"Brave", We Need You

Behold the blurry teaser poster (courtesy of Pixar Planet) for Pixar's Brave an original story with their first female lead "Princess Merida"

I normally wouldn't post a blurry advertisement, but having just seen Cars 2, I'm going to rub this teaser all over me for soothing balm. I need this one to be great. Cars 2 stinks (more later) and the Toy Story short that proceeds it "Hawaiian Vacation" is also soul-crushing. Oh Pixar, you said farewell to these characters so beautifully last year. You had a whole world weeping under 3D glasses and then you bring the whole gang back instantly for such a disposable mediocrity? What are we going to do with you? We depend on you! Love - a concerned fan since that bootleg viewing of Tin Toy in the 1980s.

Box Office: Faster and Furiouser

The Fast & Furious franchise turned the box office into a regular demolition derby destroying its competition with over 60% of the top ten dollars. It seems absurd to make the comparison but maybe it's a Bondian franchise, the kind that only grows with time? Tokyo Drift, the only entry without Paul Walker or Vin Diesel in the driver's seat was its only underperformer. Okay so maybe the Bond comparison is a bad one since that series has easily survived cast changes. (Not that Fast Five didn't benefit from the addition of The Rock.

For Fast & Furious: Sixth Gear I think they should race famous vintage movie cars: The Batmobile, Thelma & Louise's Thunderbird convertiable, Bonnie & Clyde's Death Car.  And while we're on the Ian Fleming franchise subject, maybe throw in a musical dream segment starring Chitty Chitty Bang Bang; lead feet with twinkle toes!

The Box Office (Actuals)

01 FAST FIVE new $86.1
02 RIO $14.7 (cumulative $104)
03 MADEA'S BIG HAPPY FAMILY $9.8 (cumulative $40.8)
04 WATER FOR ELEPHANTS $9.3 (cumulative $32.4)
05 PROM new $4.7
06 HOODWINKED TOO! HOOD VS. EVIL new $4.1
07 SOUL SURFER $3.3 (cumulative $33.8)
08 INSIDIOUS $2.6 (cumulative $48.3)
09 HOP $2.6 (cumulative $105.4)
10 SOURCE CODE $2.5 (cumulative $48.8)

Points of Interest:

Brandon Routh is "Dylan Dog"

• HOP proves that when you're holiday-themed, it's really wise to open well before the holiday. (I've never understood this with horror movies that choose to open on Halloween weekend.) Hop did huge box office right up until Easter. Afterwards? A huge 80% drop in attendance despite only losing 10% of its screens. Kill the wabbit kill the wabbit ♪ ♫
• Dylan Dog: Dead of Night opened wide but still coudn't crack the top ten. Ouch.
• Best Per Screen Average: Werner Herzog's Cave of Forgotten Dreams. In 3-D!
• Not every toon opens huge (Hoodwinked!) though it seems the norm (Rio, Rango, etc...)

What did you see this weekend? How many of the Fast & Furious films have you seen?

Posters, Links, Handguns

Via Awards Daily, the Albert Nobbs teaser poster. Enjoy it while you can as you know it'll soon be replaced with a boring poster of Glenn Close's floating head. Or perhaps Glenn Close and Mia Wasikowska photographed separately and then awkwardly fused together? Something I'll never understand: it's not like actors are never in the same room. Why not shoot movie poster photography ON THE SET? This shouldn't sound like a genius idea but given the state of movie posters, it is.

On the other hand... staying positive for a moment, we probably bitch too much about bad poster design these days. In truth there's a lot of very good work being done these past few years with the caveat that 95% of the good work is happening in the "teaser" realm rather than within the world of official movie poster. Perhaps Hollywood assumes that the movie obsessive crowds are inspired by good design but the unwashed masses only understand giant floating heads or horizontal stripes featuring film stills?

Oh and while we're talking posters... MELANCHOLIA. It's also a beauty. Love the little curlicue flourish.

