Alexa here. Tinker Tailor Soldier Spy was one on my favorite movies this year, so I was a bit disappointed this morning at its lack of notice by the Academy for Best Picture. But I wasn't surprised, what with most of the predictions not mentioning it (including Nathaniel's). Perhaps it was too professorial, too quiet, too stodgy for most. Thankfully Gary Oldman got his nomination for managing to seep George Smiley from every pore, and its le Carré-adapted screenplay got notice.
Thinking about it while listening to the nominations I was reminded of another one of my favorite spy-intrique films with a 70s setting, Three Days of the Condor, similarly ignored by the Academy in its time (save for an editing nomination), despite its timely post-Watergate release. Sydney Pollock's film is certainly the sexier of the two, with Redford and Dunaway in their heyday, but one glance at Max Von Sydow's glasses and you know you're in a similar landscape to Tinker Tailor. Here is a cheesy Rona Barrett's Hollywood magazine I bought simply for it's coverage of the film, and its entertaining barely-there tidbits about the filming of this classic, 35+ years ago. Add it to your queue if you haven't seen it.
[Filming of] Condor took place entirely on location in and around New York City...During one exterior scene that called for a winter rain, the co-eds of the nearby Finch College cut classes to gawk at the publicity shy REDFORD and scramble for his discarded paper cups! But ROBERT's presence was felt [also] by the appreciative crew, which got careful instruction from the superstar-ecologist on how to defoliate the plant life used in the scene without harming them.
Co-star MAX VON SYDOW gingerly commuted between Denmark and Manhattan while finishing up [on a] Scandinavian film. FAYE DUNAWAY seemed not only to enjoy doing the film but loved having the chance to love a few weeks in her beloved New York City. She and her husband, PETER WOLF, maintain a Central Park West apartment where married life definitely agrees with them.
Tuesday, February 14, 2012 at 9:01AM 
The Help by Hector Pahaut.Here are some of the best celebrations of the Mississippi Maids, along with some key-themed designs for Extremely Loud & Incredibly Close, mathematical minimilism for Moneyball, and evocative staircase imagery for The Descendants. Click for more.
