How Had I Never Seen... "Memories of Murder" and "The Host"

In this Team Experience series, contributors catch up with gaps in their film history. Here's Cláudio Alves...

With Parasite making history and Bong Joon-ho more celebrated than ever, it's a good time for me to watch the two films that propelled the Korean director to his first waves of international success. I had never seen 2003's Memories of Murder and 2006's The Host so I was eager to correct that. 

The first film is based upon real events, telling a story of police investigation and serial killing, while the second is a sort of South Korean answer to Godzilla's prismatic view of national trauma as monster movie hijinks. Not unexpectedly, I found myself in awe of both pictures…

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An Awards Night in New York

by Murtada Elfadl

Award events where the winners have already been announced have a particular way about them. The speeches are mostly prepared before, and the winners  - or their publicists and the people behind their movies - have a say in who gets to present them with the award. Last night the New York Film Critics Circle presented their 2019 awards and here are some of the presenter / winner pairings and why perhaps they’ve been chosen.

Yahya Abdul Mateen / Lupita Nyong’o…. He played her dad in flashbacks in Us

Claire Denis / Mati Diop …. Diop was in Denis’ 35 Shots of Rum...

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"Parasite" is the mashup of "Shoplifters" and "Burning" we never knew we wanted

by Lynn Lee

For a 132-minute Korean film that isn’t yet in wide release, Bong Joon Ho’s Parasite is already one of the most talked-about movies of the season, and for good reason.  Alas, most of the reasons can’t really be discussed without major spoilers – but that’s all the more incentive to see it as soon as it hits a theater near you.

When I saw it, I loved it, which I wasn’t necessarily expecting considering I hadn’t been a fan of either The Host or Snowpiercer, arguably the director's most popular films.  Despite its run time, Parasite is tighter than those films, and its tonal shifts and genre-melding smoother.  It's also more focused, its treatment of one of Bong’s favorite themes – class disparities – razor-sharp yet also oddly compassionate, ultimately condemning the system rather than any individual players.

Parasite, which took the Palme d’Or at Cannes this year, also felt to me like the deranged evil twin of last year’s Palme d’Or winner, Hirokazu Kore-eda’s Shoplifters...

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Posterized: Bong Joon-ho

by Nathaniel R

With Parasite rapidly collecting box office loot ($95 million worldwide to date) and looking very strong for awards season and top ten listsd, let's talk about the master behind the camera Boon Jong-ho. The Palme d'or winner turned 50 last month and had yet more cause to celebrate his half century mark with Parasite opening to sensational box office and expanding rapidly (lots more cities this weekend, so go see it!)

Let's look at his short but stellar filmography in poster form after the jump...

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Oscar's International Race Pt 4 - Returning Directors

by Nathaniel R

In the race for this year's Best International Feature Film, Parasite definitely has the lead but Bong Joon-ho is one of only 20 directors trying again with Oscar after previous submissions in this category. None of them have been nominated before except the LEGEND we'll start with...

THE RETURNING GIANT
Spain's most globally celebrated director, Pedro Almodóvar, is back in contention for the seventh time with Pain and Glory, his 21st feature at the age of 72. This finally makes him Spain's most submitted director of all time...

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