Roma Takes New York

by Jason Adams

Set your calendars - the New York Film Festival is a mere seventy-two days away now! Running from September 28 to October 14 the 56th edition of my hometown's biggest fanciest movie celebration has just made its first programming announcement - this year's Centerpiece Film will be Alfonso Cuarón’s black-and-white autobiographical epic Roma! 

The movie charts the course of a family over the course of a year in middle-class Mexico City in the 1970s, and even though that seems straightforward it sounds like Cuarón is still experimenting with movie technology - NYFF promises that the film features "a sound design that represents something new in the medium." Well I'm curious!

Roma is owned by Netflix and got pushed out of consideration by Cannes because of their cantankerous relationship with the streamer - NYFF has no such qualms, having screened both Mudbound and The Meyerowitz Stories just last year, so we'll be some of the lucky movie-goers who see Cuarón's vision on a great big screen, lucky lucky us.

Links: Scarjo Shifting, Brie Wrapping, Joss Returning, Cheetah Leaping

• Out Scarlett Johansson leaves the upcoming trans drama Rub & Tug post-backlash
• THR In unrelated news Scarlett is finally getting her Black Widow solo movie. Australian Cate Shortland (Lore) will direct, beating out finalists Amma Asante and Maggie Betts.
• MovieMaker the 25 coolest film festivals in the world (the giant A list fests are not listed in favor of quirkier ones that use their location in interesting ways.)
• Gizmodo only one Blockbuster video store is still open in the United States!

More after the jump including Die Hard, Danai Gurira, Tab Hunter, Joss Whedon, If Beale Street Could Talk, West Side Story revival, and more...

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Doc Corner: Dances with Films Festival

by Glenn Dunks

The spectre of films past linger over two documentaries at the Dances with Films independent film festival (June 7th-17th at the TCL Chinese Theaters in Los Angeles). Their ability to bring an audience back to something more innocent is perhaps one of the strongest elements of this festival that prizes the atmosphere of a summer camp rather than a crazed film festival in the snowy mountains or on the sunny beaches.

The more obvious of the two that I was able to sample is Alexander Monelli's At the Drive-In, a film that you could glimpse at a pass and suspect you have already seen a dozen times at other festivals. Film festival audiences are, after all, more naturally disposed to watch a documentary about a venue like a drive-in or a classic movie palace or a dying/dead/forgotten part of the filmgoing experience. The inherent nostalgia and cinematic reverence of these topics make them solid programming on any festival’s behalf...

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The Tweet that Jack Built at Cannes

Is Book Club a remake of the scene in Mad Men when these ladies read Lady Chatterley's Lover? pic.twitter.com/98dRbIk7Vl

— Kyle Stevens (@cinementalist) May 15, 2018

IF ONLY

Other tweets after the jumpvincluding little bits of Meryl Streep, jokes about Titanic and Infinity War and Cannes battles and general Cannes mania (it all ends today)...

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Cannes: How's the Palme d'Or Competition Shaping Up?

by Nathaniel R

Which of the 21 films that Cate Blanchett and her jury are screening, will win the Palme d'Or? It's the most coveted film festival prize in the world and it's always a nail biter even when the prize seems obvious due to the vagaries of jury voting. Only one film will win the Palme but juries are expected to spread the wealth so there's a lot to consider each year among the best-received films when you're talking "winners" since acting prizes, writing, and special prizes await us next weekend. Juries have been known to surprise by handing a random award here or there to a film that critics didn't like at all... or ignoring some obvious giant especially in the two acting awards. So in other words, take the "Cannes sensation!" reviews with a block of salt because you never know.  

Not all of the 21 films have screened yet but these 4 look like contenders of some sort to us from our vantage point across the Ocean...

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