Lypsinka Linka

Fandor a preview of a conversation between Nick and I. This is Nick's brilliant observation that 2009 and 2010's best picture lineups have more than a little in common.
Cinematical Did you hear about this shooting at a Black Swan screening. I'm still confused about what actually happened given the way these posts are written and updated.
Scott Feinberg "Deep Vote" reveals his final Oscar ballot
Black Voices 20 Questions for Anika Noni Rose. Turns out she's really fond of the movie Mother & Child. And really glad to have been Disney's first black princess and loves the fan response.

I actually got a video from a little boy. He was three and he was bouncing on his bed singing 'All The Stars Up There' and telling his mommy, "She is my favorite princess. I'm going to marry her."

Let's wrap up.

I am a huge fan of Lypsinka and I kept meaning to mention her in connection with Black Swan. So it was really fun to read The Daily Beast's interview with John Epperson (aka Lypsinka's "hideous maid") who plays "Jaded Piano Player" in Darren Aronofsky's Best Picture nominee. Seeing Lypsinka live is SO incredible. If you ever see an advertisement for a Lypsinka show in your city you'd be wise to buy tickets. The amount of sheer mnemonic and physical skill required for her act is unreal. Imagine memorizing hours worth of dialogue that's totally unconnected to context and schizophrenically shoved together. Here's a sampling of her inimitable way with Old Hollywood sound clips.

One of my many dreams in life is to host fabulous A list Oscar parties in which I could enlist true Divas to perform. Imagine Lypsinka doing a delicious glamour-fit mix of all the diva lines (and there are lots of them this year) from Black Swan, Animal Kingdom and The Fighter! "You've done some bad things Sweetie!"

This & That: Win Wins, Pettyfer Double, Black Swan $100

I apologize for my absence today, I'm so far behind on awardage I know. Argh. While you wait for that, some articles of mine at my other two haunts.

In my weekly Oscar column at Tribeca Film, I'm considering the win-win of being a nominated actor. If you think you're going to win, you're probably racked with nerves. If you know you're not, you're free to enjoy the adulation without much stress. Either way, it's a win-win since you're Oscar nominated, you know?

Over at Towleroad, I'm blabbing about Alex Pettyfer aka I Am Number Four, the latest product Hollywood is trying to sell me.

It's like Hollywood is smiling under flourescent lighting at the grocery store. "Free sample? Free sample?"

Other things to check out:
Inside Movies great piece on Banksy and why the Academy doesn't understand entertainment on Oscar night.
Meryl Streep Forum has some on the set peaks at Meryl Streep in Thatcher.
Awards Daily Ballot Sasha is simulating the Oscar voting. I voted today. Wheeee
My New Plaid Pants Do Dump or Marry with the Lincoln Lawyer lads.
Gold Derby Spider-Man: Turn Off the Dark getting rewrites from a different writer after three months in previews? My God. Please just put this thing down.
Alt Film Guide fun list of longest gap between acting Oscar nods.

Finally, congratulations to Darren Aronofsky. He has his first $100 million domestic grosser with Black Swan which just crossed the big mark. It feels great that the public is finally catching up with all of us, right? Aronofsky's been making awesome movies for a whole decade. In case you missed the big Aronofsky Favorite Actors post, check it out.

Curio: Odd Doll

Alexa here with your weekly arts and crafts.  As Nathaniel pointed out, Black Swan has been quite an inspiration for graphic artists out there (with many a swell poster or t-shirt to be found).  But I think this doll, created by Sébastien Lepitre, is the most beautiful Black Swan creation I've seen so far.    

Sébastien started as an uninspired graphic designer and now follows his dream of creating heirloom-quality dolls and home products.  His Nina doll is so exquisitely crafted that I would think the Mulleavy sisters had a hand in stitching the tutu.  I can imagine it rising from the trash heap of Nina's discarded stuffed animals. 

Alas, while this Nina doll is sold, he also has a sweet pair of Grady sister dolls for you Kubrick fans, and a Pris replicant doll for you Blade Runner lovers.  

You can see more on his website and etsy shop.

Baby, I Was Linked This Way

Pop Sugar gets a first look at Leonardo DiCaprio, Judi Dench and Armie Hammer suited up for Clint Eastwood's J. Edgar (pictured left). I'd embed it here but it's one of those annoying videos that starts itself and that won't do. Computers must be silent until they are asked to speak. Don't you agree?

Nicole's Magic explains the reason Nicole Kidman isn't in Just Go With It's marketing campaign (spoilery).
Gallery of the Absurd "commemorates" Lindsay Lohan's latest criminal activity.
The New York Times' dance critic reviews Black Swan. I'm so burnt out on Black Swan right now but this is a good read. Like this

It goes out of its way to contradict the old escapist idea that “everything’s beautiful at the ballet.” Instead it takes energy from the aspects of ballet that are cruel and unfair. Let’s not pretend, however, that those aspects don’t exist.

