VES Wins: Hugo, Rango and... "Dior J'Adore!"

Paramount had a big night at the Visual Effects Society awards. We knew that Hugo was bound to do well given that the VES Statue is already Papa Georges friendly (pictured left). But they won in other categories too thanks to Rango and Transformers. Will all three of those movies take home prizes at the Oscars? Transformers has the biggest hurdle there in all three of its categories but especially in visual effects since its battling Rise of the Planet of the Apes. "Caesar" is probably too agile to fall prey to "The Driller"

Visual Effects Rise of the Planet of the Apes: Dan Lemmon, Joe Letteri, Cyndi Ochs, Kurt Williams
Supporting Visual Effects Hugo: Ben Grossmann, Alex Henning, Rob Legato, Karen Murphy
Visual Effects in an Animated Feature Rango: Tim Alexander, Hal Hickel, Jacqui Lopez, Katie Lynch
Animated Character in a Live Action Feature "Caesar" Rise of the Planet of the Apes: Daniel Barrett, Florian Fernandez, Matthew Muntean, Eric Reynolds
Animated Character in an Animated Feature "Rango" Rango: Frank Gravatt, Kevin Martel, Brian Paik, Steve Walton

Created Environment in Live Action "155 Wacker Drive" Transformers: Dark of the Moon: Giles Hancock, John Hanson, Tom Martinek, Scott Younkin
Created Environment in Animated "Main Street Dirt" Rango: John Bell, Polly Ing, Martin Murphy, Russell Paul

Quick recall: I'm sure you remember Main Street in Rango since virtually all the action unfolded there. But if you need a quick memory nudge "155 Wacker Drive" is the building that took such a brutal beating in Transformers, an action sequence that they used so heavily in commercials since they correctly guessed that "The Driller" was their biggest WOW. In fact that action sequence was so memorable that it appears that Battleship wanted nothing more than to remind you of exactly that in their 'Transformers Jr.' Superbowl commercial.

Rango in the Dirt Saloon

Virtual Cinematography in Live Action: Hugo: Martin Chamney, Rob Legato, Adam Watkins, Fabio Zangla
Virtual Cinematography in Animated "The Dirt Saloon" Rango: Colin Benoit, Philippe Rebours, Nelson Sepulveda, Nick Walker
Models "Driller" Transformers: Dark of the Moon: Tim Brakensiek, Kelvin Chu, David Fogler, Rene Garcia
Compositing "Skinny Steve" Captain America: The First Avenger: Casey Allen, Trent Claus, Brian Hajek, Cliff Welsh

The rest of the awards were for television and commercials. Game of Thrones, Boardwalk Empire and Terra Nova (is that cancelled or not? Confusion) took home most of the prizes. You can see a full list of winners at the  VES Official Site. And just because we love it so much, and its such an actressexual fix, let us all gaze once more upon the great "Dior J'Adore" which won Visual Effects in a Live Action Commercial.

Remarkably Charlize Theron's beauty is not computer generated but an actual thing that exists in nature (Good job God!) but mixing in those famous immortals required computer assistance.

How Would *You* React to an Oscar Nomination?

Today is the Great Day of Press Releases, of Oscar nominees or their people issuing brief outbursts of joy and pride from their good fortune. Rarely are the quotes anything but generic 'it's such an honor!' cries followed by a deferrment of praise to other people involved. If you'd like to see a ton of them, In Contention has a plentiful roundup.

But here are six that stood out for me from all the emails that I'd like to say one or two sentences about.

I woke up to a text and thought, 'Am I still dreaming?' What an absolute honor to be nominated. Thank you to the Academy on behalf of the entire cast, crew, our swashbuckling cat and his boots! This is beyond a thrill...and I'm pretty sure I'm awake."
-Chris Miller (Animated Feature) Puss in Boots 

Funny is always good. And we're always suckers for that old standby classic intro 'I just woke up' . P.S. I'm pretty happy at the way the animated category worked out, aren't you?

It's an honor to be nominated a second time, it is a personal accomplishment and triumph for women and women of color. I'm so glad the film has been recognized, it was a labor of love from the moment it was conceived and it is rewarding to see the impact it is having."
-Viola Davis (Best Actress) The Help

This one is fairly standard until you realize how rare this truly is and why shouldn't Viola point it out!

Only one other woman of color has been twice nominated and that would be Oscar winner Whoopi Goldberg (The Color Purple and Ghost). Women of color seem to only get one shot at the Oscar. The same is fortunately not true for the men, who have had better luck with career longevity and multiple visits with Oscar.

Four more after the jump...

Click to read more ...

