Posterized: François Ozon

Glenn here. Given my penchant for poster goodness I figured I'd pick up Nathaniel's regular "posterized" feature. A fun series that can time to time shine a curious light on the way films are marketed and how certain actors or directors can find themselves in a so-called "marketing rut" where it's the same thing over and over. Think of a Will Smith movie and don't you just picture his smug mug staring out at you in mid-range closeup? Even that one about selling his organs to Rosario Dawson (or whatever Seven Pounds was about - I've sure as hell forgotten!)

This week I've chosen François Ozon - and he's having a helluva week. Not only is his latest (un/lucky number thirteen) film, In the House [Dans le maison], getting a release in America, but his next picture, Jeune et Jolie, was just chosen to compete for the Palme d'Or in Cannes. Well done, Mr. Ozon! Still, don't the words "A film by François Ozon" feel like they should carry more weight than they do. Perhaps, but his career is too all over the place to give him the title of auteur and his films frequently go theatrically unreleased in western countries without a major star (Catherine Deneuve, Charlotte Rampling for instance) at the center. 

Combien avez-vous vu?

Sitcom (1998) | Criminal Lovers (1999) | Water Drops of Burning Rocks (2000)

Okay, I have no idea what it's about but that poster for Ozon's debut, Sitcom, is fabulous. 

 Under the Sand (2000) | Swimming Pool (2003) | 8 Women (2002)

more after the jump 

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20:11 Uncle Needs Limitless Adjustments, Mom!

Year in Review Fun... Much more to come! Herewith the 20th minute and 11th second of the movies of 2011 in chronological order of US release date. It's like flipping channels for snapshots of the film year! For those who like a mnemonic challenge, I've written the film titles in invisible ink below each screencap (you can highlight to see them). Would any of these tiny glimpses make you want to stop channel surfing and watch?

Previously: January and February 

Part 3: March

I could hear your prayers. It comforted me on those cold nights with only the whispering wind."

UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES.

[phone ringing]
It's a sturdy little fucker, isn't it?"

THE ADJUSTMENT BUREAU  

You know that there fella?"

RANGO

8 more shots from films of wildly varying quality after the jump

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Vote on the Euro Film Awards (Plus: Oscar Submits)

While I normally approve not of "people's choice" awards -- that's what box office is for -- I do find the European Film Awards a curious beast worth noting each year. They have variety by way of scattershot film culture, there being no unifying "Hollywood" to control them. This year their People's Choice Awards -- which you can vote on and enter for a chance to win a trip to the awards in Berlin -- offers up an odd collection of Camp Comedy (France's star-laden Potiche), Royalty Porn (The UK's Oscar winner The King's Speech), Meta History (Spain's Even The Rain), Message Movie (Denmark's Oscar Winner In a Better World), Neeson-y Thriller (the international Unknown), Fish Out of Water Comedy (Italy's Welcome to the South), Ensemble Drama (France's star-laden Little White Lies), and even Animated Family Film (Germany's Animals United).

And the Nominees Are...

Go and vote...
...as long as you're not planning to help The King's Speech win yet more statues. Cinema-Gods help us all.

Meanwhile the Oscar Foreign Film submissions continue...

NORWAY
Anne Sewitsky’s debut Happy, Happy (Sykt lykkelig) which we've previously discussed (I heart the trailer) will represent the land of the midnight sun in this year's Oscar race. Previous awards under its belt include the Sundance Festival's World Cinema Jury Prize Dramatic which, if you'll recall, is the same prize that the great Australian feature Animal Kingdom got its first big boost from in 2010. Joachim Trier's Oslo August 31st is the loser in this Oscar scenario but here's hoping that both films get stateside distribution. 

HUNGARY
Bela Tarr's The Turin Horse will represent daring Hungary in this year's Oscar race. Hungary nearly always competes for Most Atypical Submitted Film which is bad for their nominatability but great for proof of variety in that odd annual Oscar survey of what's happening in international cinema. This one will need a helping hand from that special committee that Oscar dreamt up to basically force critical darlings on to the nominated shortlist. The new system obviously paid off last year for Greece's Dogtooth. Cinema Underground tells it like so...

