Berlinale 2018: Isle of Dogs and more...

Seán McGovern reporting from the 68th Berlin International Film Festival.

There's a friendly kind of brusqueness to Berliners. They're very unbothered. But the barely-contained excitement of my first Berlinale is almost matched by the huge passion the Germans have for film culture. Ten days and dozens of stunning venues. I'm here mainly to see all the films up for the Teddy Award but it wouldn't be a film festival if I wasn't in at least three screenings a day.

Opening Film
Isle of Dogs (dir. Wes Anderson, United Kingdom/Germany)

At first it seems like a basic choice – A famed US director with a star studded cast.

But take a moment to appreciate that Isle of Dogs is a multi-format animation, in dual languages, and about a historic animosity between humans and dogs, set in Japan, in the future. It's is a gorgeous testament to the kind of storytelling animation is capable of...

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Cate Blanchett only the 9th Actress to Preside over Cannes!

by Nathaniel R

Pedro Almodóvar was always going to be a tough act to follow. So surprise, Cannes went with an actress instead of a director to head its 71st annual event (May 8th through 19th, 2018). We're sure Pedro would approve, being the big Actressexual that he is. Actresses are more common than actors for this honor but the bulk of the Main Competition jury presidents are famous auteurs. Cate the Great will only be the 9th actress to preside (for the tenth such occurence). She's also only the second Australian after director George Miller reigned in 2016.

The only actresses to have previously presided over the main Cannes jury

• Olivia de Havilland (UK) in 1965
• Sophia Loren (Italy) in 1966
• Michele Morgan (France) in 1971
• Ingrid Bergman (Sweden) in 1973
• Jeanne Moreau (France) in 1975 and 1995
• Isabelle Adjani (France) in 1997
• Liv Ullman (Norway) in 2001
• Isabelle Huppert (France) in 2009

This is a smart move on Cannes part given the criticism they often receive about their exclusionary nature. Now if they could only address that problem within their actual lineup. Other A list festivals have definitely made greater strides about including female directors in their competitive lineups. At Cannes they're still often relegated to "Un Certain Regard" or whatnot.

Sundance Primer: The 2018 Dramatic Competition Lineup

It's a wonderful week for diversity! In the festival world, at least. The American and International Dramatic Competition lineup for the 2018 Sundance Film Festival was announced and it includes narratives representing people of all kinds from all over the world. This year's lineup also features exciting film directorial debuts from familiar (Idris Elba! Paul Dano!) and new visionaries.

In the past, major films like Precious: Based on the Novel Push by Sapphire and this year's awards darling Call Me By Your Name premiered under this category. Check out this year's contenders to gauge who critics and audiences will still be talking about months after the festival's run.

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Links

Village Voice Bilge Elbiri on a film review that changed his live (J Hoberman's 1992 piece on Orson Welles' Othello) - lovely personal piece
Nick Davis Chicago film festival jury picks and his own precise takes on the movies screened including high profile gems like Call Me By Your Name, and several foreign film Oscar submissions
Esquire Bryan Cranston must be seeking to sabotage his Oscar hopes this year with this admission that he's rooting for Trump to succeed
Huffington Post talks to Melissa Leo about Novitiate and becoming a gay icon with those "Consider..." ads

Another Mag amazing photos of the well decorated sets of Call Me By Your Name
EW Moulin Rouge!'s stage musical adaptation sets its debut for next summer in Boston. Which means we're probably looking at a Broadway transfer and contention for the June 2019 Tonys.
SBS an amazing interview with Katya and Trixie whose new series The Trixie & Katya Show starts real soon
Vanity Fair sits down with still-rising Tessa Thompson about her stereotype defying career
Esquire jumps on the "give I, Tonya Oscars" bandwagon. I tell you what dear readers, the ease with which this movie is getting people excited when I though it was genuinely not good (mockumentary stale, politically problematic, and cheap-looking) is going to make this Oscar season a loooong one for me (sigh). Ah well. You can't love everything... or every Oscar season. 

London Film Festival: Roundup and Oscar Chances

Pivotally positioned in October, the BFI London Film Festival boasts the distinction of having some of the most feted films of the year, champions newcomers and not without its stalwart festival curiosities. On the ground this year was Film Experience contributor Seán McGovern who saw only a fraction of the films on offer, but nonetheless a taste of potential Oscar contenders.

Call Me By Your Name
Worried that I would be tranquillised by the hype, I nonetheless could not resist it. Yes, it's a film about gorgeous people of immense privilege, but who can dismiss how hard it is to successfully capture the furtive horniness and confused intensity of young love? Timothée Chalamet's Elio teeters between brazenness and vulnerability, and Armie Hammer captures a strange aloofness that is hard to do on screen. It actually made me want to have children - just so I could grow up and be Micheal Stuhlbarg.

Oscar chances: Director, Picture, Best Actor (Chalamet), Supporting Actor(s) (Hammer, Stuhlbarg), Adapted Screenplay, Cinematography, Original Score. Whether Academy voters embrace two LGBT films in a row is another thing.

 Six more films after the jump...

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