Best of Year Pt 1: I Am Thirty-Two Flavors

I tossed. I turned. I Excel'ed. I Worded. I laughed at myself. I laughed at everyone else and their equally crazy assertions during top ten season. I worried what y'all might think. I worried about how I do think! And then I cast it all aside and just started typing and getting real with myself. You see, in earlier drafts of this Hugo and The Tree of Life, for example, were much higher but you know what? This is not consensus. This is me. Year End "Best" naming rituals are meant to be personal even though they're communal. Gather 'round my fire. There are plenty of places to keep warm, this being just one of them. (If you must skip ahead a few pages The Tree of Life dropped a few notches and Hugo no longer appears at all; I do not miss it all and, thus, made the right call.)

I kept trying to find a cutoff point for my year end "best" that I feel comfortable with and the magic finally happened at 32! The thirty-two highlighted films are my touchstones from this year at the multiplex. They're the only ones I just could not let go of when I tried to gather my memories and glue them awkwardly into this online scrapbook thingie known as The Film Experience. Two of the films even got glued together and I couldn't get them unstuck (Longtime readers will know I don't approve of ties but what the hell: new decade, more flexibility! If you're a purist shove everything else down one notch.)

squint your eyes and look closer
I'm not between you and your ambition
I am a poster girl with no poster
I am thirty-two flavors and then some
and I'm beyond your peripheral vision
so you might want to turn your head
cause someday you're going to get hungry
and eat most of the words you just said

The following thirty-two pictures were presented in vaguely ascending order but then the stairs were all rearranged to fit them into categories and for flow so don't read anything into the order...

Planet Ape
The year's cinema was overflowing with adorable dogs (too many to mention) and doomed cats (The Future, Dragon Tattoo) but the animal that seized the heart and truly shook us -- opposable thumbs are so handy! -- was the chimpanzee. The Oscar documentary finalist Project Nim charts the disastrous emotional fall out of a science experiment in the 1970s in which a chimp ("Nim") was raised by agonizingly fallible humans and taught sign language. Rise of the Planet of the Apes charts the disastrous sociological fall out of a science experiment in the right-now in which a chimp ("Cesar") is raised by a agonizingly naive human and granted super intelligence. Nim was a very real living thing and his heartbreaking story makes you want to scream "NOOOooooooo" as forcefully as the imaginary Cesar does at the climax of his own tale. That Cesar feels nearly as real as Nim is thanks to the Marlon Brando of mo-cap acting Andy Serkis, a brilliant visual effects team, and the superb action direction of Rupert Wyatt. (Wyatt's command is so impressive that the pictures fairly obvious flaws don't even register until well after the movie ends. If I were a Hollywood executive I'd be wining and dining him and offering him every franchise job on the calendar until he picked one.)

Favorite Unrewardables
The best thing I saw this year that's not eligible for my annual Film Bitch Awards is The Loneliest Planet (previously reviewed), about an engaged couple exploring a foreign land, which went unreleased. It had me from the stomping alien mundanity of its first image but in the end what really made it work for me was its sense of touch. That's rarer and rarer in our weightless CGI world but the images just felt so tangible: a lovers caress, cold water in your hair, rocky ground under foot; turns out when a movie is that good at touching, it's hard not to feel it. I could reward Clio Barnard's The Arbor, which did get a brief release, but I wouldn't know how. It's ostensibly a memoir doc about the short life of the troubled playwright Andrea Dunbar. But is it a documentary? Barnard's riveting experiment still uses traditional documentary tools like reenactments and talking head interviews but performs them instead, with actors lipsynching. There are so many layers it's suffocating; all the better to pull you under with these lives trapped in hand-me-down poverty and addiction. That probably doesn't sound like an endorsment but The Arbor sure is a fascinating novelty act.

Hip To Be Square
Who knew that we needed a 29th version of dusty Jane Eyre? Turns out we did! Okay okay okay... even if we didn't it was welcome since it was a beautifully rendered stride forward in four cinematic journeys we're on board with: Michael Fassbender seems to take another leap forward every three months, Mia Wasikowska is one of our most promising young actresses and this is her best film performance yet, director Cary Fukunaga and his cinematographer Adriano Goldman, who are two for two (see also Sin Nombre) are not just unusually capable but also unpredictable. We'll jump on their next vehicle whether that means more speeding trains or horse drawn carriages or something else entirely.

Two more unhip choices, abundant foreign pleasures and a few "only you could make this" treasures... After the jump.

Click to read more ...

Which Annie Nominee Has Your Vote For Animated Feature?

