HBO’s LGBT History: Hunted: The War Against Gays in Russia (2014)

Manuel is working his way through all the LGBT-themed HBO productions.

Last week we looked at Andrew Rannells’s Elijah (Girls). Ogling his latest sexcapade with Corey Stoll, who plays a famous actor on the show, we talked about the way the Broadway actor has made himself an essential part of Lena Dunham’s show, giving the vapid narcissism of his character the necessary depth to avoid falling into cliché. This week, we revisit a 2014 HBO documentary about the dangerous anti-gay vigilante groups that have recently proliferated in Russia. The title comes directly from one gay man featured in the film. A victim of a raid on an LGBT gathering that left him blind in one eye, he puts it all too bluntly:

“Hunting season is open…and we are the hunted.”

Released the same year as the Sochi Olympics—which in themselves brought closer scrutiny to what many around the world saw as a state-sanctioned anti-gay stance—Hunted: The War Against Gays In Russia paints a portrait of the homophobic culture that has spurred civilian vigilante groups to actively “hunt” gay men. Groups like Parents of Russia boycott and disrupt pro-gay propaganda (like film festivals and demonstrations), which the government has all but made illegal. [More...]

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Doc Corner: SXSW x3

Glenn here and welcome back to Doc Corner. Each Tuesday we're bringing reviews and features on documentaries from theatres, festivals, and on demand. This week we’re looking at films that screened at the just-ended SXSW about musical icon Gary Numan, self-helper Tony Robbins, and mature-age trans women.

Gary Numan: Android in La La Land

You know I hate to ask
But are 'friends' electric?
Only mine's broke down
And now I've no-one to love

Like many artists of Numan’s vintage who were experimenting with electronic music, there was a queerness to him, an otherness that the made him a symbol to hordes of young audiences who had never seen or heard anything like him before. He was a musician whose dark and complex lyrics were perfectly paired with the aloof roboticism of his performance – an android dreaming of the electric beeps and boops of a Moog synthesizer. But for a performer who made much of his early fame and success off of the obscure oddness of his lyrics and imagery, this documentary by Steve Read and Rob Alexander is awfully straight.

I can only wish that Read and Alexander had taken some of that electro-punk attitude as inspiration for while Gary Numan: Android in La La Land will be an enjoyable sit for fans of the 58-year-old British singer famous for songs like “Cars” and “Are ‘Friends’ Electric” (like myself), but as cinema it lacks something propulsive. This brand of musical comeback doc is certainly popular – recent examples like Pulp: A Film About Life, Death and Supermarkets and I Am Thor were mostly more successful thanks to meatier narrative hooks – and the two directors are wise to focus in on some of the more unique elements of Numan’s life such as his long-standing marriage to a fan and his anxious worry about an impending comeback record while on a family vacation. Still, Android in La La Land works best with it fuses Numan’s abstract lyrics and music with strange beautiful images rather than the musician-moves-to-LA narrative that forms its core. The musical sequences are as vibrant as you would expect, but the power of the songs and his genius doesn’t shine through any clearer than if simply listening to them.

Two more after the jump...

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Doc Corner: 'Videofreex' a New Angle on Old News

Glenn here and welcome back to Doc Corner. Each Tuesday we're bringing reviews and features on documentaries from theatres, festivals, and on demand.

The news is constantly changing, and never more so than in today’s evolving media landscape. Where once a story would unfold nightly on the broadcast network’s news programs, now it unfolds live and often unedited, captured by anybody, anywhere. Here Come the Videofreex is a new documentary by Jenny Raskin and Jon Nealon that examines the very beginnings of this shift in news reportage by going all the way back to the late 1960s and getting up close to the then breaking trend of grass roots video journalism that was birthed in the shadow of Sony’s first video recorder units. Focusing on the collective known as the “Videofreex”, this entertaining film charts how these documentarians – and that’s exactly what they were – captured daily life, beginning with the simple act of taking a personal video camera to Woodstock and in their first act of directorial voice ignored the music entirely and instead focused on the patrons.

Forged by a meeting of like-minded individuals with a passion in sharing their world experiences, the team quickly graduated to CBS news employees, but that was short-lived after an attempt at a television pilot was mooted and everyone was fired. More...

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HBO’s LGBT History - Back on Board: Greg Louganis (2015)

Manuel is working his way through all the LGBT-themed HBO productions.

Last week we looked at Remembering the Artist: Robert de Niro Sr. which looked at the father of the Oscar winning actor who, in case you didn’t know, was a well-regarded visual artist and a gay man. The doc was (sadly) more interested in the former assertion than the latter, despite sexuality having been central to his art—his most curious muse? Greta Garbo in Anna Christie. This week, we’re taking about another doc portrait though one clearly more centered on its subject’s sexuality.

“Who is Greg Louganis? What kind of question is that?!”

Louganis, still considered the greatest Olympic diver in the history of the sport balks at even having to answer such a question for Cheryl Furjanic in the opening minutes of Back on Board: Greg Louganis. But as he mulls over the question he has to admit he’s not quite sure who Greg is. After all, he retired from diving in 1989, spent much of the 90s coming to terms with himself—he publicly came out ahead of the release of his best-selling memoir, Breaking the Surface (which was later made into a TV movie starring Mario Lopez), disclosing at the same time his HIV-positive status—and finds himself at the start of shooting this HBO Sports documentary fighting with his bank over his mortgage. Yes, Louganis, once a household name synonymous with Olympic glory currently faces the prospect of losing his house and he hopes auctioning off his medals and memorabilia will be enough to keep him afloat. more...

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Doc Corner: 'Trapped' a Timely Reminder in the Supreme Court's Shadow

Glenn here and welcome to Doc Corner where we're going to bring you reviews of documentaries, hopefully on a weekly basis, from theatres, festivals, and on demand, as well as special features that shine a light on the medium's history and future.

Every few years a documentary about abortion comes along to soberly remind us just how backwards attitudes continue to be towards women’s reproduction rights and just how unbalanced the debate is regarding women’s bodily autonomy in America. Trapped is a new film by Dawn Porter – probably best known for her debut feature Gideon’s Army – and is just the latest on this volatile topic, but while it may lack the epic scope and cinematic power of Tony Kaye’s Lake of Fire, it does work similarly to Martha Shane and Lana Wilson’s After Tiller in the way it examines the more intimate details of the doctors, nurses, and patients and how they each navigate the hostile terrain that so frequently and strongly comes under fire (sometimes literally) from extreme religious zealots and government officials who seek to bring a round-about end to abortion through the only avenues they can.

Trapped– so named after the “TRAP” (aka Targeted Regulation of Abortion Providers) laws that figure most prominently throughout and which seek to place virtually insurmountable locational and financial burdens on doctor clinics that would see the number of clinics in Texas reduced from 42 to 10 – finds itself in an interesting position, being released this month. Abortion, sadly, remains a hot button topic and as of right now the case of Whole Woman's Health v. Hellerstedt is currently being heard by the Supreme Court. In fact, in the final title cards of the movie, this date with destiny is referenced. More...

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