RIP: Melissa Mathison (1950 - 2015)

Melissa Mathison, Oscar-nominated screenwriter of E.T., has passed away at 65. 

She gave us the film's iconic "E.T. phone home," but what connects each viewing is her rich understanding of the hearts and minds of children. She got to the part deep within all of us that was afraid of growing up and change, of trying to hold tightly to what would only be taken away from us. Adding this insight with natural and efficient dialogue, she turned uncomplex phrases like "Be good" and "I'll be right here" into primal moments loaded with childhood longing.

A mother of two herself, her grasp of the young mindset was also at play in her adaptations of The Black Stallion and The Indian in the Cupboard, and provided unique insight into the Dalai Lama for Kundun.

A natural fit to the fascinations of Spielberg, her gifts will be greatly missed. Coming in the year ahead, we will luckily have one last collaboration from the pair: the Roald Dahl motion-capture adaptation of The BFG. Material perfectly suited to her skills, it's a chance to celebrate her again.

RIP Melissa Mathison

E.T.'s Wish Fulfillment Fantasy

National Bike to Work Week. Here's Lynn.

It’s fun to zip around on a bike, but who among us hasn’t dreamed of having a bike that can literally fly?  If The Wizard of Oz engraved the image of a flying bicyclist into our brains as the ultimate nightmare (that moment when the mean neighbor turns into the Wicked Witch of the West still sends chills down the spine), then E.T. replaced it with the ultimate wish-fulfillment fantasy for legions of ’80s kids everywhere.

In a movie filled with memorable images, this one (which Spielberg’s Amblin Entertainment would later adopt as its logo) remains the most iconic.  Separated from the film, there’s something haunting, even melancholy, about the sight of that tiny silhouette suspended against the giant, low-lying full moon – a hint, maybe, that E.T. must wane before he waxes again.  Yet the memory it evokes is Elliot’s incredulous joy as E.T. lifts his bike into the night, accompanied by John Williams’ soaring strings.  No matter how many times you’ve seen it, it still feels like the first time.  Never mind that the scene was shot against a blue screen, with cranes, and the footage of the forest and moon added in post-production.  It’s still magic.

The second liftoff comes at a much tenser moment, following an emotionally draining sequence in which E.T. dies and is brought back to life, and a white-knuckle bike chase – a standout scene in itself – in which E.T. and the boys are almost cornered several times by the authorities.  The suspense is surprisingly drawn out, as the viewer knows by now that E.T. has the power of flight at his fingertips and can’t help wondering, What’s he waiting for, why doesn’t he do it?

The moment he finally does, taking the boys with him, brings as much relief as exhilaration.  It also marks a brief return to the joy and wonder of the first half of the film before the imminent four-hankie farewell.  Once again, we have the image, now expanded, of a whole row of bikes against a large bright orb.  This time it’s the sun—a setting sun.  E.T.’s time on earth is drawing to an end.  But we’ll always remember when he made our bikes fly.

RPDR: Season 8 Audition

Team Top Ten: Best Sci-Fi Films (Post-1977)

Welcome back to April’s Team Top Ten. If you missed our show last week, we chose the best science fiction films made before 1977, the landmark year when both Close Encounters of the Third Kind and Star Wars were released. This week, the masterworks after that milestone.

Although you won’t be shocked to find that we managed yet again to have a tie at number 10 – a three-way tie, no less – our selection otherwise sprang a few surprises. There were omissions of high profile titles – David Cronenberg's The Fly *sniffle* – but we did otherwise cover all decades, multiple genres and even animated films. Long-time readers will not win bonus points for guessing what film came first. Still the margin by which it won was unexpected. It topped half of all ballots and won more points than the second and third films combined. Without further ado…

Team Experience Top Ten
Best Science Fictions Film Produced After 1977...

10. The Iron Giant (1999)
Even fifteen years after I have first seen it The Iron Giant is still one of those films that will light up my face with excitement when I read its name, or see an image from it somewhere. And it's no doubt the same excitement that so many people feel about Brad Bird's first film that has secured its lasting presence in popular culture, and now on this list. I have always been thrilled to introduce new audiences to The Iron Giant - watching it with friends who haven't seen it has become a bit of a tradition for me - so to think that its inclusion on this list might prompt a few of you to see it for the first time, or see it again with someone who doesn't know it yet, fills me with great joy.
–Sebastian Nebel

replicants, extra-terrestrials, and time travellers after the jump...

Click to read more ...

