Oscar's ridiculous accents

by Cláudio Alves

The Academy loves transformative performances, ones where an actor's chameleonic abilities are on full display. While the recent avalanche of biopics winning acting Oscars may suggest such dynamics are a recent phenomenon, it isn't so. Since the 20s, we've seen it happen regularly. Just look at Warner Baxter who won the second-ever Best Actor Oscar for putting on brown face and playing the Cisco Kid in In Old Arizona. That particular example also brings up another favorite bit of acting work that the Academy seems to adore beyond reason – accents. Bad ones at that.

Some performers, like Meryl Streep, are brilliant at mimicking regional and personal accents, doing them so naturally that one forgets the artifice. Many others, can't be helped and often fail at the task. To be perfectly frank, I'm not a person that's much annoyed by bad accents onscreen. Nicole Kidman's American accent in The Portrait of a Lady is quite unconvincing, for instance, but I still consider it one of the actress' best works. That said, sometimes there are levels of incompetence too flagrant to ignore.

Such is the case of some Oscar champions, including a Best Actor winner whose efforts are cringe-worthy… 

Click to read more ...

Mirror, mirror on the wall…

by Cláudio Alves

In a career full of little gimlets of cinematic madness, The Lady from Shanghai is Orson Welles' most demented work. With an incomprehensible plot and a cast willing to go to the extremes of grotesque, it's a waking nightmare on celluloid. Through surrealism, Hollywood's most famous enfant terrible untethered himself from the demands of audiences and studios alike, spitting on their face as he went about it. The result is a film noir in the process of imploding unto itself, unencumbered by reality it projects shrapnel of shock and provocation every which way.

Beautiful stars turn into fleshy gargoyles and the dialogue gets increasingly florid, like drunken poetry coming directly from the pits of hell. Appropriately enough, an atmosphere of apocalyptic nihilism infects the hearts of everyone involved, onscreen characters and offscreen audiences alike. And then, this melodrama for the end of the world explodes into an ecstasy of beauty. As the lunatic plots converge and the characters reach their nasty apotheosis, Welles' venomous flower of a film loses itself in a hall of mirrors…

Click to read more ...

The bruised authenticity of "In a Lonely Place"

by Cláudio Alves

There's something deeply unsettling about finding yourself scared of someone you love. Part of it is the admittance of personal failure to oneself for the frightened person is the one that let themselves become vulnerable. To love is to let defenses fall and lay splayed at the mercy of another, believing our beloved will never abuse the gift of openness they have been given. We hope against hope that this trust is well-founded but sometimes it isn't. To realize you're scared may lead you to accept loneliness as a companion or else learn to live with fear. Like a toxic cocktail of arsenic and vinegar, that second option is a difficult thing to swallow and can be deadly. It often is. 

Such nightmares of heartbreak and panic have rarely been better captured in celluloid than in Nicholas Ray's In a Lonely Place…

Click to read more ...

Streaming Roulette, April: The Blazing Perks of Molly's Xanadu

by Nathaniel R

If you're new to the site this is how we share new streaming offerings for the month. We select a handful or two of titles and just randomly hit a place on the scroll bar to see what the film looks like - no cheating.  Ready? Let's play...

VO: And since I heard that having a girlfriend makes you happy I tried hard to love her like I love Sam.

The Perks of Being a Wallflower (2012) on Netflix
Sweet movie. Remember Logan Lerman? We had such a good interview with him for this movie. Sad that he's trapped on a tv series with bad reviews at the moment (Hunters). 

Click to read more ...

Toshiro Mifune @ 100: The Hidden Fortress

Team Experience is celebrating the Centennial of Japan's great movie star Toshiro Mifune for the next few days. Here's Nathaniel R...

Raised as an American child (through no fault of my own) in the era when the original Star Wars trilogy first captured the world's hearts, it's perhaps unsurprising that I knew Star Wars before any of its influences. Though my innate interest in cinema led me eventually to "Akira Kurosawa's greatest hits" somehow The Hidden Fortress (1958), always escaped my eyes. I knew of it mainly only as 'that movie that everyone says inspired George Lucas's space opera.' 

It would be foolish to pretend with snobbish cinephilia that the original Star Wars film doesn't improve on its then 19 year-old inspiration, but The Hidden Fortress deserves more than this footnote status; minor Kurosawa is still Kurosawa...

Click to read more ...