It's International Women's Day !

I had so many different ideas with which to celebrate today that I didn't manage to get any of them done. It's a typical problem when you have more ideas than time and when indefatigable ambition meets easily exhaustable execution. So herewith... a few off the cuff LISTS celebrating actresses that work primarily outside of the English language that are every bit as good and sometimes a whole lot better than their American/English/Aussie counterparts who get the bulk of attention in the global market.

The gold standard here is always Deneuve. "Catherine Deneuve"... go ahead, sound it out. The name itself just reverberates with glamour but the razzle dazzle of her international celebrity is hardly the reason she's the gold standard. She's also got a filmography that would be the envy of any actor who cares about cinema beyond their own image and though she'll turn 70 this fall, she's still challenging herself. Frankly, if you look at some of the work she did in the past dozen years or so (Dancer in the Dark, Potiche, Pola X, Beloved, 8 Women, A Christmas Tale, etcetera) other actresses her age are slacking...

10 Foreign Film Actresses Most Likely To Get Me in the Movie Theater 

Paprika Steenmultiple actressy lists after the jump!

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INTERVIEW: Ludivine Sagnier on "Love Crime", Her Star Persona and Catherine Deneuve

If you first discovered Ludivine Sagnier, as many movie lovers did in the early 00s through the films of François Ozon, the sensation was something like wide-eyed whiplash. One moment she was the exuberant tomboyish daughter of Catherine Deneuve in the musical 8 Women and the next she was anything but as a lusty bikini-clad (or unclad) vixen causing trouble for Charlotte Rampling in the thriller Swimming Pool. Both films were international hits and her turn as "Tinker Bell" in the UK/USA/Australia production of Peter Pan further upped her profile.  Sagnier has been a movie star in France ever since. 

 Ludivine Sagnier in Alain Courbet's Love Crime

Currently both The Devil's Double in which she plays leading lady to a Dominic Cooper double-act and the thriller Love Crime  in which she plays headgames with Kristin Scott Thomas are now in theaters and  Beloved with Catherine Deneuve will undoubtedly follow; consider her international profile revived. 

I sat down to talk with one of my favorite French actresses earlier this year during New York City's annual Rendezvous with French Cinema event. After introductions and a bit of small talk about French cinema and The Film Experience's actressy nature, we got down to business. 

NATHANIEL: You started so young Cyrano de Bergerac (1990). You were all of 9 or 10! 

LUDIVINE: People always ask me how I got started. My story is so common that it's a bit tiring. I went to an audition with my sister who wanted to be an actress and they asked me if I wanted to do an audition and they picked me and didn't take her. It happens so many times in the industry. I've talked to a lot of actresses...

Deneuve and Sagnier in Cannes in MayNATHANIEL: So when you were first coming up as an actor in France were you conscious of this great legacy. Like you're next in line after Huppert and Deneuve and well, so many actresses... France makes great ones.

LUDIVINE: NO! I Didn't see myself that concretely... I didn't like myself that much in the beginning. But it's funny because I just shot a movie where I was playing Catherine Deneuve in the 1960s and she is playing me older. It's Beloved from Christophe Honoré who I did Love Songs with. Maybe this time I had the feeling that we are part of the same family, that we have a common story. First she was my mom in 8 Women. Then I was Chiara's sister in Love Songs and Chiara is her daughter. And now Chiara is my daughter in Beloved. Everything is so mixed up!!!

And now I dare think we share the same history. When I started... NO.

Continue For Ludivine's Feelings on Star Persona, International Careers and Genre Hopping 

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Q&A: Hitting the Wall, Moving to France, Dreaming of Sofia

You asked so I'm answering. Not all the weekly questions of course. If I did that I'd be typing for a whole week with only your questions to guide me. I've selected a dozen questions to answer and here they are. 

