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Entries in Emily Watson (14)

Wednesday
Sep172025

TIFF 50: "Hamnet" is Chloé Zhao's best film to date

by Cláudio Alves

Another year, another TIFF coverage extended far past the festival's end. When one watches as many films as I try to at such events, I guess this is inevitable. Getting sick just as I was about to leave Canada and cross the Atlantic back home didn't help matters, but I'm back on writing duties and ready to share my thoughts on a number of exciting new titles. NYFF, which I'll cover digitally, is still a week and change away, so that can serve as the deadline to wrap up this celebration of TIFF's 50th edition - Happy TIFFTY! 

So, let's begin again, starting with the drama that reduced the northern metropolis to tears and secured Chloé Zhao a place in history as the only director to have won the TIFF People's Choice Award twice. And it's well deserved, as Hamnet represents the filmmaker's finest achievement yet…

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Sunday
Feb252024

Berlinale #7: France is the big winner at Berlin

By Elisa Giudici

Mati Diop and Lupita Nyong'o at the awards ceremony © Ali Ghandtschi / Berlinale 2024

There was a clear standout at the 74th annual Berlinale: French cinema. Given the competition lineup, France secured all three podium positions one way or another. Let's start with the Golden Bear, naturally. The jury, led by Oscar-winning actress Lupita Nyong'o, crowned a new documentary by French-Senegalese director Mati Diop (of Atlantics fame) as the winner. It's a double win for French cinema: not only is Diop a French citizen, but she's also a product of the Cannes Film Festival, a source of national pride.

Her winning documentary, Dahomey, is a low-budget project that might have struggled in the bright spotlight at Cannes... 

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Sunday
Oct232022

A24’s Paul Mescal Double: 'Aftersun' and 'God’s Creatures'

by Eurocheese

A24 has had a killer 2022 so far, and they’re not slowing down. The effusive love for Everything Everywhere All at Once has indeed been everywhere: tributes to all the actors (including Middleburg last week), Park Chan-wook adding his name to the list of celebrities declaring their love for the film, reports of Academy screenings going like gangbusters – the weird little blockbuster-that-could has done everything it can to stay front and center in the Oscar race. On top of that, there’s the critical success of several A24 films in their bread-and-butter category of horror/thriller (X, Bodies Bodies Bodies, Pearl) and a couple of gems that are enchanting discoveries for those that seek them out (After Yang, Marcel the Shell with Shoes On). What more could we ask of them? 

As it turns out, we can expect them to showcase the brilliant (not to mention gorgeous) Paul Mescal in two films that highlight his ability to be heartbreaking and ice cold in polar opposite performances...

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Saturday
Jan142017

Happy 50th Emily Watson!!

Chris here, wishing a happy 50th birthday to one of our most underserved contemporary actresses, Emily Watson!

And around this time she’s also celebrating her 20th anniversary for her first Oscar nomination for her debut in Breaking the Waves, a performance that time simply doesn’t diminish...

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Friday
Sep302016

Stage Door: Believing in Breaking the Waves, the Opera

Daniel here to discuss the latest transfer from big screen to live stage. 

Bess McNeill, the golden-hearted islander at the center of Breaking the Waves, is a woman of astonishing faith. It is the source of her resilience and it is her undoing, though the salacious facts of her downfall can distract from the strength of her conviction. However, the whirlwind of anonymous sex, medical trauma and social exclusion that characterize the second half of the film do not undo the romantic catechism of its first scene. 

Bess sits in church, beset by the stone-faced Calvinist elders of her community. They demand to know why she wishes to marry an outsider, an act they clearly interpret as a spiritual betrayal. She responds to their questions with an irrepressible joy. Her confidence in her own love, as well as that of her fiancé, is as compelling a testament of faith as has ever been put to film. 

Or, as the case may be, as has ever been put to music...

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