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Entries in foreign films (677)

Thursday
Nov292018

Sundance 2019 Lineup: Lots of Promising Topics and Great Actresses

The Sundance Film Festival runs January 24th through February 3rd next year. Let's look at the five of the key program lineups in brief. Which films are you most excited about. TFE might be going this year, we're not yet sure.

U.S. DRAMATIC COMPETITION

Alfred Woodard stars in "Clemency"

16 World Premieres will be competing for the Sundance crown (won last year by The Miseducation of Cameron Post). The new crop is all writer/directors (except where noted) and Sundance has been very careful about diversity, noting in their press release that the US dramatic competition section is 53% female directors, 41% directors of color and 18% LGBTQ directors. But they had a ton to choose from which helps with diversity. There was a record number of submissions for the 2019 festival with 4,018 features hoping to be selected, 1767 if those made from within the US...

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Wednesday
Nov282018

Review: Never Look Away

by Murtada Elfadl

Tense apprehension is usually how I approach 3 hour long movies. But I shouldn’t have fretted about Germany's Oscar entry Never Look Away. It was never less than totally engrossing and I was completely riveted throughout. For his third picture, following Oscar foreign-language winner The Lives of Others (2006) and Hollywood turkey The Tourist (2010), director Florian Henckel von Donnersmarck was inspired by the life and work of German painter Gerhard Richter. The film tells the story of a 20th century German artist, given the name Kurt Barnert here and played by Tom Schilling as an adult, from his childhood in the 1930s through WWII, growing up in Communist East Germany, then defecting to the West and finding his artistic voice there...

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Monday
Nov192018

Interview: Hirokazu Kore-eda on "Shoplifters," his process and working with child actors

by Murtada Elfadl

Kore-eda with his Palme d'Or for Shoplifters. Is an Oscar nomination next?

In Shoplifters Hirokazu Kore-eda (Like Father Like Son, After the Storm) tells us a story about how families unite with bonds of love and real connection rather than accidents of birth. Perhaps the best way to describe it is “humanist” as it puts connection, kindness and love at the forefront. According to the press notes, the director was inspired to write the story after learning about incidents of pension fraud in Japan - where families illegally received the pensions of parents who had already died years ago - and the severe criticism the perpetrators got.

I am wondering why people get so angry over such minor infractions even though there are many lawbreakers out there committing far more serious crimes without condemnation.

Shoplifters traces the relationships of a makeshift family that survives through petty crime, shoplifting and the grandmother's pension. Kore-eda, who wrote, directed and edited the film, won the Palme D’Or at this year’s Cannes Film Festival. The film was a runaway commercial success in Japan and is considered a frontrunner for a nomination in this year’s Foreign Language Film Category at the Oscars. On a break from shooting his latest film with Juliette Binoche, Catherine Deneuve and Ethan Hawke, we spoke with him on the phone about Shoplifters, his writing process, and why he’s great with child actors. This interview has been edited and condensed for clarity...

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Saturday
Nov172018

Golden Horse Winners (including "Shadow") and Fashions!

by Nathaniel R

Ang Lee and Andy Lau cheering on the winners

The Golden Horse Awards had a truly spread the wealth kind of year with no film dominating - all five of the Best Film nominees won multiple times. Though it didn't win the most statues, the four hour drama Elephant Sitting Still took Best Picture. Zhang Yimou took Best Director for Shadow (reviewed) and the film won three other technical prizes, leading the win tally. It probably helped that Yimou had his long time former muse, the goddess Gong Li, presiding over the jury but you can excuse those Huppert judging Haneke at Cannes style situations when it comes to the greatest director/muse pairings and Gong Li and Zhang Yimou are certainly on the all-time list. If you're unfamiliar with their work together watch any of their eight collaborations -- I'm most partial to Ju Dou or Raise the Red Lantern personally -- and be floored.

Best Actress Gowns!

The winners, a few gifs, and red carpet fashions are after the jump...

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Saturday
Nov102018

EFA Nominations: Poland's "Cold War" Leads

by Nathaniel R

Joanna Kulig in "Cold War"

It was a big morning for Oscar hopefuls in the foreign language film category as a handful of them have been nominated for multiple European Film Awards. Pawel Pawlikowski, whose nun drama Ida won the Oscar a handful of years back, is leading the EFA field with his new music-filled drama Cold War, about a musician and singer in a long tragic love affair across Europe. It's nominated in 5 categories. The nearest rivals with 4 nominations each are Italy's Dogman, Sweden's Border, and Italy's Happy as Lazzaro (the only one not submitted for the Oscars). Two other Oscar submissions also had cause to celebrate: Denmark's police thriller The Guilty and Belgium's trans ballerina drama Girl were also nominated for a few awards. 

The complete list of nominations and a few more comments are after the jump...

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