Meet the Cannes Jury: What they revealed about the festival to come?

by Elisa Giudici

Park Chan Wook and Chloe Zhao © Elisa Giudici

What kind of festival the 79th Annual Cannes Film Festival will be is something the films in Competition and the side sections will ultimately determine. But there’s little doubt that the final perception of Cannes - and the line between winners and losers - will also be shaped by the jury presided over by Park Chan-wook, who today faced the traditional opening press conference.

What became immediately clear is how prepared every juror was to answer politically charged or potentially controversial questions. After the turbulence of Berlin earlier this year, publicists and agents clearly did their homework: politics, Gaza, artificial intelligence and representation were all addressed with awareness and, in most cases, notable intelligence. It also helped that Paul Laverty quickly positioned himself as the most openly political voice on the panel, absorbing much of the pressure around the more sensitive topics...

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TIFF 50: Finding hope in "The Mysterious Gaze of the Flamingo"

by Cláudio Alves

Gazes, whether averted or confrontational, flirtatiously elusive or probingly direct, have been one of the cornerstones of queer desire on screen. In the 21st century, the state of post-New Queer Cinema has only exulted their role, almost codifying certain gestures across a plurality of artistic expressions that may, otherwise, appear to have very little in common past their shared LGBTQ+ label. In this regard, it's almost inevitable to find a picture like Diego Céspedes' The Mysterious Gaze of the Flamingo. Chile's official submission for the 98th Academy Awards and this year's Un Certain Regard champion ruminates on the transgressive essence of a queer gaze, transforming it into a conduit of infection in what, at first glance, strikes the viewer as an allegory for the AIDS crisis. Things are not what they seem, however…

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