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the design of THE LOVE WITCH

 

"The look of the film is really fantastic, but the script begins to run out of steam after the first quarter." -Rob

"Great write-up. I had the pleasure of seeing this beauty in 35mm." -Roger

 

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Melissa Leo (The Most Hated Woman in America)
Ritesh Batra (The Sense of an Ending)
Asghar Farhadi (Salesman)

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Entries in Francophile (106)

Thursday
Oct292015

Interview: Gaspar Noé on Shooting in 3D and How 'Love' is Like a Musical


Karl Glusman and Aomi Muyock star in "Love"

Jose here. When I show up to meet Gaspar Noé, he offers me a cigarette. I gladly accept it and we sit by a window where we puff the smoke to the beat of the sounds of a construction site below us. For a moment I feel like a teenager and remember having to wait to have the house all to myself so I could watchIrréversible when I was 16, without having people constantly interrupt me. For all its provocation and controversy, Noé’s oeuvre isn’t as much about shock value as it is about finding deep connections between people. This is a filmmaker who literally goes under the skin to uncover the miracle of life, how we’re made, how similar we are to each other.

In Love, he takes this concept to a place of utter sublimity as he chronicles the ups and downs of the relationship between Murphy (Karl Glusman) and Electra (Aomi Muyock), two young people who despite being enraptured by all-consuming passion, grow apart due to jealousy and secrets. To bring us closer to the characters Noé shot the film in 3D and he uses the medium playfully and sensually. Squeamish audience members might find themselves wishing they’d brought a poncho during some of the film’s most explicit moments, but Noé also finds true beauty in the curves of breasts, the pearls of sweat that appear on the backs of lovers during intercourse, and in the alien-like quality of tongues tangled in a kiss. As much as his films shock and alienate people, he just wants us to get closer. As we sit by the window he says “we’re in closer company because of the cigarette”, then he smiles.

More on Love after the jump.

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Sunday
Oct042015

NYFF: In the Shadow of Women

Manuel here eating a baguette furiously hoping you’ll pay attention to him as he tackles this French film about wounded masculinity.

While I worried I would only catch films dealing with death throughout the entirety of the 53rd iteration of the New York Film Festival, I chanced upon Philippe Garrel’s In the Shadow of Women, a black-and-white film about infidelity. The film centers on Pierre and Manon (Stanislas Merhar and Clotilde Courau), a married couple who work together on his documentary film projects. We slowly see their routine slowly getting rusty and so it comes as no surprise when Pierre falls for a young intern (Lena Paugam) working at the same film archives our couple frequents. The affair and its subsequent shattering effect on the marriage plays out pretty much how you’d expect, with few of Garrel’s choices coming from left-field though never quite steering far from the narrative and character beats all too common in films about broken marriages.

I have to admit, I’m a sucker for this genre. Closer. Unfaithful. Gone Girl. Little Children. I love me a good “our relationship is falling apart” film. [More...]

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Thursday
Sep172015

TIFF: French Sexy Time Movies

Nathaniel, reporting from TIFF, where the French still love la petite mort. Due to the graphic nature of these films the reviews of Gaspar Noé's 3D explicit sex movie Love and the French teens-gone-wild Bang Gang: a modern love story (which is about exactly what it sounds like it's about) are both hidden after the jump where naughty things must go... Think of the children!

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Tuesday
Sep012015

European Film Awards - Vote for the 'People's Choice'

Have you ever been to Berlin? The annual European Film Awards will be held there this year just 102 days. As part of their annual tradition if you vote on their People's Choice Awards you can be entered to win a trip to the show.

This year's People's Choice slate (the only category thus far announced) feels slightly more "behind" than usual or perhaps we misremember past years? Generally the EFA titles are a mix of current and previous Oscar seasons (due to scattered release dates) but this year's batch feels especially 2014 heavy. On the down side this means it's less helpful in seeing which films are making inroads to general critics prizes and Oscar love down the road... in that they already have or haven't. On the plus side, potential voters will have seen more of them. YOU CAN VOTE RIGHT HERE... They also have an official facebook page up now.

The 10 Nominees...  

  • A Pigeon Sat on a Branch Reflecting on Existence d. Roy Andersson
    Just announced as Sweden's Oscar submission! This auteur's unique 'vignettes in absurdist tableaus' sensibility must be experienced to be believed. Reviewed / Best of 2015 (Thus Far)
  • Force Majeure d. Ruben Östlund
    Sweden's acclaimed awards magnet was a big Oscar snub in the Foreign Film category last season... though it was up for Best Film at the EFAs. Is the American remake still planning to go ahead despite being a terrible idea? Reviewed / Blurbed / Top 20 of 2014 
  • The Imitation Game d. Morten Tyldum
    Last year's Best Picture contender qualifies as European because...? Perhaps it's the Norwegian director. But it's a US/UK production so it feels strange to see it here. Past Articles.  
  • Leviathan d. Andrey Zvyaginstev
    Russia's Oscar nominated and Golden Globe winning hit last season. Past Articles.
  • Marshland d. Alberto Rodríguez
    A serial killer drama from Spain.



