cleanser, and as a farewell to Oscar season for now, here’s are some statistics and data about the screenplay categories. Where we were before Sunday, where we are now. And how far we have yet to go.

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Three Cheers for Jordan Peele

Chris here with some quick affection for one of the heroes of the season, Jordan Peele. While some (including yours truly) had predicted a Best Picture win for Get Out and its timely instant classic, it ended up being the other genre mashup to take the top prize. After Saturday's big win at the Indie Spirits and the rapturous standing ovation that greeted Peele's Best Original Screenplay win, it certainly looked like it might go all the way and you'd have to imagine it was a very close miss.

But the prize that Peele did win shouldn't go without its own celebration, triumphing in perhaps the tightest race of the night. As Nathaniel already pointed out, it's the category's first winner for an African American and horror film. Remember this time last year when people questioned if a horror film from a comedy outsider could even stay in the conversation? This win makes those reductive talking points look quite silly and serves as a trailblazer in more ways than one. Whatever Peele has coming next, you'd be a fool to doubt him any more.

WGA Goes For "Get Out" and "CMBYN"

Chris here. One of the final major set of prizes before the Oscar ceremony was handed out over the weekend, the Writers' Guild of America awards. The WGA awarded their screenplay honors to Get Out in original and Call Me By Your Name in adapted. Even though the latter's Oscar competition is now even further in the dust, its safest-bet-of-the-night odds to win the big prize will still be an exciting victory lap for its never-awarded legend screenwriter James Ivory.

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