Reader Spotlight: Grace Miao

In Reader Spotlight we get to know The Film Experience community one by one. It's taking forever for which you know I'm grateful. Today we're talking to Grace in Toronto.

NATHANIEL: Hi Grace. Why do you read The Film Experience?

GRACE: I originally read it for your Oscar predictions, but I got hooked on the thoughts and insights in your movie reviews - and actressexuality! It's a little Ebert-esque, but love or hate a movie, you have an undercurrent of overall admiration and appreciation for the medium that keeps me coming back.

What's your first movie memory or obsession?

GRACE: E.T.  I'm so blood/gore-averse that I distinctly remember hiding my face behind my hands when Elliot cut his finger on the circular saw. And wanting a flying bicycle.

I know we have a mutual love of Tilda Swinton and Tony Leung since you've told me so. Name three other actors you always love to watch.

Nicole Kidman! I know she's on everyone's list, but her Monster Year in 2000/2001 kind of sealed the deal for me - I loved her in "Moulin Rouge", "The Others", then later in "Dogville" and "Birth". She's always good, but with an auteur director, it's absolute magic to watch her.

Maggie Cheung. I really miss seeing her onscreen, especially since Tony's still working (such amazing chemistry!). I was SO excited to hear that she was going to be in Inglorious Basterds and disappointed that they cut her scenes. She's one actor who, like Tilda, I can buy in anything and any role. Plus very few people can make Cantonese Chinese sound as elegant as she does.

I saw Ralph Fiennes in Quiz Show in a high school English class and it sent me digging through his filmography and my Dad's video library. For years, I just couldn't get enough of him (though I skipped "Maid in Manhattan") - I could be repulsed by him ("Schindler's List"), swoon over him ("The English Patient") and every time he speaks, I just want to curl up and fall asleep in his voice. I could see someone like Tom Hiddleston following in his footsteps.

If I could pick runners-up, I'd choose Peter O'Toole, Kirsten Dunst and Russell Crowe. 

If you were in charge of Hollywood for a year, what kind of movies would you greenlight?

At this point, I think I'd greenlight virtually anything that isn't a prequel or sequel. I'd give the go-ahead to works that put story and character development at the forefront; if Lars Von Trier/Kar Wai Wong/Alfonso Cuaron/Hayao Miyazaki/David Lean's ghost are in any way involved with the project, I'd give it an automatic pass to production. And I'd have Christopher Doyle be the DP for everything.

What's the last movie you watched before answering these questions [note: we had this conversation a couple of weeks ago]

I'm embarrassed to say G.I. Joe: Retaliation, but that wasn't a voluntary choice. Can I redeem myself with No starring Gael Garcia Bernal, which I saw the week before with my BFF?

Yes you may. Good choice. Which movie would you love to live inside of?

The Fall. Specifically in Roy and Alexandria's imaginary world, in Eiko Ishioka's costumes.

Name your three favorite movies from each decade: 80s, 90s, and 00s 

80s: My Neighbour Totoro (I grew up on Hayao Miyazaki - I could have easily filled up this section with everything he produced that decade), The Last Emperor, and Ran

90s: LA Confidential, Porco Rosso, Apollo 13

00s: The Barbarian Invasions (my Dad had cancer years ago and passed away in 2010, so I can't tell you how much this movie resonated with me. I was weeping in my seat), Children of Men and Dogville (Trying to narrow down what I loved from this decade drove me nuts. I want to cram Spirited Away, In the Mood for Love and Amelie in here as well)

Thanks Grace! P.S. This picture you sent is amazing! So I GIF'ed it. I cannot  believe you were an extra in Mean Girls. That is so fetch.

GRACE: I was.  Right after the Mathletes victory is announced. Two Lindsay Lohan movies, one with Hillary Duff, a TV movie with Anna Sophia Robb and a handful of TV series, including "Monk"!

NATHANIEL: Well done!

Previous Reader Spotlights
And our imaginary Honorary Reader Oscars go to...
lovely ladies: Mysjkin, Lynn Lee, Ester, Leehee, Jamie and Dominique 
(and yes we need to hear from more of the girls) 
dashing gents: Peter C, Daniel M, Troy H, Morgan, Patrick, Christian, Lucio, Joey Moser, Zé V, Tony T, Andy H, Ferdi, K.M. Soehnlein, Sergio, Borja, John, Chris, Peter, Ziyad, Andrew, Yonatan, Keir, Kyle, Vinci, Victor, Bill, Hayden, Murtada, Cory, Walter, Paolo, and BBats