Tweetweek: GLOW's hair, Beatty's prophecy, Mission's stunt

Some tweets we enjoyed too much recently not to share!

my favorite superficial thing about '80s cinema is how the men's bodies look, unpolished & hairy & fucking human. between @marcmaron & @VictorQuinaz, GLOW is giving me "Ron Leibman in NORMA RAE" realness & i love itttttttttt

— zoe kazan (@zoeinthecities) July 8, 2018

13 Going On 30, but it's about a gay teen wishing he was a Broadway diva and wakes up in Patti LuPone's body in 1980 and has to perform Evita 8 times a week on Broadway. It's a horror film.

— Max Grossman (@GrossmanMax) July 7, 2018

More after the jump including Riverdale, Mamma Mia!, Mission Impossible Makeouts, Sandra Oh, Cher's vote for Best Actor and a few others...

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Soundtracking: "Burlesque"

by Chris Feil

Much as we love it, isn’t Burlesque one of our least distinct recent original musicals? The genre is no stranger to borrowing tropes that have worked in the past and Burlesque is no exception - dreams of stardom, vague romance, putting on a show to save the barn. The real culprit here the film’s mishmash assemblage of tunes, populated with high peaks and easily ignored plains.

But I should shut up because really: who cares? It’s Cher, bitch!

And oft repeated quotables aside, the presence of a singing and dancing Cher on screen is a now rare delight that shouldn’t be taken for granted (soak up those Mamma Mia! 2 rays of sunshine this July, kids). Some are quick to forget that Cher is always in on the joke, or that her lack of pretension makes opulence where more self-serious performers would be trapped in chintziness...

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"Cher: The Unauthorized Rusical"

by Nathaniel R

 

S10E8 Well, so that was a perfect episode. Not at all Suspect. Sorry for the Cher pun but Season 10 has been on fire with smart casting, great episodes, rainbow colored madness, inspired mini-challenges, and memorable runway themes. The writers and editors aren't sleeping through it either. Note how well Monét's silly RuPaul mimicry (pictured above) kicked off the episode with bad celebrity impersonation and Ru's campy-funny "slap out of it" mini-challenge both dovetailed so neatly into the CHER homage maxi-challenge...

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Why aren't poster photos taken on set? The eternal mystery.

Mamma Mia: Here We Go Again has a new eye sore poster. Every single cast member has been photographed separately and then composited together like some Ensemble Frankenstein Monster. The poor beast is then tasked with imitating pure joy before it has learned to control its facial muscles.

It's easy to imagine some photoshop artist creating their own mini-narratives to keep them interested while hunched over their computer jamming all the stars together. Do I spot a romantic comedy between Colin Firth and Stellan Skarsgård whose eyelines are matching up?

Why does this type of poster keeps happening? Why aren't poster images and promotional photoshoots done on sets on the days when busy actors are already all assembled together? If you want to see the full poster just click on Cher's sassiness to your left. I didn't want to sully up the front page.

Oh and go ahead and tag yourself in the comments. I am Lily James' left foot that's eager to jump into the water. 

They Found Someone: Stephanie J. Block to Play Cher

By Spencer Coile 

Renowned (and Tony nominated) for The Mystery of Edwin Drood and for "breaking down" in Falsettos,  and for playing Liza Minnelli in the Hugh Jackman musical The Boy From Oz, theater star Stephanie J. Block is about to add another iconic character to her repertoire: Cher. The Cher Show, which will be penned by Jersey Boys writer Rick Elice, will tell the story of pop singer and Academy Award winning actress throughout her career...

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