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Entries in critics awards (64)

Wednesday
Dec072016

Podcast: Critics Awards, Elle, Hacksaw Ridge, More...

This week a bifurcated podcast. In the first half Nick, Joe, and Nathaniel continue their discussion of Elle. Then Katey joins us to talk about the recent surge of critics awards. 

Index (42 minutes)
00:01 A little more on Elle, Huppert, and provocateur auteurs
13:00 Bleed For This, The Fighter, Hidden Figures
19:20 Katey joins us & Nick goes to New Zealand
23:00 Critic prizes, Critics Choice Nomination, NBR, the lack of transparency, and Mel Gibson's Hacksaw Ridge
40:00 A bit on Hell or High Water

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments. On the next podcast: Manchester by the Sea and Reader Questions Answered! 

Critics Award Rush...

Monday
Dec052016

Oscar Chart Updates ~ What's Happening to Jackie? 

As promised we're updating the Oscar charts more often. With the first avalanche of awardage the ground is shifting, if not quite seismically. It's been a very good week for three things in particular: Moonlight, Manchester by the Sea, and Isabelle Huppert ... and even a good week for, um, Hacksaw Ridge. And you'll see a new lock or two on a few of the charts.

Awards season giveth and awards season taketh away...

Click to read more ...

Sunday
Dec042016

The 42nd Annual LAFCA Winners !

The Los Angeles Film Critics Association stretches back to 1975, a very great year in cinema history with one of Oscar's all time best Best Picture lineups (Dog Day Afternoon, One Flew Over the Cuckoo's Nest, Nashville, Barry Lyndon, and Jaws). They gave four of those pictures awards in their first year, ignoring only Jaws. Though we normally despair that all film critics awards seem to be viewed through the prism of Oscar influence or prediction (critics groups should have their own identity / agenda or else what good are they?) in the LAFCA's case it's difficult to avoid. Los Angeles is an industry town and these are their local critics. So go crazy when you're looking at this list and want to think of it in terms of Oscar; It's easy to argue that its the single critics list that Oscar voters take most seriously since the bulk of the membership lives there.  You can especially see this influence lately in LAFCA's choices for "career achievement" which are not so infrequently named as Honorary Oscar winners the following year or three thereafter as happened recently with Anne V Coates, Gena Rowlands, and Frederick Wiseman!

For a refresher last year's big LAFCA winners were Spotlight and Mad Max Fury Road which were of course very popular with Oscar, too. They sometimes get creative in the Best Actress category but their Best Picture winner tends to go to an obvious and highly competitive future Best Picture nominee or winner with rare exceptions like WALL•E (2008), American Splendor (2003), or Do The Right Thing (1989).

This year's prizes were bathed in Moonlight though La La Land put up a fight.

LAFCA WINNERS (AND TRIVIA) 

Click to read more ...

Thursday
Dec012016

New York ♥︎s Moonlight & La La Land

The New York Film Critics Circle was founded way back in 1935 when the Oscars were just 8 years old themselves. In their first year they agreed but disagreed with the NYFCC choosing The Informer and Oscar following suit with a Best Picture nomination for that but the eventual prize to Mutiny on the Bounty. Not much has really changed since. The NYFCC aesthetics aren't anti-Oscar but they're just as likely to go slightly left of field with a more challenging option as their #1 as they are to pre-stamp a future winner. 

Here's what they chose this year...

Click to read more ...

Thursday
Dec012016

"La La Land" leads the Critics Choice Nominations

The BFCA has spoken and as per usual the results are a mix of beautiful support of outstanding motion pictures and a few pockets of embarrassment! Under the beautiful support umbrella we find three terrific pictures leading the nominations with 12 for La La Land and 10 each for Arrival and Moonlight. Under the pockets of embarrassment portion of our programming in what universe is Captain Fantastic a "comedy" (Viggo Mortensen, who gives one of the year's best dramatic performances is nominated as best comedy actor but  not as best actor. What a world).

The BFCA's special categories, which aren't as well defined as the Globes, usually carry with them lots of weird and empty-headed calls. How, for instance, do you have 6 nominees for most categories but only 4 for Best Actress in an Action picture and only nominate supporting actresses for that prize and leave out two leading women who really carried their films with aplomb: Mary Elizabeth Winstead in 10 Cloverfield Lane and Blake Lively in The Shallows. Why even have these categories if you're not going to do them justice? 

All the nominations (film & tv) with comments are after the jump...

FILM AWARDS

Click to read more ...

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