Berlinale #4: Reinate Rensve conquers Berlin

by Elisa Giudici

A DIFFERENT MAN © Faces Off LLC

Watching her in Norway's international hit The Worst Person in the World (2021), it was clear that Renate Reinsve was destined for great things. Three years later, we find her at the Berlinale starring in two international films and shining brightly in both. Is it finally becoming easier for non-native English-speaking actors to break through internationally? It certainly seems so!

A DIFFERENT MAN by Aaron Schimberg
The title is cleverly crafted and the film has the potential to go far internationally. Writer/director Aaron Schimberg tackles a Lynchian theme (a man's facial deformity reflecting his inner self), and adds a touch of Kafka in a contemporary key. Despite the influences and references, he makes it entirely his own...

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Berlinale #2: "Cuckoo", "La Cocina," and "All The Long Nights"

by Elisa Giudici

There are days when every film starts off more than promisingly. Your heart races because you think you're about to watch a great movie, but movies don't always live up to their promise.

CUCKOO © NEON

CUCKOO by Tilman Singer
This year's Berlinale promises a wealth of intriguing horror films. Unfortunately, the first one to be presented, one of the most anticipated this year, turns out to be a classic case of a film with a phenomenal start that derails just as spectacularly while seeking its development and conclusion. Despite the film being far from successful, there's a clear impression that, with a bit more experience, writer/director Tilman Singer is destined for a very bright future...

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Berlinale #1: Cillian Murphy in "Small Things Like These"

Elisa Giudici, TFE's frequent festival friend is in Berlin for the 74th annual Berlinale...

SMALL THINGS LIKE THESE © Shane O'Connor

by Elisa Giudici

"If you want to get on with life, sometimes you have to ignore things" Billy Furlong's wife remarks to him. It's 1985, and life in the Irish town of New Ross is modest yet dignified, for the most part. It's in the subtleties and the fine line between two worlds that the agony and suffering of Berlinale's opening film unfolds.  

Adapted from Claire Keegan's novel, Tim Mielants' Small Things Like These portrays the story of a "soft-hearted man" named Billy (Cillian Murphy, teased by his wife for his unwavering tendency to aid those in need...

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This Film Year, I'm Thankful for...

by Cláudio Alves

Happy Thanksgiving!

The world is burning and everything sucks, principled people are few and far between, with depression and bad news always waiting 'round the corner. And yet, even now, there are things to be thankful for. As a cinephile, I've found that films often represent a reprieve from doom, including when they catalyze one's anger and throw it back at the audience. Indeed, it's difficult to imagine life without those moving pictures. From a personal perspective, it's impossible to conceive of the past months without these screen-bound pleasures. So far, 2023 has been a fantastic year for my journey as a film fanatic, from stellar pictures to unprecedented opportunities.

It only seems fair to share some of that joy in a day that, for my American friends, is all about celebrating gratitude. Sure, I'm Portuguese, but the sentiment persists beyond borders. Without further ado, this film year, I'm thankful for…

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Middleburg 2023: Mainstream Oscar Bait is back, baby!

by Lynn Lee

Previously in part one of the Middleburg recap we discussed Cannes triumphs The Zone of Interest and Anatomy of a Fall (now in theaters!), and Sofia Coppola's Priscilla. Now the jam-packed Oscar promise second half of the festival.

Day Three
If you’ve been wondering whether American Fiction – the audience favorite at Toronto – really has Oscar potential, I’m here to tell you yes, it absolutely does.  Cord Jefferson’s debut feature took home the audience award at Middleburg, too, and both my husband and I thoroughly enjoyed it.  It’s a rollicking satire of the literary establishment and the politics of racial representation, based on a novel that was written over 20 years ago but is, if anything, even more current today.  Jeffrey Wright stars as Thelonious “Monk” Ellison, a bougie buttoned-up middle-aged black writer who, appalled at the success of novels and entertainment he sees as pandering to white stereotypes of black life, writes his own gangsta/ghetto porn novel as a bitter drunken joke... only to see it meet with an effusive response far beyond his wildest imagination... 

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