Not since Alexander Sokurov’s The Second Circle have I watched a movie that felt so much more like physical endurance than an active intellectual and emotional experience... The Turin Horse is a punishing film.  The people in it are ugly and often cruel.  Their lives are repetitive and arduous.  There is little plot, little action, little change of scenery, but there are plenty of long, long takes in which no words are spoken.   

And that's from a somewhat positive review.

Oscar Foreign Film Pages

Super 6

Blackbook Elle Fanning, currently collecting hordes of new fans for Super 8, mugs it up for the camera.
Mashable turn your summer tweets into movie trailer voiceovers. This is great. The offer ends June 17th.

Telegraph We love Tim Robey but we feel the jealousy that he got to speak with François Ozon about reinventing Catherine Deneuve for Potiche.
NerdCore "the internet is coming" this made me LOL. Regarding: Shelley Duvall. How weird would it be if one expression you made in a movie that one time was so iconic that people riffed on it for the next 30 years?
Ty Cullen "Hey you. What song are you listening to?" 

Finally... Backstage Magazine covers "5 Actors Who Have Had An Emmy-Worthy Year" and they are...

Margo Martindale from Justified (I should say up front that I've never seen this show, though I generally like her work -- Million Dollar Baby notwithstanding), our beloved Connie Britton from Friday Night Lights, our beloved Christina Hendricks from Mad Men, and super popular gays-playing-gays-to-awards-attention (finally no longer a novel concept! God that took forever)... Chris Colfer from Glee and Jesse Tyler Ferguson from Modern Family.  Christina & Connie share stories about nomination-morning disbelief and Margo offers this d'oh bit about her initial nonchalance about Justified.

my agent called and said, "Would you like to audition for 'Justified'?" I said, "What's that?... What's the part?" He said, "It's a Kentucky drug matriarch." And I said, "Well, can't he just look at my reel?" [Laughs.]

I bet that's happened a million times to actors with what later turned out to be signature roles. The Emmy nominations are still 100 years away... longest crawl towards nominations ever. Which of those five do you think will get the happy call on July 14th? 

10 Word Reviews (A.K.A. Nathaniel Catches Up)

As per usual, though I maintain a healthy writing clip to fill The Film Experience with new material for vous, I have some sort of mental block about traditional film reviews. So let's just get everything unreviewed that's in theaters (or in one case, HBO) out of the way right this very instant. I got places to be! We haven't talked about most of these so why not?

Deneuve, Viard and Rennier: comic successes in POTICHE

POTICHE
in which a trophy wife exceeds expectations and reforms her husband's business.
10WR: Knowing hilarious riffs on: Deneuve, 70s, sexism; But souffle deflates.  B/B+

RANGO
in which an abandoned pet lizard becomes a hero in a thirsty desert town
10WR: Surreal weirdness grounded by Western tropes. So ugly it's beautiful. B+

MILDRED PIERCE
in which Todd Haynes adapts the famous novel for an HBO miniseries in five parts
10WR: Glacial pacing but slow build payoffs. Beautifully costumed, lensed. B/B-
EPILOGUE: I'll just come right out and say it. This was not the "event" I was hoping for, neither in performance or in direction. But I did like it. Needless to say, I'll stick to the Joan Crawford gladly, despite them being two very different things.

SOURCE CODE
in which Jake Gyllenhaal keeps reexperiencing the same 8 minutes to solve a bombing
10WR: Perfectly servicable but stumbles exiting train; Needs more existential terror.  C+

MEET MONICA VELOUR
in which a washed up porn star (Kim Cattral) is pursued by a nerdy teenage fan
10WR: Cattral: effortful limited success; Movie: suffers badly from hermetic POV. C-

Finally, I do hope some of you will take in POTICHE if it plays in your town. It's quite funny and one should always support good non-English language films while they're still in theaters so that they keep releasing them; their market share is sadly ever dwindling. Potiche has done well abroad ($21 million) but is struggling in US theaters ($280,000). The cast is just delightful. I almost always like Jérémie Rénier (In Bruges) and the running gag about his lovelife has maybe the best punchline in the movie. It also amuses me that his name is so much like Jeremy Renner's and that they almost share a birthday (January 6th and 7th respectively though Rénier is ten years younger). It goes without saying that Deneuve fills my heart with joy as she always has (she's in my top ten actresses of all time list). Any Karen Viard fans out there? I'd love some recommendations as to other films as she's quite funny but I haven't seen her in many things.