France and the Oscar Race. Then and Now.

by Nathaniel R

As you've probably heard, France has altered their Oscar submission choice rules a bit. They'll now allow for "special screenings" (i.e. some variation of the common practice here in the US of the "qualifying run") to determine eligibility. In truth this wouldn't be news if it weren't France we were talking about. Most countries already allow some form of this practice so a film can be eligible for awards even if it isn't technically playing for audiences in time.

But France in the past has not allowed this given the country's very strict distribution rules. That's one of the reasons why, for example, that Blue is the Warmest Colour (2013) wasn't submitted in its year...

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RIP Agnès Varda

by Anne Marie Kelly

Acclaimed godmother of the French New Wave and belated Honrary Oscar award-winner Agnès Varda passed away this Friday of breast cancer at 90 years old. The film community is in mourning for a singular and pioneering visionary, who treated film as art and famously declared that she refused to watch movies before embarking on her own career. In spite, or perhaps because, of this fact, Varda would go on to create incredible works across multiple genres and decades, creating unforgettable films that were personal, political, comedic, deeply poignant expressions of a spirit that never ceased being fascinated by the world around her.

We at Team Experience have long been fans of Varda, including her early work, famous films, late-career documentaries, and her unbelievable offscreen appearances as well. Her brusque presence and iconic style was a fixture at film festivals, where she had time for fans but never for praise. She will be missed.

What are your favorite Varda moments? What are you watching in her honor?

Belated César Winners List

Eeek! During Oscar madness we totally forgot about the Gallic Oscars cross the Ocean. How rude of us! For completism's sake here is the list of winners in case you also missed the news.

BEST PICTURE

• Memoir of War, dir: Emmanuel Finkiel
• The Trouble With You, dir: Pierre Salvadori
• The Sisters Brothers, dir: Jacques Audiard
• Sink or Swim, dir: Gilles Lellouche 
• Guy, dir: Alex  Lutz
• ★ Custody, dir: Xavier Legrand
• In Safe Hands, dir: Jeanne Henry

Custody's four wins reminds us that it's still so weird that France didn't push it as their Oscar prospect last season. The other big winner was Shéhérazade about young lovers on the mean streets of Marseille which was not nominated for best picture but won each of its three nominations. Sink or Swim, the nomination leader and dadbod comedy, which opened too late to be France's Oscar submission last year, only took home one prize. Supporting Actor...

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"BPM" Leads César Nominations

by Nathaniel R

The stars of BPM (Arnaud Valois, Adele Haenel, and Nahuel Pérez Biscayart) were all nominated for Césars

The César Awards, now in their 43rd year, and essentially France's Oscars have announced their nominations. It wasn't a great year for France in terms of their US arthouse performances. The most successful French release this past year in the States was François Ozon's Frantz (César eligible in 2016) which finished its theatrical run just shy of a million dollars. But of the French films that did make some sort of transatlantic mark this year (whether through festival hype or theatrical release) you'll see BPM (Beats Per Minute), the horror film Raw, and Agnes Varda's Oscar nominated Faces Places among their nominees...

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NYFF: Isabelle Huppert as "Mrs. Hyde"

by Jason Adams

Isabelle Huppert walks out and stands in front of her classroom in Serge Bozon's Mrs. Hyde and she seems to disappear into the wall - the chalk on the chalkboard has more color than she does. She's paste in sensible shoes. We first meet her being harangued publicly by her students, and in a slow painful succession of scenes she's humiliated by everyone she comes into contact with. This is no Huppert Dragon Lady, then.

And then, voila, she's struck by lightning. And given what we drag into the movie theater with us, given this film's title, we think to ourselves, "Cue the dragon!"

So the most interesting thing about Mrs. Hyde is simultaneously its most frustrating thing - it's as if Bozon took it as a challenge to deny us what we came to this movie for.

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