Poland's Oscar stats and the first 2020 news of the International Feature Race

If you've been reading TFE for any length of time, you already know we're obsessive about Oscar's Foreign Language Film race, last year retitled to Best International Feature Film. Normally we've long since begun talking about the submission list, but 2020 remains an unruly unusual beast. But we do have two pieces of news to share regarding our favourite non-actress based category.

First, we've neglected to mention that Oscar's longer-than-usual release eligibility period has also affected Best International Film...

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Round 7 for Penelope & Pedro with "Parallel Mothers"

by Nathaniel R

Given the elegaic tone of Pedro Almodóvar's brilliant autobiographical Pain & Glory (2019) we worried that it might be his last film. We're so pleased to be feeling paranoid about that now. The 70 year-old master is already writing again or perhaps has finished writing something new. And not just one new project, but three! His next feature (which will shoot in early 2021) is a melodrama called Parallel Mothers, which will star his muse Penélope Cruz. The film will follow the lives of two mothers who give birth on the same day but whose lives take different courses (no word yet on who will play the other mother or if this is a dual role for Cruz). This will be the director and actress's seventh collaboration...

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Spain's big mistake

by Cláudio Alves

Throughout the recent awards season, I wrote several pieces about the Best International Feature race, an Oscar category that's very dear to my heart. It's also a source of endless frustration for I am Portuguese and Portugal remains the country that holds the record for most submissions without getting a single Oscar nomination. To be fair, that's not always the Academy's fault. Sometimes, the choice submission is so mind-bogglingly misguided, it kills any hope of a nomination the minute it's announced. It's not always that the submitted films are lacking in quality, but, sometimes they're productions that were little seen outside of Portugal and received no buzz whatsoever.

This is by no means a strictly Portuguese problem, mind you. In fact, since we're celebrating the 2002 movie year, it seems like a good time to explore one of Spain's most misjudged bits of Oscar selection…

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The curious case of "The Red Balloon"

by Cláudio Alves

Last time we explored the history of non-English speaking films at the Academy Awards, we looked at the success of Japanese cinema in the Best Costume Design category. In 1956, two years after the historical victory of Teinosuke Kinugasa's Gate of Hell, the Academy finally inaugurated the Best Foreign Language Oscar as a competitive category. Federico Fellini's La Strada was the first winner and, like Gate of Hell, it also scored a nomination in another category, Best Original Screenplay. This time around, though, the foreign film champion lost that additional statuette. However, it didn't lose to a Hollywood production or even an English-language one. Instead, that year's prize for Best Original Screenplay went to one of the weirdest Oscar winners of all time. 

We're talking about a nearly dialogue-free French short film about a magical balloon directed and written by the creator of the Risk board game… 

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New Rules for the Next Oscar Race!

by Nathaniel R

Is the Academy being proactive or panicky? That's up for debate but they've made a big announcement. Though the Oscar ceremony is almost exactly 10 month away (February 28th, 2021) -- practically a full year -- AMPAS is planning for the worst with the coronavirus pandemic and adjusting accordingly. The biggest news might well be a 'letting the genie out of the bottle' rule change. They will now allow streaming films without theatrical releases to compete for Oscars.

From their own mouths:

“The Academy firmly believes there is no greater way to experience the magic of movies than to see them in a theater. Our commitment to that is unchanged and unwavering. Nonetheless, the historically tragic COVID-19 pandemic necessitates this temporary exception to our awards eligibility rules. The Academy supports our members and colleagues during this time of uncertainty. We recognize the importance of their work being seen and also celebrated, especially now, when audiences appreciate movies more than ever.” 

We've assumed this was going to happen eventually though the notion frightens us for what it portends, not for its arguable necessity at the moment. This change makes a lot of sense in this extremely unprecedented situation BUT, and here's the nuanced bit of our feelings that's hard to sell in easy sound bites....

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