Cannes 2024: Meryl Streep to receive Palme d'Or

by Cláudio Alves 

As the 77th Cannes Film Festival approaches, more news emerges from Thierry Frémaux's office. The latest story concerns the Honorary Palme d'Or. While a rare plaudit in its genesis, the award has become a mainstay of the most recent festivals, with each edition involving multiple winners. Still, the number of trophies usually stops at two per year. Not so in 2024, when Cannes will give three Honorary Palmes d'Or. The first winner announced was George Lucas, who'll be 80 this month, and then came Studio Ghibli as the first awarded collective. Finally, we have Meryl Streep, who'll be a guest of honor at the Opening Ceremony and receive one of the highest honors in the film world… 

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Cannes 2024: Lily Gladstone joins Greta Gerwig's Jury

by Cláudio Alves

Lily Gladstone is one of the eight jurors who have just been announced for the Cannes Main Competition. After success at last year's festival with Killers of the Flower Moon, the Oscar nominee feels like a logical choice. Indeed, most of the jury comprises artists who have found acclaim at the Croisette. There's a former Palme winner, a Jury Prize victor, the co-writer of a Palme d'Or recipient, stars of various pictures that have screened there, and more. All things considered, Greta Gerwig is probably the least familiar with Cannes red carpets and the screen of the Lumière. But after three solo directorial credits of such cultural prominence, it's easy to see why she's this year's Jury President.

Here's the complete Main Competition Jury for the 74th Cannes Film Festival...

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Cannes 2024: Three more titles join the Official Competition

by Cláudio Alves

Michel Hazanavicius joins the Official Competition with an animated film.

As expected, a few more titles have been added to this year's Cannes Film Festival lineup. In the Premiere section, Jessica Palud's Maria Schneider biopic joins a star-studded selection. One of this year's two Count of Monte-Cristo adaptations will screen Out of Competition, while a pair of buzzy documentaries will bow in the Special Screenings program. They are Oliver Stone's Lula and Lou Ye's An Unfinished Film. Other new titles in that section include Arnaud Desplechin's latest Paul Dedalus film and Nasty, directed by Tudor Giurgiu, Cristian Pascariu, and Tudor D. Popescu. But of course, the most important announcements concern the Main Competition, where three films complete the 22-title lineup…

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A Palme d'Or for Studio Ghibli

by Cláudio Alves

NAUSICAÄ OF THE VALLEY OF THE WIND (1984) is the only Miyazaki film ever screened at Cannes.

In 1997, to mark the occasion of its 50th edition, the Cannes Film Festival awarded a special Palme des Palmes to Ingmar Bergman. Afterward, and since 2002, it has also attributed the Honorary Palme d'Or to film artists in honor of their esteemed careers. Until now, the prize has gone to directors, producers and actors such as Catherine Deneuve, Manoel de Oliveira, and Agnès Varda, among many others. This year, however, the festival will award its first Palme d'Or to animated cinema and a group rather than an individual. The honoree is Studio Ghibli, cofounded by Hayao Miyazaki, Toshio Suzuki, and the dear departed Isao Takahata. This comes after The Boy and the Heron won the studio its second Oscar and breaks with American dominance over these Honorary awards in the past few years.

It's a joyous occasion but it's also imbued with a fair amount of sorrow…

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Cannes 2024: Coppola and Cronenberg in Competition

by Cláudio Alves

Early this morning, journalists congregated around Thierry Frémaux for the announcement of the 77th Cannes Film Festival Official Selection. The director shared titles from various sections, confirming some suspected rumors and setting the world of cinephilia abuzz. As ever, the main focus is on the Competition titles, as the next Palme d'Or may be among the films already announced. But of course, a project or two are usually added before the festivities start at the Croisette, so our champion may remain in mystery. Many predicted Audrey Diwan's Emmanuelle remake to be selected, for instance, but the Happening director was notoriously absent from today's dispatch.

In the past few years, The Film Experience has had two parallel coverages, and we hope to keep the tradition. There's Elisa Giudici on the ground, reviewing new films through her festival diary. And then there's my Cannes at Home project, focused on past projects by the competing auteurs. Let's go down the list…

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