The New York Film Critics Circle recently opted out of honoring a best animated feature (and unless I'm mistaken it was an afterthought win for Rango at the NBR since it wasn't in the first wave of articles). Will awards bodies lose their keys to this category since realizing Cars 2 was a lemon? If you stop to think about it for more than two seconds it's decidedly ungenerous at best and horribly offensive at worst. It sheds an unflattering light on the initiable embrace of the animated ghetto categories, suggesting they were only created to honor Pixar to begin with. Which is... rather shameful if you ask me. If the only reason you created a category was to honor Pixar, you shouldn't have created a category. Nobody gives out prizes for "Best Paramount Pictures Release of the Year", you know? Nobody gives out prizes for "Best Weinstein Co. Release of The Year" ["The Academy does!" cried the anonymous heckler. *rimshot*]

What? Rango wasn't good enough for a badge of honor?

So, even if this wasn't the single greatest year for animated film, if you're going to honor the medium, honor the medium. If you change your rules every year who will respect you? (That's a general warning to wishy washy committees, The Golden Satellites, and to the Oscar board of directors themselves who are weirdly starting to act like all their imitators these past few years by second guessing themselves constantly).

But, since the Annie Awards have been honoring animated work for 38 years -- long before Oscar or the critics groups ever thought to honor it --  they'll continute to do just that. They've selected ten "Best Picture" nominees for their 39th annual awards. And even if they felt the need to include Cars 2 to get there, at least they didn't cancel their ceremony when they realized it wasn't revving anyone's engines. I promise to brake break with the car puns no. So sorry!

Annie Awards Best Animated Feature Nominees

• A Cat in Paris - Folimage
• The Adventures of Tintin - Amblin Entertainment, Wingnut Films and Kennedy/Marshall
• Arrugas (Wrinkles) - Perro Verde Films, SL
• Arthur Christmas - Sony Pictures Animation, Aardman Animation
• Cars 2 - Pixar
• Chico & Rita - Chico & Rita Distribution Limited
• Kung Fu Panda 2 - Dreamworks Animation
• Puss in Boost - Dreamworks Animation
• Rango - Paramount Pictures and Nickelodeon Movies present a Blind Wink/GK Films Production
• Rio - Blue Sky Studios

And even if he isn't nominated for an Oscar for Best Actor, Gary Oldman could still win an Annie Award. He's up for best voice acting as "Lord Shen" from Kung Fu Panda 2.

Find this... 'panda'... and bring him to me.
FIND this 'Panda'. And bring him to me.
FIND THIS PANDA AND BRING HIM TO ME!!!"

A complete list of their nominations is after the jump if you'd like to dig deeper. (I was sad that this year they didn't include the info as to which animated characters the individual animators are being honored for designing or animating. If I recall correctly they used to specify which characters, just as in the voice acting honors.)

Click to read more ...

10 Word Reviews (A.K.A. Nathaniel Catches Up)

As per usual, though I maintain a healthy writing clip to fill The Film Experience with new material for vous, I have some sort of mental block about traditional film reviews. So let's just get everything unreviewed that's in theaters (or in one case, HBO) out of the way right this very instant. I got places to be! We haven't talked about most of these so why not?

Deneuve, Viard and Rennier: comic successes in POTICHE

POTICHE
in which a trophy wife exceeds expectations and reforms her husband's business.
10WR: Knowing hilarious riffs on: Deneuve, 70s, sexism; But souffle deflates.  B/B+

RANGO
in which an abandoned pet lizard becomes a hero in a thirsty desert town
10WR: Surreal weirdness grounded by Western tropes. So ugly it's beautiful. B+

MILDRED PIERCE
in which Todd Haynes adapts the famous novel for an HBO miniseries in five parts
10WR: Glacial pacing but slow build payoffs. Beautifully costumed, lensed. B/B-
EPILOGUE: I'll just come right out and say it. This was not the "event" I was hoping for, neither in performance or in direction. But I did like it. Needless to say, I'll stick to the Joan Crawford gladly, despite them being two very different things.

SOURCE CODE
in which Jake Gyllenhaal keeps reexperiencing the same 8 minutes to solve a bombing
10WR: Perfectly servicable but stumbles exiting train; Needs more existential terror.  C+

MEET MONICA VELOUR
in which a washed up porn star (Kim Cattral) is pursued by a nerdy teenage fan
10WR: Cattral: effortful limited success; Movie: suffers badly from hermetic POV. C-

Finally, I do hope some of you will take in POTICHE if it plays in your town. It's quite funny and one should always support good non-English language films while they're still in theaters so that they keep releasing them; their market share is sadly ever dwindling. Potiche has done well abroad ($21 million) but is struggling in US theaters ($280,000). The cast is just delightful. I almost always like Jérémie Rénier (In Bruges) and the running gag about his lovelife has maybe the best punchline in the movie. It also amuses me that his name is so much like Jeremy Renner's and that they almost share a birthday (January 6th and 7th respectively though Rénier is ten years younger). It goes without saying that Deneuve fills my heart with joy as she always has (she's in my top ten actresses of all time list). Any Karen Viard fans out there? I'd love some recommendations as to other films as she's quite funny but I haven't seen her in many things.