We Got the Link

• The Guardian Vanessa Redgrave and Miriam Margoyes in conversation. Wow, love them both
• Variety this year's nominees for the Rock and Roll Hall of Fame... The Go-Gos, the most success female rock band of all time, FINALLY make the list -- the recent documentary surely helped -- but who knows if they'll actually get voted in because the competition is pretty fierce: Tina Turner, Carole King, Dionne Warwick, Iron Maiden, Kate Bush, LL Cool J, etcetera and only 5 will be chosen
• People Halle Berry putting the trolls commenting on her love life in their place. Queen.

Tina Turner, Priyanka Chopra, and bad news for an animated film we were looking forward to after the jump...

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Back to the movies with "Tenet" and a "Personal History..."

by Eurocheese

I drove 100 miles (one way!) to see two movies last weekend. Was it worth it? Well… yes and no. Here’s my take on returning to theaters and my thoughts on the two films I went (way) out of my way to see: Tenet and The Personal History of David Copperfield.

First, the moviegoing experience itself...

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The beauty of Wally Pfister's cinema

by Cláudio Alves

After looking at Dion Beebe and Rodrigo Prieto's filmographies, it's time to consider another of 2005's Best Cinematographer nominees. Our subject today shall be the man whose gloomy visual idioms helped redefine the superhero genre and its aesthetic possibilities – Wally Pfister.

The Chicago-born cinematographer was, for some years, synonymous with Christopher Nolan's cinema and, more specifically, The Dark Knight trilogy. Weirdly enough, Wally Pfister never considered himself a big fan of Gotham's brooding protector. His favorite iteration of the character wasn't even the comics, but the campy 60s TV show whose visuals are at complete odds with what Pfister would devise for the 21st century Batman. Still, his career is not all caped crusaders, and the director of photography has established a personal style that transcends genres. Wide lenses, low angles, steely palettes, horizontal motion, and visible light sources are his calling card. At least, they were, before he abandoned the craft of cinematography to try directing.

Here are 10 highlights from Wally Pfister's influential career…

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Links: An Amy Adams Double, Nolan Rankings, and Homosexual Erasure

Must Reads
• Vulture Rachel Handler hilariously ranks Christopher Nolan's movies by how willing she would be to die for the privilege of seeing them in movie theaters.
• The Hollywood Report looks back at the making of X-Men (2000) and how it created a monster with young director Bryan Singer

More after the jump including Amy Adams-centric news, "Do You Have the Antibodies?" a hit waiting to happen, Cat on a Hot Tin Roof's failures, a new Brad Pitt project and more...

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Inception's dreamy femme fatale

by Cláudio Alves

It's a bit strange for me to be writing a celebratory piece about Inception on the movie's 10th anniversary. I've always considered the picture to be a tad overrated, undeserving of the titles of life-changing masterpiece or perfect action movie that I've seen people bestow upon it. Aside from a deadening first hour of exposition, my main issue has always been a matter of imagination or lack thereof. The world of dreams and the human unconscious is so rich in possibility, that it's disheartening to see Christopher Nolan bend it to fit the model of a heist picture.

Even the set design reflects that. There's much talk of impossible architecture, but what we get is modernist lines as far as the eye can see, bellicose fortresses and concrete cityscapes without a hint of surrealism. Notoriously, Satoshi Kon's Paprika, an anime hallucination with a lot of similarities to the Nolan blockbuster, is a good example of how the oneiric world of dream-sharing can be used to explode the rules of cinema. Still, has previously stated, this is a celebratory write-up and, while Inception's creative limitations may be frustrating, it would be a lie to say they are devoid of value.

After all, the most interesting character in the whole flick is an archetype of crime pictures and film noir. She's a trope, an old character type that has deep roots in men's fear of complicated women. She is Marion Cotillard's Mal…

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