Upcoming Films
Scott Feinberg liked the Butch Cassidy and Sundance Kid "sequel" Blackthorn at the Tribeca Film Festival with high marks for Sam Shepard as Butch.
Hero Complex JJ Abrams names seven films that influenced the upcoming Super 8.
Tom Shone Smart take on why the superhero movie is suddenly going retro with Captain America and X-Men First Class.
Towleroad I look at the men of May at the movies. Who is headlining? Who should we obsess over? 
Artsbeat Tribeca Film Festival Winners 

Um...
Towleroad Alex Pettyfer talks about his dick and reveals that he is one. Note to upcoming movie stars: do not act like stardom is a burden when you're still trying to win it. It's a turnoff -- most people would kill to switch places with you. If you turn people off before they're turned on, you're a trivia answer within a couple of years or completely forgotten.

Yes
Observations on Film Art wonderful piece on the visual language of movie endings and beginnings.
Gold Derby the Globes and the BAFTAs reveal their awards calendars. Once Oscar chimes in everyone else follows. 

Gadgets
Txnologist futuristic cars in the movies, they're totally into gullwings and butterfly wings and not today's boring doors that open sideways.
i09 lists the greatest handguns in sci-fi history so if you like Firefly, Farscape, Star Trek and the like, read on.

Animation in 2011/12. Oscar Predix and "Brave"

Will 2011 go down in history as the year when animation's hot streak finally cooled? Oh sure, bix box office awaits a great number of the toons arriving this year but box office isn't everything. You can be a huge hit and impress virtually no one (just look through some past box office charts and think about the way people talk about some of those "blockbusters") since audiences have a Pavlovian response to certain genres in certain decades with certain ubiquitous forms of advertising: Must Buy Ticket.

Will we see a 2006 rematch in Animated Feature?

It's hard to figure which animated films will be nominated for Best Animated Feature come January since half of the releases (literally by my count) are sequels. Sequels are judged differently than original fare. Half of our response (at the very least) is in the way the new film dialogues with the old. Does it add to the conversation, merely parrot it, deepen it, spoil it, change it? Once studio creatives get too self-referential or repetitive they can turn into a soulless production line workers and whole genres can become museum pieces rather than evolving vivid living things. The documentary Waking Sleeping Beauty, which I highly recommend to animation lovers, charts this very problem in regards to Disney. It documents the dwindling audience love and studio creativity in the 1980s through to its spectacular rebirth in the early 90s. It's a good film to see to remind ourselves that we can only borrow heat from past glories for so long before things gets chilly.

Click here for  Oscar charts / Animated Feature predictions

Here's a potentially happy visual extro that has nothing to do with this year's Oscars. Here are three concept drawings from Pixar's Summer 2012 feature BRAVE.

Since the delightfully cute-looking Newt was cancelled it's Pixar's only original film in the pipeline with sequels to Cars (this year) and Monster's Inc (called Monsters University in late 2012) bookending it. Brave (formerly titled The Bear and the Bow) features their very first lead heroine "Merida" (voiced by Kelly MacDonald), and was at one point going to be Pixar's first movie directed by a woman and then it wasn't and now it's (co)directed by her. It's also NOT a sequel. Let's hope it's great so that 50% of the population (the ones with vaginas) don't get blamed for spoiling Pixar's unbroken winning streak*.

*If you ask me this "ALWAYS PERFECT" business is a myth, a huge pitcher of Kool-Aid we all drank. It would be much healthier to let go of it. Though it made a billion dollars Cars (2006) is NOT a good movie. People are always (still) making excuses for it like "I didn't love it but..." Just stop making excuses. Accept that they've already stumbled once and we won't be pressuring them with this "Perfect!" myth. And we won't be so heartbroken when they start churning out a gazillion sequels. And they won't be so nervous about mixing up the formulas a bit or scared into only making sequels.