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Entries in Catherine Deneuve (50)

Tuesday
Jul022013

Team Top Ten: Women Who Deserve An Honorary Oscar

Amir here, to bring you this month’s Team Top Ten on a topic that remains one of our biggest collective pet peeves here at The Film Experience.

Every year when the Academy announces the list of recipients of the Honorary Oscar, we can expect only one thing: they will all be men. Sure, the odd woman wins the award here and there, but consider this: between 1993, when the honor was bestowed upon Deborah Kerr, until 2009, when Lauren Bacall shared the award with two men, not a single woman was deemed worthy of the biggest honor AMPAS has to offer. Apologists can point to the fact that men have run the industry at large since its inception. They would be right; the industry as a whole is equally at fault, if not more, but take a look at the list of women still awaiting their first statue – or *gasp* first nomination – and tell me they don’t deserve better than one golden man every sixteen years. If the drought is as depressingly long this time as it was between Kerr and Bacall, it can be 2025 before we see another lady take home an honorary Oscar!

Deborah Kerr in 1993 and Lauren Bacall in 2009 and a great chasm between them

We know all too well that complaining about the Academy’s decision doesn’t get us anywhere, but since we found recently that they do have a listening ear, we’ve decided to do our part and help them correct this injustice. Let’s give voters the benefit of the doubt and assume that all they really needed all these years was a list of suggestions. So, here is ours: the top ten women who most deserve an honorary Oscar, under the following three criteria: they need to be alive, above the age of 55 and Oscar-less.

 GIVE THESE WOMEN THE HONORARY! 

[tie] 10. Marni Nixon
You may not know what Marni Nixon looks like, but I guarantee you know what she sounds like. If you've seen Gentlemen Prefer Blondes, The Secret Garden (1949), The King and I, An Affair to Remember, West Side Story, or My Fair Lady, you have heard Nixon's golden voice coming from the mouths of some of Hollywood's most legendary actresses. As if it isn't hard enough work to try to make your voice sound just like someone else's, in some instances Nixon had to do so in secret, the studios wanting to hide the dubbing from their big stars. Nixon's onscreen credits may number only in the single digits (her role as Sister Sophia in The Sound of Music being the most famous by far), but had she actually performed the roles she dubbed onscreen, she would have had at least two Oscar nominations by now. She's an indelible part of film history, and she never received any onscreen credit for her most famous work. If that isn't cause to give someone an Honorary Oscar, then I don't know what is.
-Daniel Bayer

10 more legends to honor after the jump!  

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Tuesday
Jun182013

Top Ten 1960s

I still have a lot more to see from the 1960s but this top ten, more than most apart from the 1980s is a combination of films I fell for as a child on television in the 70s and 80s and films I love now as an adult. I'm bookending with two Natalie Wood features -- the first actress I ever loved -- though I recognize that they are more personal favorites than perfect films. That caveat aside I do find Bob & Carol & Ted & Alice to be grossly undervalued since it's essentiall a comedy about its time and therefore "light" and "dated" . Still, I absolutely insist, it's a wonderful wonderful light and dated thing. At the top of the list West Side Story has been my favorite film of all time for as long as I remember being conscious of movies so it'll just have to keep on being so -- it's fundamentally part of who I am -- flaws and all (and yes, I can see its flaws).

Natalie & Deneuve, the greatest of the 60s screen beauties

top ten
01 West Side Story (1961)
02 Persona (1967)
03 Psycho (1960)
04 The Sound of Music (1965)
05 Bonnie & Clyde (1967)
06 Hud (1963)
07 They Shoot Horses, Don't They? (1969)
08 [Cheating w/ a Deneuve Double] The Umbrellas of Cherbrough (1965) & Belle de Jour (1967)
09 The Manchurian Candidate (1962) 
10 Bob & Carol & Ted & Alice (1969)

pick a film, any film

i'll only be satisfied with a top 17
11 Rosemary's Baby (1968)
12 Who's Afraid of Virginia Woolf? (1966)
13 Splendor in the Grass (1961)
14 La Dolce Vita (1960)
15 Mary Poppins (1964).... coming up soon on "Hit Me..."
16 Playtime (1967)
17 Lawrence of Arabia (1962)

and affectionate nods to... 
Cleo from 5 to 7 (1962), Breathless (1961), Whatever Happened To Baby Jane? (1962), My Fair Lady (1964), 8 ½ (1963), Darling (1965), The Apartment (1960), Bay of Angels (1963), and Rachel Rachel (1968).

