"Parasite" and the other most popular foreign film hits of our lifetimes.

by Nathaniel R

In lieu of the traditional box office charts for the holiday weekend, it's time to marvel yet again at how leggy Parasite (2019) continues to be. After its Oscar win a week ago it doubled its screen count and is expected to take in over $5 million this weekend once the actual money has been counted. So let's take a look at the very biggest international hits since box office stats began to be a commonly reported thing. Which foreign films were the all time biggest hits (since the late 80s)? For clarity we're talking about films that weren't in English but also weren't from the US which removes Mel Gibson's weird dead language projects like Passion of the Christ and Apocalypto, Clint Eastwood's Iwo Jima, and the recent Lulu Wang hit The Farewell among a few others. 

THE 25 HIGHEST-GROSSING INTERNATIONAL
FOREIGN-LANGUAGE FILMS
IN DOMESTIC RELEASE (1987-2019)

01 Crouching Tiger Hidden Dragon (Taiwan, 2000) $128
10 Oscar nominations including Best Picture. 4 wins. There will never be another subtitled hit as big as this one but what a glorious film to find up top. 

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Streaming Roulette: Honey Boys & Gates of Hell

by Nathaniel R

The mania of Oscar season completely detached us to what people might have actually been streaming at home. So let's get back to that with a short round of Streaming Roulette. If you're new to the site that's how we share new streaming offerings. We select a handful (or two) of titles and just randomly hit a place on the scroll bar to see what the film looks like - no cheating. 

If you'd like us to write up any of the new to streaming pictures (there's a huge list after the roulette) please share what you'd most like to talk about in the comments. Maybe we'll get to 2 or 3 of them? Ready? Let's stream...

The reviews were... like, I murdered their children or something. 

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Is the "One-Inch Barrier" Falling?

by Eric Blume

Since Parasite's historic Best Picture win this past Sunday, the heat surrounding it has not let up. Though the movie is already available on DVD and Blu-Ray, it will expand to 2000 screens this weekend in US theaters and a Criterion Collection release has also been announced (along with Memories of Murder, Bong's original breakthrough title). Given the hoopla, the industry trade magazines are falling over themselves to write stories about the change that may come for international titles.  The Hollywood Reporter has an interesting article proclaiming that we'll be seeing many more foreign film titles in the American marketplace in the next few years.

This article gives big credit to Netflix for "global programming" that is helping people get over the "one-inch barrier" (i.e., subtitles) that has plagued marketing of foreign product over the decades.  It's an interesting take...

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1999 with Nick: When "All About My Mother" triumphed over ???

In advance of the Oscars, Nick Davis has been looking back at the Academy races of 20 years ago, spotlighting movies he’d never seen and what they teach us about those categories, then and now.

After that trip back to the Documentary race, we're ending the week by spotlighting the other category that's taken the hugest strides to adjust its nominating process and champion better work. It’s also no accident that I’m ending with a category that Nathaniel has tracked with unusual care and detail since Oscar-focused websites have existed—indeed, long before many of his peers paid more than cursory attention. The 72nd Academy Awards took place eight years before the transformative addition of an Executive Committee to the vetting process that produces the annual roster for "Best Foreign Language Film," which of course this year got rebranded as "Best International Film". This category used to be heavy with inoffensive mediocrities, or sometimes offensive ones. Tracking down the contenders, which was often difficult to do, rarely felt like making contact with the best of world cinema in any given year, and with very few exceptions the winners across the 1990s were an undistinguished lot. (Or maybe you’re a major devotée of Mediterraneo or Kolya?)

By that standard, 1999 was a pretty good year, since I imagine that Pedro Almodóvar's All About My Mother would be most people's choice as the best film to cop this prize during the whole decade. This critical and popular favorite needed no help from any Executive Committee to stay alive during the balloting. In fact, the only mystery is why the movie couldn't make more inroads into admittedly competitive races like Actress, Supporting Actress, Director, Screenplay, Production Design, Costume Design, Editing, or Picture...

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"An Officer and a Spy" and "Les Miserables" battle it out for the César

by Nathaniel R

France's Oscar parallel competition, the Césars, have finally announced their nominations for the film year. Roman Polanski's adaptation of Robert Harris's novel An Officer and a Spy leads the nominations. It's based on the Dreyfus affair and Emile Zola's "J'Accuse!" letter, both of which are also the topic of one of Oscar's earliest Best Picture winners The Life of Emile Zola (1937).  The drama leads the Césars with 12 nominations while the Oscar-nominated Les Miserables and the riveting queer romantic drama Portrait of a Lady on Fire were right behind with 10 nominations each. After the jump all the nominations and a few notes...

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