Tyler: Do you think Leonardo DiCaprio and Kate Winslet give good performances in Titanic?
Nathaniel: Hmmm. Define "good". I didn't expect this question to give me pause but it did. I'll try to keep this short. I adore Titanic (1997) and not ironically. I have a certain level of teary devotion to instantly iconic performances like those, to movie-movie performances that maybe aren't nuanced or perfect but serve their movie in a seismic way. I think of Leo's floppy bangs or Kate's fiery curled tresses and I go all mushy inside and have a sudden desire to draw hearts all over notebook folders with a ball point pen. *Ahem*. So, I love Leo & Kate in Titanic, especially as a unit, but I think they both have kind of rough moments in it. (Seriously. That was the best take?). Still, if I'm on the ship and in charge of divvying up the lifeboats, Leo & Kate get one first. Women and children can fend for themselves. " Ladies Movie stars first!"

Kin: Pick a country to live in besides America, but base your reasons only on movies.
Nathaniel: France, bien sûr. Do I even need to explain? It's the birthplace of cinema and the auteur theory, the Eiffel Tower is key to a million famous movie scenes, the French New Wave still fascinates, and the list goes on. Also they have Deneuve so this win be landslide.

Matthew: How do you feel about acclaimed actresses who seemingly play themselves or variations of the same character in every film? I'm thinking of, in particular, Mary-Louise Parker and Zooey Deschanel, among other actresses whose overall versatility leaves something to be desired. Do you think they are deserving of accolades for their overall body of works when compared to say an actress like Kate Winslet or Julianne Moore.
Nathaniel: Many of the most beloved actors of all time did just this, particularly before The Method took over. Cary Grant is genius but always Cary Grant. Mae West wouldn't be Mae West if she wasn't Mae West. And so on. So as long as we like that core person they're playing and they're versatile enough to spin it or smear it or mess with it in small ways a little from role to role, we're good. That said, Mary Louise Parker needs to get the hell off of Weeds.  WHAT IS SHE STILL DOING THAT SHOW FOR? She's calcifying. That is way too long to play the same character when said character is already so close to who you've always played. 

SoSueMe: Which actors have hit a wall creatively and have pretty much shown us all that they can do?
Nathaniel: Ding. Ding. Ding. Other than Mary Louise Parker. I am pretty sure that Johnny Depp has misplaced his entire once-prodigious well of creativity and is on perma-auto-pilot for the past six years.

I worry a little bit about Leonardo DiCaprio, too. I'm willing to be proven wrong in J. Edgar but I absolutely don't believe that directors challenge or control him enough. He's so talented but I think his career has been too easy for him. If you never have to struggle -- and his struggling ended abruptly when he was only 23 --  don't you lose the hunger that leads people to ravenously attack their role as if this is the one, the best chance to prove their gift? His performances feel too samey and not just because of the furrowed brow and The Dead Wives Club. But when he's "on" he's really something (see The Departed, key passages in The Aviator and ⅔ of his pre Titanic output.)

Manuel: IF Winona Ryder was not burned out at the time and did The Godfather III, do you think the movie would have been better with her?

my answers and the Question(s) of the week after the jump

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On Oscar's Honorary Statues: Who Gets Them, Who Still Waits?

... mogul OPRAH WINFREY (The Jean Hersholt Humanitarian Award), actor JAMES EARL JONES (Honorary Oscar) and makeup artist DICK SMITH (Honorary Oscar).

I heard this in the wee hours of the AM this morning but didn't have time to ponder it whilst collapsing from a day spent swooning over Judy Garland (♥♥♥♥) and then Sufjan Stevens at "Celebrate Brooklyn". 

Several hours later after a good night's sleep the news makes much more sense to me because last night I thought they'd given Oprah a regular honorary Oscar -- most of the headlines are saying just that -- and I was pissed. For the record, though a Jean Hersholt Humanitarian Award looks just like an Oscar, it's actually a statue commemorating your humanitarian endeavors rather than your screen work. And few would argue that Oprah isn't deserving once you make that distinction. I think the Jean Hersholt statue shouldn't look the same as a regular Oscar so it gets confusing.