Which films define you and which films can't you live without... from the subcategory of the 1960s of course?

Previous Top Ten Quickies
1930s | 1950s | 1970s | 1980s | 1990s | 2010s (thus far)  
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Wednesday
May152013

Kidman in Cannes. Part 1.

Jose here. The Cannes Film Festival starts today and I think we all can agree that the most important thing about it this year is the fact that Nicole Kidman is on the jury. Right?

This year's Competition Jury, as Nathaniel has already pointed out, might very well be the real life equivalent of The Avengers, with Nicole being reigning Queen of them all I know Spielberg's the President, shut up...  so during the next eleven days, we'll cover Nicole sightings, as we watch her fiercefully conquer the world of auteurship and wonder what some of her most beloved characters would think about what she's up to... 

The first Nicole sighting took place Tuesday evening as she showed up to the Jury dinner. 

Who She Wore: Dior (hmm is she trying to steal the spotlight from the damoiselles de Dior?)
Which Director She's Trying to Lure: When I first saw this, I immediately thought David Lynch, because I thought it was blue…turns out everyone else rightfully saw it as black and now I keep thinking Wong Kar-wai because this dress screams In the Mood for Love.
What Suzanne Stone-Maretto would think of this: "I'm on TV! Let me shine!"

Two more Kidman looks after the jump...

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Friday
Apr192013

Posterized: François Ozon

Glenn here. Given my penchant for poster goodness I figured I'd pick up Nathaniel's regular "posterized" feature. A fun series that can time to time shine a curious light on the way films are marketed and how certain actors or directors can find themselves in a so-called "marketing rut" where it's the same thing over and over. Think of a Will Smith movie and don't you just picture his smug mug staring out at you in mid-range closeup? Even that one about selling his organs to Rosario Dawson (or whatever Seven Pounds was about - I've sure as hell forgotten!)

This week I've chosen François Ozon - and he's having a helluva week. Not only is his latest (un/lucky number thirteen) film, In the House [Dans le maison], getting a release in America, but his next picture, Jeune et Jolie, was just chosen to compete for the Palme d'Or in Cannes. Well done, Mr. Ozon! Still, don't the words "A film by François Ozon" feel like they should carry more weight than they do. Perhaps, but his career is too all over the place to give him the title of auteur and his films frequently go theatrically unreleased in western countries without a major star (Catherine Deneuve, Charlotte Rampling for instance) at the center. 

Combien avez-vous vu?

Sitcom (1998) | Criminal Lovers (1999) | Water Drops of Burning Rocks (2000)

Okay, I have no idea what it's about but that poster for Ozon's debut, Sitcom, is fabulous. 

 Under the Sand (2000) | Swimming Pool (2003) | 8 Women (2002)

more after the jump 

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Monday
Apr152013

Mad Men @ the Movies: The Age of Aquarius

Hi all, this is Deborah filling in for Nathaniel for our mutual favorite TV show. It figures that while I'm filling in there are no explicit movie references. However, I think I can keep you engaged with some juicy Broadway and implicit movie references.

Linda Cardellini guest stars on Mad Men

Episode 6.03, The Collaborators, is directed by Jon Hamm to dirty perfection. Make no mistake, this is a very dirty episode, concerned with adultery, broken promises, and things not being what they seem. 

We open with a party at the Campbell home; Pete is offering tickets to "Hair" to two neighbors. It’s a flirtatious conversation, Pete tells the ladies that hair is full of drugs, foul language, and “simulated sex acts.” Flirting is not the subtle art of yore in 1968, we say “sex acts” right out in public! (Spoilers ahead.)

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