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Alexa here. The German photographers Bernard and Hilla Becher pioneered the art of the typology: grids of images of various examples of a single type of object. The technique was to photograph a series of similar objects, usually industrial structures, from similar vantage points to highlight what their differences were. Illustrator Mitch Frey has used this technique to create grids of types from the world of film, including these 70s movie men. He's turned the typology into a fun guessing game of "Name That Movie!"
We'll continue the guessing games after the jump, with 70s ladies, and typologies of Clint Eastwood through the years...
Every time the Producers Guild of America announces their awards, I have a split second of alternate universe confusion wherein I imagine the golfers on the PGA Tour breaking to vote on their ten favorite movies of the year. I'm pretty sure they'd have found room for DRIVE.
wocka wocka wocka
(I'm sorry! I couldn't resist.)
The other notable exclusion from the PGA's list is Terrence Malick's THE TREE OF LIFE but considering that the two most notable exclusions are auteur movies which didn't exactly light the box office on fire it makes sense that the PGA would embrace bigger and more producer-driven hits in their place. But I don't think this is bad news for The Tree of Life in the best picture race since it's obviously going to get a healthy portion of #1 votes. Enough though? Who knows.
Darryl F. Zanuck Producer of the Year Award in Theatrical Motion Pictures
THE ARTIST Thomas Langmann
BRIDESMAIDS Judd Apatow, Barry Mendel, Clayton Townsend
THE DESCENDANTS Jim Burke, Alexander Payne, Jim Taylor
THE GIRL WITH THE DRAGON TATTOO Ceán Chaffin, Scott Rudin
THE HELP Michael Barnathan, Chris Columbus, Brunson Green
HUGO Graham King, Martin Scorsese
THE IDES OF MARCH George Clooney, Grant Heslov, Brian Oliver
MIDNIGHT IN PARIS Letty Aronson, Stephen Tenenbaum
MONEYBALL Michael De Luca, Rachael Horovitz, Brad Pitt
WAR HORSE Kathleen Kennedy, Steven Spielberg
The inclusion of Dragon Tattoo is the most interesting because it is neither a big hit nor a critical darling nor a sound Oscar contender (though I suppose the last point is debatable). Was it Scott Rudin directed sympathy for Embargo-Gate? Was it just lazy just-saw-that voting? Did they genuinely love it?
The inclusion of The Ides of March might be the most telling since it also scored with the Golden Globes rather unexpectedly. When I first saw it I thought "my god, everyone is underestimating its Oscar chances" but then everyone quickly shoved it to the side as an also ran and I followed suit. Perhaps my initial instinct was closer to the truth than I knew? Do you think there's Oscar life left in THE IDES OF MARCH?
The New York Film Critics Circle recently opted out of honoring a best animated feature (and unless I'm mistaken it was an afterthought win for Rango at the NBR since it wasn't in the first wave of articles). Will awards bodies lose their keys to this category since realizing Cars 2 was a lemon? If you stop to think about it for more than two seconds it's decidedly ungenerous at best and horribly offensive at worst. It sheds an unflattering light on the initiable embrace of the animated ghetto categories, suggesting they were only created to honor Pixar to begin with. Which is... rather shameful if you ask me. If the only reason you created a category was to honor Pixar, you shouldn't have created a category. Nobody gives out prizes for "Best Paramount Pictures Release of the Year", you know? Nobody gives out prizes for "Best Weinstein Co. Release of The Year" ["The Academy does!" cried the anonymous heckler. *rimshot*]
What? Rango wasn't good enough for a badge of honor?
So, even if this wasn't the single greatest year for animated film, if you're going to honor the medium, honor the medium. If you change your rules every year who will respect you? (That's a general warning to wishy washy committees, The Golden Satellites, and to the Oscar board of directors themselves who are weirdly starting to act like all their imitators these past few years by second guessing themselves constantly).
But, since the Annie Awards have been honoring animated work for 38 years -- long before Oscar or the critics groups ever thought to honor it -- they'll continute to do just that. They've selected ten "Best Picture" nominees for their 39th annual awards. And even if they felt the need to include Cars 2 to get there, at least they didn't cancel their ceremony when they realized it wasn't revving anyone's engines. I promise to brake break with the car puns no. So sorry!
Annie Awards Best Animated Feature Nominees
A Cat in Paris - Folimage
The Adventures of Tintin - Amblin Entertainment, Wingnut Films and Kennedy/Marshall
Arrugas (Wrinkles) - Perro Verde Films, SL
Arthur Christmas - Sony Pictures Animation, Aardman Animation
Cars 2 - Pixar
Chico & Rita - Chico & Rita Distribution Limited
Kung Fu Panda 2 - Dreamworks Animation
Puss in Boost - Dreamworks Animation
Rango - Paramount Pictures and Nickelodeon Movies present a Blind Wink/GK Films Production
Rio - Blue Sky Studios
And even if he isn't nominated for an Oscar for Best Actor, Gary Oldman could still win an Annie Award. He's up for best voice acting as "Lord Shen" from Kung Fu Panda 2.
Find this... 'panda'... and bring him to me. FIND this 'Panda'. And bring him to me. FIND THIS PANDA AND BRING HIM TO ME!!!"
A complete list of their nominations is after the jump if you'd like to dig deeper. (I was sad that this year they didn't include the info as to which animated characters the individual animators are being honored for designing or animating. If I recall correctly they used to specify which characters, just as in the voice acting honors.)