The Color OprahAnd really a regular Honorary Oscar wouldn't have surprised me. The Academy, much like the rest of the world, tends to think that celebrity = deserve. But really fame should have much less to do with who gets Honorary Oscars than that person's contribution to the cinema. And really what has Oprah ever done to warrant a regular Oscar? If you say The Color Purple I'd have to smack you upside the head with a Margaret Avery (The Color Purple) or an Anjelica Huston (Prizzi's Honor) and then if you're still trying to say "The Color Purple" a mandatory viewing of The Kiss of Spider Woman is in order. Brazil's non-nominated Sonia Braga was AMAZING thrice over (multi-part performance) in that film. Can I get an amen?

The makeup artist Dick Smith already has an Oscar for Amadeus (1984) but maybe they felt he needed an honorary since just maybe he was the one on the makeup team that put cotton balls in Marlon Brando's mouth for The Godfather and he also did fine comic work on Death Becomes Her which we love and which Oscar mostly ignored.

Though really, should a previous winner ever get an honorary? 

Here's why the repeats are problems. In the past 30 years only 4 actresses have won honoraries and one of them, Sophia Loren, already had a competitive statue. The Academy has screwed over a lot of female screen icons over the years so why double reward someone when so many greats are still denied? Oscar's contempt for women -- remember they rarely let them present Best Picture either -- seems to be getting worse. Since the glorious early 90s when Sophia Loren, Deborah Kerr and Myrna Loy won them in quick succession, only Lauren Bacall has been so honored. ONLY ONE ACTRESS SINCE 1994. In that same time span, 1994 to now, 5 actors have been so honored and one of them (Sidney Poitier) already had an Oscar. We complain about this every year but there's a long list of actressy screen icons who never won an Oscar and whose screen contributions and legacies are undeniable. Chief among them I'd argue are Catherine Deneuve and Mia Farrow. They'll both turn 70 soon -tick-tock, tick-tock.

One of the greatest filmographies in the business. Still challenging herself well into her 60s. Deneuve for the Honorary Gold.

But there are also other past nominees with rich Hollywood histories -- names in bold are still alive -- including (Angela Lansbury, Doris Day, Natalie Wood, Ava Gardner, Irene Dunne, Gena Rowlands, Eleanor Parker) and some with rich filmographies who were never so much as nominated (Maureen O'Hara, Marilyn Monroe) and there's the current working aging crop who they're obviously going to pass on competitively (Annette Bening, Julianne Moore, Michelle Pfeiffer ...maybe Glenn Close if it doesn't happen this year) and who are more than deserving of these "thank you for your career" prizes.

Come to think of it, if AMPAS was smart about honoraries they could stop voting for competitive prizes as cumulative honors and just reserve those 'you were never THE best of any particular year' people for the honorary statues. You know Meryl Streep is more likely to get an Honorary than any of these women and she already has two!

Congratulations to this year's recipients! Honestly, I'm not throwing shade on them. Don't misunderstand. It's just the Academy has so many blind spots with their honorary prizes we'd like them to see the eye doctor before they lose their sight entirely.

WHO WOULD YOU GIVE AN HONORARY TO?

Linkwire

Awards Daily boldish concept art for Steven Soderbergh's Haywire.
Gold Derby wonders if Modern Family can set a record at the upcoming Emmy nominations in Supporting Actor.
Boy Culture discovers a horrific snippet from People magazine for Mothers Day. Poor Catherine Deneuve; she doesn't deserve this.
AV Club reviews The Almighty Thor, a old TV film.
Movie|Line checks in with Sam Caflin who is getting the "new star" treatment/ It seems to me like he's taking the Orlando Bloom role for the Pirates franchise (I don't mean that literally). So who knows about that stardom. People can be cruel with the "prettyboy" stars.

I'm Not Obsessed checks out Juliette Lewis in a rockin' trip to... the deli?
France Today looks at five legendary Gallic movie couples.
Hitfix interviews the awesomely multi-tasking Eddie Izzard on The United States of Tara and more.