The Browser Speaking of... Here's a different type of article, Darren Aronofsky talking about his 5 favorite filmmaking books.
Movie|Line regarding that time Anne Heche turned down Speed. WHAAAA? Sorry I l-o-v-e Anne Heche and she does not have the career I long for her to have despite being a unique screen presence and fine actress. Damn you Hollywood, damn you!

Black Voices shares a recent controversial statement about black women and Oscars and extrapolates on that. I find this type of discussion fascinating but whenever people use Oscar nominations and wins to paint broad strokes I always want to school them a little on Oscar history in general. I know I paint with broad strokes sometimes, too, so I sympathize. But take this note for example.

Sure, Halle Berry and Monique won their awards because they played roles that Hollywood is incredibly comfortable with: black women yelling, screaming and suffering without makeup. But, it's not just white Hollywood. We're all incredibly comfortable with miserable black women. I call it pain porn.

I 100% agree that Oscar rewards things they are comfortable with.

But one could make an argument that it's not that Oscar loves seeing black women in pain, it's that Oscar loves seeing women in pain. Dramatic suffering has always been the easiest way to an Oscar. Look at your entire Best Actress lineup this year. They're all white, sure. They're also all suffering. The least tearful woman in the lineup (Jennifer Lawrence) is a tough one, but she also gets beat up and shunned by her own kin. And when she's not in pain porn, she's in poverty porn. (Poverty porn, like pain porn, is not about race with Oscar.) Was Annette Bening nominated this year because she ably conveyed boredom and confusion about her marriage and hilarious cluelessness about what emotions her children were logging? No. I bet you anything she was nominated because when tears welled up in her eyes and she asked her lying wife "did you take a nap, too?" you could feel the sting of betrayal and the disorienting fresh magnitude of her pain. Ever notice how many Oscar clips are people screaming, yelling and suffering? The bulk of them! The same is true for the men (albeit to a lesser degree)

Is that my daughter in theerrrrrrrrrrre?!!!???

But mostly I wanted to say something about this because to disparage Mo'Nique's win is to shun one of the best performances of the modern era. The last time I saw someone dig that deep and find that much humanity inside someone doing monstrous things was... um... I'm not sure that I have. I bow down to Mo'Nique's actressing. If someone doesn't give her another meaty movie role soon, we are all the poorer for it.

Off Cinema Break
Do you like Lady Gaga's new song "Born This Way?"

I'm not sure that I do. I have no doubt it'll work for the dancefloor but as a stand-alone pop melody? Sorry for my gay heresy. You can have the toaster back.

Amy Westcott on Her "Black Swan" Costume Snub

Wescott's Nina sketchesGiven my fascination with Costume Design, you'll recall I already named my nominees (which included Amy Westcott and Rodarte for Black Swan) and said a few words about Westcott's own work on Black Swan, I drank up this interview in Clothes on Film with the designer post-Oscar snubbing. And I'm alarmed that I missed it two days ago.

A week or so ago film sites were discussing whether or not it was fair that Rodarte could not be nominated alongside her (everyone assuming that Black Swan would be nominated). Perhaps I was just naive but I didn't realize that ill feelings were brewing behind the scenes. Is life imitating art given the rivalry in the Black Swan plot.

Here's what the talented designer tells Clothes on Film about Rodarte's lack of credit and the interviews and press that followed once the film caught fire.

Clothes on Film, Chris: Are you aware of the controversy surrounding yourself and fashion house Rodarte (the Mulleavy sisters) in the press; that they should be credited alongside you as costume designers?

Amy Westcott: Controversy is too complimentary a word for two people using their considerable self-publicising resources to loudly complain about their credit once they realised how good the film is.

CoF: Do you feel as though you are being vilified for something out of your hands?

Westcott: I was happy for Rodarte’s persistent publicity efforts at first; I’m so proud of the film and anything that brings it to an even wider audience is genuinely welcome. I tried to put aside my ego while being airbrushed from history in all of their interviews, as I’m just not that kind of person anyway. But when articles were planted that attacked me personally as if I had conspired against them I felt nothing but despair and betrayal. I don’t have a publicist working for me, needless to say, and I was asked to stay quiet –“not to engage”, to avoid any bad press towards the film. Unfortunately this seems to have proven detrimental to the perception of my work on Black Swan. I didn’t make the rules that the Guild and the Academy set and I am proud of my professionalism and commitment to my work, so to have my name dragged into such ill-informed gossip is galling and hurtful to say the least.

Sad that things went in that direction. Westcott also talks about how she feels about the snub, working with Aronofksy, whether she'll work with fashion design labels again on a film, and what was hardest to achieve on the visually stunning film. Well worth a read.