Oscar Volleys: Best Costume Design is all about opulence - you own everything.

Team Experience will be discussing each Oscar category as we head into the precursors. Here's Cláudio Alves and Elisa Giudici with a conversation on Best Costume Design... 

"Babylon" | © Paramount Pictures

CLÁUDIO: Just as we're starting this conversation, I see my TL full of early reactions to Babylon, which was screened at long last. It still feels too soon to predict how the movie will do, whether critically or in the awards race, but it'll be polarizing. Some love it, some hate it, and the same singular elements have been recipients of both praise and loathing. With all this in mind, we can consider Babylon's chances in the Best Costume Design category. Honestly, at this point in the season, it feels like one of only two locks in the race…

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Oscar Volley: Best Makeup... or is it "Best Prosthetics"?

Team Experience will be discussing each Oscar category as we head into the precursors. Here's Nathaniel and Elisa to discuss Makeup... 

Colin Farrell and... Colin Farrell?

NATHANIEL: Elisa, let's start with a question: Do you think this category should be split into two: Best Makeup Effects AND Best Makeup and Hairstyling? As it stands now, the latter never gets a fair shake. If you do incredible things with glamour and character design but don't offer anything in the prosthetic department, chances are slim to none that you'll be nominated!

For example I think it's pretty clear that Elvis, The Batman, and The Whale will be competitive primarily because they each bury one key character in prosthetics until they're almost unrecognizable. But why? It always feels a bit like showing off. Why hire a famous actor to play a role if you don't actually want their famous face? This bugs me most in the case of The Batman but it might be because I relish looking at Colin Farrell's face... and if you're going to deny me that, don't promise me Colin 'Feckin' Farrell...

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What did you see this week... or are you waiting for Thanksgiving like Hollywood?

By Nathaniel R

It was a strange weekend for moviegoers. Hollywood wanted to give Black Panther 2 ample room and it's not quite thanksgiving so only two new wide releases risked opening: The Menu and She Said. The former did okay and the latter struggled. In limited release a slightly similar story but just remove a few 0s as Bones and All and The Inspection both opened on a handful of screens. In both box office skirmishes, moviegoers tended to chose the violent option. Violent thrills are really what sells movie tickets these days, with or without vfx budgets. We wish the general moviegoer had wider taste, but it is what it is...

Weekend Box Office (actuals) November 18th-20th 🔺 = new or expanding /  ★ = Recommended
WIDE (OVER 800 SCREENS)	LIMITED / PLATFORM
BLACK PANTHER WAKANDA FOREVER	BONES AND ALL
1 BLACK PANTHER WAKANDA FOREVER $66.4 (cum. $287.1)	1 TILL $228k (cum. $8.5) 656 screens

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Review: "Black Panther: Wakanda Forever"

by Nathaniel R

Presenting a task as impossible as hiding a futuristic country for centuries in Sub-Saharan Africa. Imagine having to follow up the phenomenon of Marvel's Black Panther (2018) which, like most explosive zeitgeist events, had ultra precise perfectly timed ingredients and arrived at the exact moment in culture when all of them would be most appreciated. Now imagine having to follow that up without its charismatic leading man, lost to cancer at the young peak of an already impressive career. Director Ryan Coogler was in an unenviable position. It's no surprise, then, that the sequel to Marvel's most popular solo adventure is a bit wobbly on arrival. Never mind that the sequel must bear the weight of all the absurd expectations and make sense of T'Challa's absence while trying to find new legs on both land AND at sea. Thank god for the latter. Whatever the movie's faults, it's not from attempting a simplistic retread...

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Box Office: "Wakanda Forever" Domination

By Ben Miller

To the surprise of absolutely no one, Black Panther: Wakanda Forever ruled the weekend box office with a $181 million opening.  Believe it or not, that's second-best on the year to Doctor Strange in the Multiverse of Madness.  Marvel knows how to make money.  The second Black Panther entry arrived to good reviews (84% on Rotten Tomatoes) and zero counterprogramming.  It also added another $150 million internationally.  The film is expected to be the number two grossing film of the year in a few weeks (behind Top Gun: Maverick).

Weekend Box Office (actuals) November 11th-13th 🔺 = new or expanding /  ★ = Recommended links if we've written about it
WIDE (OVER 800 SCREENS)	LIMITED / PLATFORM
BLACK PANTHER: WAKANDA FOREVER	TRIANGLE OF SADNESS
1  🔺 BLACK PANTHER: WAKANDA FOREVER $181.3 *NEW*	1 ★ TRIANGLE OF SADNESS (sweden/uk) $250k (cum. $3.5) 184 screens

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