Soundtracking: The Best Musical Moments of 2018

by Chris Feil

We have had another banner year for cinematic variants of musicals - from the classic (A Star is Born, Mary Poppins Returns) to the modern (Hearts Beat Loud, Vox Lux) to the unfortunate (Bohemian Rhapsody). But there's more than just musicals that have made an impact! As ever, I've had my ear towards all sorts of needle drops and clever cues where movie music has been concerned this year. You know, the kind of stuff that makes Soundtracking tick.

We've already discussed what Oscar might hold for the Original Song category this year, but 2018 was largely defined for me by songs familiar and unexpected. Join me like Charlize Theron doing Carly Rae Jepsen karaoke in Tully and sing along to the year's best musical moments...

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Our Favorite Line Readings of 2018

Every day a new Year in Review round-up as we joyfully bid 2018 adieu...

For today's entry we asked Team Experience and a few of our friends to share their favorite line reading of the year. No one was assigned anything so these are direct from our faces to your faces. Yes, Toni Collette's towering work in Hereditary is on our minds lately. Remember that gem? 

And all I get back is that fucking face on your face."

Or these:

I am your MOTHER." 

I did everything they told me not to do, but it didn't work. I'm happy it didn't work.

So, that was my mom’s life.

God she's extraordinary in that new horror classic, isn't she?

Okay, ready for more actorly gems as actors elevating specific lines or sometimes whole films. Here we go...

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Blueprints: FYC, Adapted Screenplays

In this week's Blueprints, Jorge Molina looks into five adapted scripts that should be featured n the awards conversation. If you missed the Original Screenplay FYCs, they're here. 

While Original Screenplays tends to be where usually the Academy rewards more unconventional stories, the adapted screenplay category carries with it an air of respectability and prestige. Maybe it’s because it usually involves translation from a literary medium, respected novels or award winning plays. Maybe it’s because adaptations carry a built-in audience, something Hollywood values. Adapted screenplays have the advantage of arriving with an already fully formed and sometimes familiar story. But translating that into a cinematic medium is one of the hardest tasks for a writer: making the verbal into visual, compressing dozens of chapters into a two-hour story, learning what to leave in, what to take out, what to add or change.

Here are five screenplays that each took a previously published piece and turned it into an engaging, engrossing and cinematic experience....

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"Everyone was nominated.... except you!" (Our annual SAG outrage)

by Nathaniel R

Pierre Png, who has a lot of scenes in CRAZY RICH ASIANS, was snubbed while his "replacement" for Gemma Chan's affection, who has about 2 seconds of screen time, was nominated!

We'll keep doing these posts each year until the Screen Actors Guild does something about their most unfortunate awards rule. For those who are new to the awards game, please note: If you are a working actor lucky enough to wind up in a film nominated for "Outstanding Performance by a Cast in a Motion Picture," that doesn't mean you are included in the nomination; you have to have your own title card for that! What this means each year is that actors who aren't really famous yet, or don't have an aggressive agent, wind up left out of the official nomination even if they contributed immeasurably to the success of the film or were highly memorable in some way.

Read on for the specific exclusions this year and the history of most embarrassing omissions from the past due this ruling...

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2018 Review: Top Ten Hits in Nine Categories!

Soon we'll start daily 'year in review' parties, but here's an early one...

It's time for a special box office report AND the kick off to our year in review party. Yes, yes, everyone knows that Disney/Marvel owned the domestic and international box office with Black Panther and Infinity War, respectively. Yet there is far more to the story of ticket sales than just one studio and superhero films in general.

It's much more interesting to break it down into types of films and see which films most interested the ticket-buying public. We'll have separate reports on foreign films and documentaries but for now nine other categories!

🔺 = means that the film is still in release so its place in these rankings is not yet settled. All figures are as of March 24th, 2018

TOP ORIGINALS
NOT PRE-EXISTING  / NOT (YET) A FRANCHISE

 

01 🔺Bohemian Rhapsody (Fox) $215.9 (Nov 2nd)
02 A Quiet Place  (Paramount) $188 (April 6th)
03 The Mule (Warner Bros) $103.8 (Dec 14th)...

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