How had I never seen... "Farewell My Concubine" (1993)

In this new series, members of Team Film Experience watch and share their reactions to classic films they’ve never seen. 

by Tim Brayton

I wish there was a good reason why it took me 26 years to catch up with Chen Kaige's Farewell My Concubine, co-winner of the 1993 Palme d'Or, two-time Oscar nominee for Best Cinematography and Best Foreign-Language Film, and the film that did more than probably any other single title to present Chinese art cinema to international audiences in the 1990s. Instead, I only have a very terrible reason: it's 171 minutes long, and I never quite managed to make it my top priority in those moments when I had three uninterrupted hours.

To the surprise of nobody, including myself, that turns out to have been a terrible mistake. As long as the film is – and I'd be fibbing if I said that I never once felt that running time – it's unquestionably filling every last one of those minutes with a whole lot of immensely appealing stuff. That Best Cinematography nomination wasn't for show: this is an unbelievably lavish epic of 20th Century history, surely one of the most gorgeous motion pictures of its decade...

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How had I never seen... "Z" (1969)

by Mark Brinkerhoff

After finally having gotten around to seeing 1931’s M, it seemed only fitting to round it out with 1969’s Z, co-record-holder of the shortest movie title ever. Who knew that these two would have more in common than their one-word titles? 

Bracingly directed by Greek-born Costa-Gavras, the Algeria-set, French-language Z is a thinly veiled version of the circumstances around the 1963 assassination of a reformist Greek politician by right-wing zealots. Both the fictional and actual events stoked social upheaval and prompted a political crisis. Factor in a shady government coverup, eventually exposed by a dogged team of investigators and journalists, and you have the makings of a thriller that is as timeless as it is unnerving...

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Review: "The Domain," Portugal's Oscar Submission

by Cláudio Alves

The Domain opens with the sort of scene that works as a mission statement. Its first image seems like something out of a western, a vast landscape, the horizon slashed by the silhouette of a great big tree. From one of its branches, a body hangs by a noose. It’s the eldest son of the rich owner of all the land we can see. The father, far from being heartbroken, watches on dispassionately, a glint of disappointment in his eye.

In an act of cruelty, the patriarch forces his youngest son to confront the corpse of his brother, his weak brother. Frightened, young João runs away from the morbid tableaux, taking refuge in the mossy ruins that stand in the middle of a nearby river. Death, parental cruelty, coldness confused with strength and an escape from the horror of reality to the warm embrace of a long-forgotten past - such are the main themes of this epic, shot like a western and paced like a funeral...

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Lina Wertmüller's History-Making "Seven Beauties"

The Governors Awards (Honorary Oscars) will be held on October 27th, 2019 with director Lina Wertmüller, actress Geena Davis, director David Lynch, and actor Wes Studi celebrated. We'll be discussing each of them before then.

by new contributor Camila Henriques

In Seven Beauties, Lina Wertmüller is not interested in sparing the audience. That becomes clear in the first minutes of the film, when we’re presented with a myriad of images of the Second World War: Hitler, explosions, destruction. In the background, a voice over speaks with a hint of melancholy and irony about “the ones who keep going and going just to see how it will end”... 

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32 films competing for nominations in Best Animated Feature

by Nathaniel R

Frozen 2 is clearly hoping to be the first animated franchise to win the Animated Feature category twice.

The Oscar race is officially on for Best Animated Feature. 32 films are planning to compete, which is easily a record as there are usually closer to 22 or so, so we'll definitely have 5 nominees again this year. But the question is which. We've divvied the 32 films up into types to make this easier to process...

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