"Wonderstruck" is NYFF's Centerpiece Selection

Chris here. Todd Haynes's Carol follow-up, the genre mash-up Wonderstruck has been one of our most anticipated here at The Film Experience for some time, naturally. While the film got a mixed reception at Cannes and came up empty handed for prizes, that's not enough to dampen our excitement. Haynes reunited with Julianne Moore? Of course we're there! But the film just landed a prime spot on the fall festival circuit - Wonderstruck will be the Centerpiece for the New York Film Festival.

Festival hounds will remember that this spot went to 20th Century Women's world premiere last year - so let's hope the film is as beloved in these parts as that film. But will it capture Oscar's attentions more than that small film? Haynes hasn't had much luck on the big prizes, so we bet Wonderstuck could at least register below the line as his previous films have. Despite the muted Cannes reactions, one of the most universally praised elements of the film was the performance of young deaf actress Millicent Simmonds - could she be the next youngster to steal Oscar's hearts? 

Wonderstruck play's NYFF afew weeks before opening October 20. Tell us what has you most excited about the film!

Bening to Lead Venice Film Festival Jury

Chris here. It may not make up for missing out on an Oscar nomination for some of her best work in 20th Century Women, but Annette Bening is getting a global cinema honor of a different sort. The legendary actress will be president of this year's Venice Film Festival competition slate.

Bening will be the first woman to serve over the Venice jury in over a decade, the last being Catherine Deneuve's jury awarded Jia Zhangke's Still Life in 2006. What's heartening is that it was a conscious choice from festival director Alberto Barbera to represent female voices in film, one that rival festivals have struggled to achieve. He states:

It was time to break with a long list of male presidents and invite a brilliant talented and inspiring woman to chair our International competition jury. I am extremely happy that Annette Bening has accepted this role, which she will carry out by virtue of her stature, her intellect and the talents she has manifested over the course of her career, in Hollywood, Europe and on the stage. Hers is a career marked by always interesting, often daring choices. A sophisticated and instinctive actress, able to portray complex shadings of character, Annette Bening brings to her roles an understating, a warmth and a natural elegance that makes watching her films a wonderful and ever enriching experience. I welcome her to Venice.

Here here on Annette's gifts, but we'll see if that pro-diversity sentiment carries over into their selected films, however. Which means we can start speculating on what film's Venice will be serving Annette (and which she'll give a "yes and no"). This certainly puts her upcoming adaptations of The Seagull and Film Stars Don't Die in Liverpool out of the running, but we will hopefully hear word of an opener in short time.

Trailer for ''God's Own Country''

by Murtada

Do we have a new gay classic coming our way this year? Judging by the reactions from a few film festivals, we just might. The film in question is Francis Lee’s debut God’s Own Country. The story is about a farmer from Northern England and his journey of sexual discovery after falling for a Romanian migrant worker...

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Cannes Prizes Pt 1: Sidebar Glories and Oscar Dreams

Congratulations to this poodle below from The Meyerowitz Stories who won the coveted Palme Dog

The Palme Dog is not an official prize from the festival itself but it's always fun to see who wins. Past years winners have been the utterly adorable bulldog from Paterson (2016), the Maltese from Arabian Nights (2014), Uggie from The Artist (2011) and so on. The Palme Dog people also gave an honorary to the bomb sniffing dogs working Cannes to ensure the safety of the industry professionals attending. 

But wait that's not all. Two of the official Cannes juries also named their winners in advance of tomorrow's main closing night ceremony. Read about them after the jump...

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Tribeca 2017: The Drama Queens of "Blame"

Nathaniel R catching up with Tribeca Film Festival

photo by Jacqueline Harriet for Constellation Magazine

These women pictured above, left to right, are Quinn Shephard and Nadia Alexander. You should probably learn their names. They're the leading ladies of Tribeca hit Blame. Nadia Alexander picked up the festival jury's Best Actress prize. Not that Quinn Shephard is a slouch in that department. Or any department. Get this -- Shephard wrote, directed, produced, stars in, and edited Blame. Whew. More impressively, she did all of those things well! Will the cinema's leading 20something DIYer Xavier Dolan feel threatened or be all 'plz, she didn't have the energy to do the costume design, too? Slacker!'

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