  • Samba d. Oliver Nakache & Eric Toledano
    Omar Sy (The Intouchables) and Charlotte Gainsbourg headline this French film about a struggling Senegalese immigrant and a woman trying to get her life back together
  • Serial (Bad) Weddings d. Philippe de Chauveron
    A French comedy about a Catholic couple whose four daughters all get married to men of different origins and religions
  • The Salt of the Earth d. Wim Wenders & Juliano Riberio Salgada
    Best Documentary Nominee at the Oscars. On the international journeys of Brazilian photojournalist Sebastião Salgado. Discussed
  • Victoria d. Sebastian Schipper
    Winner of 6 Lola Awards. Germany couldn't really select this hard-partying drama about a girl who gets mixed up in a bank robbery for their Oscar submission -- too much English in it -- but it's won raves and a lot of attention for its one take trick. That's right, a 140 minute movie all in one continuous shot without Birdman's tricks. Laia Costa and Frederick Lau star and took the German Oscars (the Lolas) for Best Actress and Best Actor.
  • White God d. Kornél Mundruczó
    Hungary's Oscar submission last season (not nominated), an allegorical film featuring rampaging packs of wild dogs, has been riveting moviegoers since its 2014 Cannes debut. Now on DVD. Reviewed / Interview

I'll have to choose between the two Swedish films for my personal vote. Who gets yours?

 

Friday
Jun262015

Posterized: Matthias Schoenaerts

With the Kate Winslet romantic drama A Little Chaos in select theaters and on VOD, we're seeing Matthias Schoenaerts as the Romance Novel Ready Cover Boy twice over this year since Far From the Madding Crowd already passed us by. If they ever release Suite Française in which he co-stars with Michelle Williams we'll have three swoony Schoenaerts fantasies in one year in which he falls for beautiful recent Best Actress nominees.

So how familiar you are with Belgium's greatest export? He first came to our attention in the Oscar nominated Belgian drama Bullhead (2011) though in truth we had seen him before in Paul Verhoeven's undervalued Dutch WWII thriller Black Book. (2006). But since that movie was all about Carice Van Houten & Michel Huisman erotic fantasies (at least it was for yours truly -- they were both later coopted by Game of Thrones as Melisandre and Dario Naharis, respectively) I'll admit that I didn't glom on to him right then.

Did I ever tell you I met him? That story and movie posters after the jump...

Click to read more ...

Thursday
Jun112015

Women's Pictures: Agnes Varda's Cléo From 5 to 7

 Cléo from 5 to 7 is easily Agnes Varda's most famous film. In a retrospective honoring Varda at the 2013 AFI Fest - my introduction to the dimunitive director - iconic photos of Corinne Marchand, ice cold in her black shades, were spread across signs and billboards on Hollywood Blvd. The highlight of the festival was a discussion with Varda before a screening of the film. During the discussion, Varda expressed disappointment that, of all her films, Cleo from 5 to 7 was the best-remembered. In a way, it's not so surprising. As Varda herself noted, the film was the result of a request by some of the New Wave directors that she make another fiction film in 1962. As a result, Cléo from 5 to 7 is actually the most easily categorizable film in Varda's ouvre. This is pure French New Wave, cerebral and cinematic, but containing those artistic flourishes that can only belong to Agnes Varda.

Cléo from 5 to 7 takes place over the course of a single afternoon, as a young singer (the eponymous heroine played by Corinne Marchand) waits to hear the results of a biopsy. Cleo is shallow, vain, and beautiful, kept by a rich gentleman who visits infrequently, and surrounded by sycophantic showpeople, superstitious assistants, and equally shallow friends. The mundanities of Cleo's life gain sudden symbolic importance with the shadow of death looming over her. A pop song becomes an anthem of discovery. A hat becomes an emblem of vanity. A walk down the street becomes a war between observer and observed. [More...]

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Wednesday
May202015

For Amélie, Silence is Golden

For The Lusty Month of May, we're looking at sex scene each night. Here's Denny...

Our favorite little Parisian pixie, Amélie Poulain, lives a quiet life. She amuses herself by posing silly questions...such as: How many couples are having sex at this very moment? 

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