Deneuve on Criterion

by Cláudio Alves

Catherine Deneuve is one of the most beautiful people to ever step in front of a camera. Since the 60s, she has dazzled moviegoers in projects that span from conventional fare to the craziest experiments. While it's true she may not be a performer of astounding tonal flexibility or chameleonic aptitude, many directors have known how to utilize Deneuve's ice queen persona to great effect. Demy made her into a paragon of youthful romance, Buñuel captured a dangerous masochism in her eye, Polanski made her sing rhapsodies of madness while Téchiné gave Deneuve opportunity to modulate her expression into painful naturalism. She is a muse to many an auteur and it's easy to see why – her face must have been made for the big screen by the cinema gods.

If you want to peruse her cinematic glories, The Criterion Channel is currently streaming a marvelous collection of 16 Deneuve films. Here are five highlights from the collection…

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Movie Watching in Quarantine Times

by Murtada Elfadl

With all of us self isolating in quarantine the daily question of what to watch gains even more importance. Not only do you want to watch something good and entertaining but also something that will engross and really distract and take you away from the reality of the grave situation we are living in. Something soothing and comforting above all, however you never know where comfort might come from. 

Last night I thought a comedy was in order and based on Wes Anderson’s recommendation in a sweet email to The Criterion Channel I chose Arthur Hiller’s The-Out-of-Towners (1970) with Jack Lemmon and Sandy Denis. However I turned it off 15 minutes into the film. Lemmon constantly yelling his entitlement was not comforting nor funny. The rants were well written and the situations would have probably been funny in another context. But not at this time.

Last week the movie was Francois Trauffaut’s The Last Metro (1980)...

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Streaming Roulette: Honey Boys & Gates of Hell

by Nathaniel R

The mania of Oscar season completely detached us to what people might have actually been streaming at home. So let's get back to that with a short round of Streaming Roulette. If you're new to the site that's how we share new streaming offerings. We select a handful (or two) of titles and just randomly hit a place on the scroll bar to see what the film looks like - no cheating. 

If you'd like us to write up any of the new to streaming pictures (there's a huge list after the roulette) please share what you'd most like to talk about in the comments. Maybe we'll get to 2 or 3 of them? Ready? Let's stream...

The reviews were... like, I murdered their children or something. 

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Soundtracking: Judy Garland Takes Over The Criterion Channel

by Chris Feil

Forget Disney+, this month we have Judy+. For those of you not already subscribers to the streaming platform, The Criterion Channel has (in addition to a slew of other old studio musicals) added seven classic Judy Garland musicals to the platform for the month of November. Spanning a decade of Garland’s film career, it’s a treat from more famous titles like Meet Me In St. Louis to other oddities such as The Pirate. To entice you to binge as I did, let's run down one of Judy's songs from each of the films available...

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Streaming Roulette, Nov: The King Lives by Night

As is our practice we've selected a handful plus of new-to-streaming titles and frozen them at utterly random moments without cheating (whatever comes up comes up!). What should you queue up for NOVEMBER 2019 ? (★ means we definitely recommend catching) 

Let's get started...

-Meet me in the garden tomorrow

The Thief of Bagdad (1940) on Criterion Channel
This fantasy adventure based on The Arabian Knights won 3 Oscars in its year (Special Effects, Cinematography Color and Art Direction Color). Fill in those Oscar gaps! Weird trivia note: NONE of those categories it won had the standard 5 nominees. It took the Academy awhile to settle on the "five per category" rule that dominated the Oscars for decades. There were 14 films nominated for Special Effects that year -- the visual effects category in particular has had multiple strange incarnations and volatility. 

I'm going to ask you to deliver this message to France given your... familiarity with its recipient.

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