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Silver Screen
Pajiba on the way the media is handling Kristen Stewart's current love life. Somehow I had missed this story (cuz I don't care about celebrity dating) but this is a joy to read.
MNPP Apparently this new movie Beyond the Reach features Jeremy Irvine in states of undress for basically the whole movie but all I can think watching him run barefooted in the desert is what I felt watching Atanarjuat: The Fast Runner sprinting across ice in the nude: OUCH
Grantland Mark Harris on all the Wonder Woman  movie creative shuffling, director and script(s):

I use the word “movie” reluctantly because right now, Wonder Woman is certainly not one: It is a release date (June 23, 2017), and it is a promise to stockholders (as the third of 10 upcoming connected DC Universe films that are meant, between 2016 and 2020, to show that DC can play on Marvel’s field), and it is a recognizable — albeit dusty — title. Right now, that’s all it is. It’s certainly not a movie in the sense of being an entertainment product that starts with an idea and then results in a script that is good enough to attract a director and stars.

MNPP has a great costume design suggestion for Ewan McGregor now that he's been cast as Lumiere in Beauty & The Beast
Shadowplay revisits Sinbad and the Eye of the Tiger (1977) on Bluray. I loved those Harryhausen movies when I was a wee bairn
Cartoon Brew here's a new contender for Best Animated Feature this year - The Boy and the Beast. Kidding - they don't really like anime and there's no US plans just yet
In Contention reports from Cinema Con with breathless response to a clip of Johnny Depp in Black Mass 

The Rock with a little TayTayOther Screens & Surfaces
The Snap talks Lip-Synch Battle which is fun if you ask me: the complete Hathaway vs Blunt episode is glorious and The Rock doing Taylor Swift's "Shake It Off" --what has been seen cannot be unseen. Louis Virtel compares it to RuPaul's Drag Race and finds it considerably lacking. I myself find their goals and souls as shows so different as to only see comparison in the extreme basics (i.e. people move their mouth to other people's recordings)
IndieWire TV's obsession with remakes, revival-sequels (Hello, Fuller House) may well end the Golden Age
Playbill Lily Tomlin wants to do a new one woman show. Yes please.
Boy Culture remember these Raoul Bova kisses Madonna commercials? I didn't! So cute
EW Daredevil renewed for season 2 with a slight change in show runners (basically an exit and a promotion)
Comics Alliance Adrianne Palicki and Nick Blood, who play former lovers and badass SHIELD agents may lead the Agents of SHIELD spin-off. Two-part question. 1) Since they're the best part of the existing show this side of Ming Na Wen, you sure you wanna hobble your still creatively struggling original? 2) You already have a spin off of sorts (Agent Carter) which is better than the original show. Why not pour resources into that?

Amy Schumer is back
...and it is a glorious thing. Here are two sketches getting attention right now, "Football Town Lights" a Friday Night Lights spoof as hilarious indictment of rape culture and "Last F**kable Day" guest starring Tina Fey, Patricia Arquette and Julia Louis-Dreyfus on Hollywood sexism and ageism. Cue the think pieces en masse -- never mind they're already all over the place.

Finally...
The Eisner Award Nominations (basically the Oscars of comic books) have been announced and it's a great year for female driven series especially the celebrated title Ms. Marvel. I find it strange that they don't have a superhero specific category since comic books have changed so much to include so many types of stories but if you're looking for traditional superheroes Hawkeye, Batman, Daredevil. Elektra, and Silver Surfer were represented in some way or another with a nomination or two.

a page from "The Last Mechanical Monster"Sadly, it's really hard to find solid info about the Eisner Awards. Many webpages are out of date and they don't have their own as far as I can tell so it's difficult to know which series have been nominated previously. Obviously they aren't followes as rapturously as other awards! I'm always personally most curious about the webcomic prize because I always want to do one and I rarely get anywhere (sigh). Those nominations are as follows -- I'm only familiar with Nimona but it's pretty great, so I'll be sampling these others.

• Bandette by Paul Tobin & Colleen Coover
• Failing Sky by Dax Tran-Caffee
• The Last Mechanical Monster by Brian Fies
• Nimona, by Noelle Stephenson
• The Private Eye by Brian Vaughan & Marcos Martin

Calendar-Man v. Film Culture: The Bubble-Bursting Wars

With every studio hopping on the "universe building" trend that Marvel perfected for cinema -- too bad Pixar's early "all original concept / few sequels" success didn't translate to cross-studio trends -- cinema will be becoming a lot more like television. It already has, of course, with those annual editions of popular franchises playing like big budget TV miniseries with all their episodes smashed together for one bingewatch a year (think Hunger Games, Twilight, Harry Potter). With the Star Wars universe now planning annual showings and Bond & Star Trek till and that planned resurrection of the entire original iconic movie monsters, one has to wonder if Original Content will finally be put down by the 2020s. Or will the bubble burst and audiences will grow tired of continuing stories with overly familiar characters and often padded multi-part stories with no resolutions. You know, the kind they can get at home on television for free?!

This comic panel has been slightly altered to better illustrate my argument.

All entertainment trends are cyclical. This is a fact, however much people valiantly argue year after year that whatever's hot right then will live on forever. But when exactly will the bubble burst?

