Best Editing: The Art of Disorientation

by Cláudio Alves

There seem to be two big schools of thought regarding what good film editing is. On the one hand, classic Hollywood precepts indicate a preference for the invisible, cutting so organically enmeshed with the rhythms of the story one barely notices its mechanisms. On the other hand, there's a showier style, editing that calls attention to itself and demands applause, especially in the realm of action cinema. In either case, an unwritten rule posits clarity of information and storytelling as a defining tenet. Editing should facilitate the movie-watching process by allowing the audience to follow along with the narrative or thesis, its emotional beats, spatial awareness, and chronology. Nonetheless, two of this year's biggest contenders in the race for the Best Editing Oscar do the exact opposite, choosing to engage with the art of editing as a tool of disorientation rather than clarification, chaos instead of order…

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We Got the Link

• The Guardian Vanessa Redgrave and Miriam Margoyes in conversation. Wow, love them both
• Variety this year's nominees for the Rock and Roll Hall of Fame... The Go-Gos, the most success female rock band of all time, FINALLY make the list -- the recent documentary surely helped -- but who knows if they'll actually get voted in because the competition is pretty fierce: Tina Turner, Carole King, Dionne Warwick, Iron Maiden, Kate Bush, LL Cool J, etcetera and only 5 will be chosen
• People Halle Berry putting the trolls commenting on her love life in their place. Queen.

Tina Turner, Priyanka Chopra, and bad news for an animated film we were looking forward to after the jump...

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Back to the movies with "Tenet" and a "Personal History..."

by Eurocheese

I drove 100 miles (one way!) to see two movies last weekend. Was it worth it? Well… yes and no. Here’s my take on returning to theaters and my thoughts on the two films I went (way) out of my way to see: Tenet and The Personal History of David Copperfield.

First, the moviegoing experience itself...

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The beauty of Wally Pfister's cinema

by Cláudio Alves

After looking at Dion Beebe and Rodrigo Prieto's filmographies, it's time to consider another of 2005's Best Cinematographer nominees. Our subject today shall be the man whose gloomy visual idioms helped redefine the superhero genre and its aesthetic possibilities – Wally Pfister.

The Chicago-born cinematographer was, for some years, synonymous with Christopher Nolan's cinema and, more specifically, The Dark Knight trilogy. Weirdly enough, Wally Pfister never considered himself a big fan of Gotham's brooding protector. His favorite iteration of the character wasn't even the comics, but the campy 60s TV show whose visuals are at complete odds with what Pfister would devise for the 21st century Batman. Still, his career is not all caped crusaders, and the director of photography has established a personal style that transcends genres. Wide lenses, low angles, steely palettes, horizontal motion, and visible light sources are his calling card. At least, they were, before he abandoned the craft of cinematography to try directing.

Here are 10 highlights from Wally Pfister's influential career…

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Links: An Amy Adams Double, Nolan Rankings, and Homosexual Erasure

Must Reads
• Vulture Rachel Handler hilariously ranks Christopher Nolan's movies by how willing she would be to die for the privilege of seeing them in movie theaters.
• The Hollywood Report looks back at the making of X-Men (2000) and how it created a monster with young director Bryan Singer

More after the jump including Amy Adams-centric news, "Do You Have the Antibodies?" a hit waiting to happen, Cat on a Hot Tin Roof's failures, a new Brad Pitt project and more...

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