Remembering Howard Ashman

by Cláudio Alves

On the morning of February 19th, 1992, the nominations for the 64th Academy Awards were announced. As always, the last category to be revealed was that of Best Picture and, just as Best Director lineup had done, it brought with it a historical event. Disney's Beauty and the Beast became the first animated feature to be nominated for the Best Picture Oscar, a momentous achievement that was applauded by the audience of journalists. It was the only Best Picture nominee to receive such jubilant cheer and it's easy to see why. While some had predicted the cartoon's glorious haul of nominations, the long-lasting prejudices of AMPAS against animation made its success seem impossible. Thankfully, even the Academy can get over itself from time to time, and honor truly deserving cinema. Beauty and the Beast is certainly deserving, being a masterpiece of American animation, as well as one of Disney's crown jewels.

Unfortunately, not everyone involved with its triumph was able to bask in the glory of the Oscar nominations. One of the men most responsible for the wonder of Beauty and the Beast was long gone by the time of the announcement…

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1991: Robin Hood Prince of Thieves

by Lynn Lee

- Locksley…I’m gonna cut your heart out with a spoon!

-Why a spoon?

-Because it’s DULL, you twit, it’ll hurt more!”

If you remember anything about Robin Hood: Prince of Thieves, it’s probably those lines.  Or, more generally, Alan Rickman’s scrumptiously hammy turn as the villain who bellows them.  Or perhaps you remember Kevin Costner’s complete failure to master anything resembling an English accent.  If you’d just as soon forget Costner ever played Robin Hood, you’re not alone: consensus opinion generally holds that Rickman was the only good thing about the movie, which received tepid reviews at the time of its release and hasn’t exactly aged into a classic. 

It’s worth noting, however, that a lot of people really liked Prince of Thieves at the time...

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Filming the Marvelous Mrs Maisel's Musical Numbers

Guest Blog Day! Please welcome Tom Mizer, one half of the songwriting team Mizer & Moore (The Marvelous Mrs Maisel), a longtime TFE reader and previous Smackdown panelist. 

me on the set of The Marvelous Mrs Maisel. A dream come true

by Tom Mizer

When Amy Sherman-Palladino, the producer/director/creator and all-around whiz-bang brain of The Marvelous Mrs. Maisel, asked my writing partner Curtis Moore and I to write original music for the third season, we knew immediately it was going to be a big challenge. (Also, let’s be honest, wicked cool.) The songs needed to sit alongside the needle-drop classics they deploy so expertly on the show (don’t tell anyone but the show is a musical in perfectly pink disguise). They needed to help tell the story and illuminate character while also being believable pop hits of 1959. They also needed to be written, approved, and recorded before filming in a few weeks. So, yeah, just a wee bit challenging.

What we didn’t know was how welcomed we'd be into the “family” of the show. Instead of just turning in demos and hoping for the best --fly free little songs, fly free! -- we were invited to collaborate during the whole process....

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'Wish We Had Written That' - A Best Original Song Game

Today we turn the blog over to Tom Mizer, one half of the songwriting team Mizer & Moore...

Curtis Moore & Tom Mizer photographed by Xanthe Elbrick

by Tom Mizer

The Contestants: Tom and Curtis have been songwriting partners since meeting at Northwestern University. This may or may not have been before computers were required at college. 

The Oscar Winning Song Game: Without looking in advance, the contestants will receive a range of Oscar Winning Best Songs. They will each have 30 seconds to peruse the list. When time is up, they will text the other the song “they wish they had written.” After years of working together, will their choices match? If not, they will have a short period to discuss and convince the other of the wisdom of their selection, hopefully arriving at an agreement. This may end their partnership.

Ladies and gentlemen, the transcript begins:

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April Foolish Predix Pt 2: Visuals & Sound

Hello brave readers willing to fantasize about the 93rd annual Academy Awards while the bulk of the internet (but not us!) is convinced they won't exist! We've previously covered potential options for Best Animated Feature so now let's talk all the craft categories before we get to the 'big eight' (Screenplays, Director, Acting, and Picture). It's a wild wild world out there in terms of possibility. We only know:

a) which movies are "definitely*" still planning to open this year
b) the kinds of things Oscar tends to like in a normal year
c) a vague idea and plentiful hunches about which movies are closest to being finished in post-production and will risk opening. 

So please take all of these predictions in the way they are intended: a bit of fantasy escapism based on past punditry experience mixed with vague ideas about what might happen in the future of this tumultuous year. 

VISUAL CATEGORIES
Our favourite film categories to think about apart from Actressing & International Film. Come look at what we think might happen in Costume Design, Cinematography, and more. 

SOUND CATEGORIES
These are much less fact-based. Composers are often the last part of a creative team hired so a lot of upcoming pictures dont have composers announced yet. Especially since Hollywood isn't at work at the moment. So this is wild guesswork. We also dont know which movies will have original songs. So we are blindfolded while looking at these crystal balls. It's quite odd, punditry, in this pandemic world.