I was initially very excited about the growing genre of superhero movies -- like many boys I spent countless hours in childhood and adolescence dreaming of seeing my favorite characters on the page in live action environments (X-Men, The Avengers, The Teen Titans, Cloak & Dagger, Green Lantern and Daredevil figured chief amongst my fantasies in this regard). But even though I wanted this, I'm already kinda bored of seeing it actualized especially since so much of it plays more like a nightmare (see the first film versions of Green Lantern and Daredevil - or better yet, DON'T, if you've managed to escape them).

Backstage blog handwringing and the superhero glut after the jump...

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The Darling Buds of May: Aunt May

May's end snuck up on us so quickly. We meant to do far more of these "May" characters. But here is abstew with one final tribute to a darling bud named May...

Full Name: May Parker aka "Aunt May" The complete name of the Aunt May from the comics is May Reilly Parker-Jameson (she later marries the father of The Daily Bugle's J. Jonah Jameson)

Film She Starred In: Although Aunt May has appeared in all of the recent Spider-Man big screen ventures of the past 12 years (5 and counting), let's focus on the first, Sam Raimi's 2002 film, simply named, Spider-Man.

Played By: Acclaimed British actress Rosemary Harris brings this Aunt May to life. Adding some gravitas to the film, Harris studied at the famed Royal Academy of Dramatic Art and is a nine-time Tony Award nominee (winning in 1966 for The Lion in Winter) and an Academy Award nominee for Best Supporting Actress in 1994's Tom & Viv. [More...]

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X-Men Movie: Shades of Future Franchise Past

[Editor's Navel-Gazing Note: I remind all readers upfront and as apology for this extraordinarily longwinded review that the X-Men are part of Nathaniel's actual soul, having clung to them like actual friends and role models for his entire childhood and adolescence. Other comics were mere 'entertainment'. The X-Men were the loves of his young life. -  Nathaniel]

Daniel Cudmore as Colossus and Fan Bingbing as Blink

The most visually intoxicating character in the latest "When Mutants Collide!" movie is Blink (Fan Bingbing). She has very little dialogue, if any, but linguistic skill is not a mutation ("Hey now...," protests Cypher, who the movies will surely continue to shun). Blink's highly effective signature move involves tossed off pink teleportation portals which she, her teammates, and their enemies jump, run, stumble, fly or are thrown through. Think of it as Nightcrawler's disorientingly rapid teleportation, if it involved all characters in a scene and could be used malevolently against some of them.

In the very exciting opening battle sequence of X-Men Days of Future Past we see this power used frequently and awesomely as she helps her teammates (Warpath, Collosus, Storm, Iceman, Sunspot and more) to surprise, fight back, and evade (for a short time at least) their attackers, an army of mutant-killing robots known as The Sentinels.  But these Sentinels learn quickly, and are very good at their job: killing mutants. The tides turn and a mutant massacre begins... or does it? 

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Good Reads: Superheroine Edition

With various X-Men smearing their mutant DNA all of your movie screens this weekend, it's become painfully obvious that movie studios are still terrifed of superheroes with vaginas. Storm continues to be the single most-wasted ineptly-transferred great character from the comics but Kitty Pryde has an even sadder story. "X-Men Days of Future Past," one of the most famous and influential comic arcs of all time, originally granted the phasing young mutant (played by Ellen Page in the movies) the starring role. We all knew they would find a way to sideline her.

I lurve Hugh Jackman but one of my biggest disappointments about the X-Men movies continues to be the way the team aspects are muted in order to make it all about the charismatic clawed one. The Avengers figured out a way to balance multiple headliners but the X-Men movies haven't been that inspired. So here are two excellent reads from Slate if you care about the ladies and gender inequities within this genre.

"Why is Wolverine Doing All The Things I Did?"
Kitty Pryde herself (via Stephen Burt) writes a letter to the filmmakers about her suddenly sidelined heroics. Why is that exactly?

"David Goyer’s Comments About She-Hulk Make People Very, Very Angry"
The title is too utilitarian to get excited about but there a lot of great points raised in this article about origin stories and comic book sexism. This article was in response to screenwriter David S. Goyer's (The Dark Knight, Man of Steel) comments about the character of She-Hulk on a podcast we linked to yesterday. One of the two podcast hosts Craig Mazin, who used the word "slut" in the discussion, has since published an apology/clarification of what he meant. But the conversation basically treated her as a Bride of Frankenstein sex fantasy creation for Hulk -- missing the point that she was created as a female empowerment fantasy and is Bruce Banner's cousin. (Not the kissin' kind.) I suppose it's no accident that Goyer is involved with Batman v Superhero: Dawn of Justice which already controversially cast a 110 lbs underwear model as the most famous amazon superheroine of all time (that'd be Wonder Woman). 

The takeaway is that we're never going to get female superheroes done right until...

Elizabeth Olsen as The Scarlet Witch in "The Avengers: Age of Ultron" (2015)

a) more actressexual directors get involved. Joss Whedon is a great start and our best hope at the moment - look how he rescued the Black Widow from her Iron Man 2 decorative-nothingness. Can we hope that he'll also exceed expectations with The Scarlet Witch?

b) the people in charge of shepherding this genre to the screen are more evolved than Frank T.J. Mackey and don't immediately think "great tits!" first when confronted with the idea of a superheroine. There's nothing wrong with great boobs -- We fully support them and thank Scarlet Johansson for hers at least weekly --  but boobs do not a heroine make. 

You wouldn't think those two things would be such tall hurdles to clear...