It will undoubtedly seem strange to chase Michael's Pixar interview with another reminder that I have no patience for Cars 2, but I must. With the reveal of the Best Animated Feature submission list, we know that Pixar has a much better shot than ever at yet another Oscar nomination in this category. Pixar has deserved all of its Best Animated Feature Oscar wins and more still (Shrek over Monsters Inc.??? Yep, still embarrassing!) But Oscar nominations mean a lot more when you don't get them out of habit or loyalty to the brand. Will the nominating voters dare step out of Pixar's anthropomorphic vehicles this year to look at, say, an acclaimed racy animated romance among Cuban immigrants?
If at least 16 of these 18 pass the Academy's eligibility requirements, the nominating committee can choose 5 of them as nominees.
Alois Nebel (The Czech Republic's Best Foreign Film Submission so it could be nominated in two categories - see our TIFF review)
Alvin and the Chipmunks: Chipwrecked (opens Dec 16th)
Arthur Christmas (opens Nov 23rd)
Cars 2
A Cat in Paris (this one is a feline noir homage from Belgium)
Chico & Rita (a music-heavy romance between a pianist and a singer)
Gnomeo & Juliet
Happy Feet Two (opens Nov 18th)
Hoodwinked Too! Hood vs. Evil
Kung Fu Panda 2
Mars Needs Moms
Puss in Boots
Rango
Rio
The Smurfs
Winnie the Pooh
Wrinkles (a Spanish drama about two old men, one with alzheimers)
It's strange that nearly 33% of eligible films can be nominated. Can you imagine if Best Picture worked like this. Would the Oscars mean anything at all if 91 films were nominated for Best Picture each year?!? That's how many there would be (approximately) each year if 33% of eligible films were nominated. The ceremony would never end just from reading all the names!
"Wrinkles" is about a friendship between two old men.
Seeing all the titles together you can't help but notice how much more flexible the animated film is in other countries: American cinema is still locked into the notion that the animated film is a genre (boisterous colorful family comedies) rather than an artistic medium capable of housing all genres; Across oceans and borders we get a drama about old men with alzheimers, a musical romance with nudity, a witty noir about a cat leading a double life, and a historically haunted black and white drama about a man in a sanotorium.
I'd love to hear your thoughts about the Best Animated Feature Oscar race. It's not my strong suit as predictions or knowledge goes... though I'll start seeing more of these very soon.
Animation Magazine suggests that if the Czech Republic's Alois Nebel (recently submitted for Oscar's foreign language film race) also enters the Animated Feature race there might be over 16 eligible films and then that category could expand to five nominees. Christ, of all years to have enough films for a 5 wide race, this is not the year! That would probably mean that Pixar's Cars 2 got a nomination and who can live with that? NOT I! Can anyone even name 2 animated films that deserve to call themselves "Best Feature" this year? If Best Picture had the same ratio of release to nominees the Best Picture shortlist would be like 150 movies long. And the foreign language film nominees would total like 20. Seriously, the Oscar rules on the animated feature category are an unholy mess!
Whew, with that off my chest -- sorry, I h-a-t-e-d Cars 2 -- Happier things now!
Deadline I keep forgetting to mention this and I'm sure you already know but they're turning The Kids Are All Right into a TV series. On the one hand TV series thrive on character you'd like to spend lots of time with and on that front it's a total winning idea. On the other hand the movie thrived on how succinctly it captured one crucial timeframe (the summer before college which is a universal Important Time Frame for families when it happens) and plus, how the hell you gonna replace 3 of the best adult actors on the planet and 2 of the most promising teen actors on the planet?
Frankly My Dear... thinks that either Quentin Tarantino's Django Unchained or Baz Luhrmann's The Great Gatsby will have to move away from Christmas Day 2012. I dunno. Didn't Gangs of New York and Catch Me If You Can open right on top of one another for Christmas 2002? It worked out for both those films. Maybe the general public is okay with Leonardo DiCaprio double features.
The Lost Boy says the smartest thing we've heard said about the This Means War trailer. But maybe you should watch it before clicking over.
Broadway Blog reminds us that "Celebrity Autobiography is back for another season in NYC. In the show famous comedic celebrities read verbatim from the bios of famous self serious celebrities. I must go.
Twitch reminds me that I really should probably see Trespass even though the review is scathing and everyone agrees that it's a terrible movie. I keep putting it off but there is the Nicole Kidman Mandatoryness of it. What to do... what to do...
THE ARTIST TEAM: star Jean DuJardin, director Michel Hazanavicious, and the cast: Bejo, Miller, Grant and Cromwell
The Hairpin talks to character actress Beth Grant (who doubts your commitment to Sparkle Motion). I don't know if you were aware but Beth Grant is in the upcoming Oscar contender The Artist. She has a teensy tiny role in the excellent black and white / silent movie but at the press conference that followed its screening this past Friday, she made no bones about her excitement, calling it the pinnacle of her career even after name-checking No Country For Old Men, Rain Man and Donnie Darko. In short, she's totally besotted with it. A feeling that's easy to come by, actually.
If you believe the theory that SAG Ensemble Nominations go to The Movie That Actors Most Wish They Could Have Been In rather than the movies with the most ensembley of acting (DuJardin and Bejo totally hog this film) than this will be one of your five SAG Ensemble Nominees come January.
Tuesday, April 9, 2013 at 9:21AM 
