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Entries in Francophile (86)


Cannes Diary: Three Palme d'Or Contenders and My Pick for "Best Actress"

Diana Drumm is reporting from Cannes for The Film Experience... 

With the festival dwindling away (as well as this writer’s sanity -- blame the multiple transit strikes, weather and barely affordable lodging), we are closing in on the more probable awards contenders. Out of the hubbub heard in person and online, along with opinions from mine own wonky eyes, here are three that could possibly take home either the Palme d’Or or Best Actress. (Juliette Binoche in Sils Maria I have yet to see...)

Mommy, Two Days One Night and Maps to the Stars after the jump...

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Cannes Monologue: Certified Copy

Andrew with another Cannes-themed monologue… 

At 50 Juliette Binoche remains one of the cinema’s finest actors – excellent in multiple languages. Though her time in Godzilla (now playing) is short, we can look forward to much more in Words and Pictures and Cannes entry Clouds of Sils Maris, the latter written specifically for her. Can Olivier Assayas film capture as many of her finest assetts as her Cannes winning turn in Certified Copy (2010)?


Certified Copy, my favourite of the decade (thus far), is remembered most often for its cerebral nature, a puzzle we must solve. Yes, much of it is rumination on theory but it's theory with passion and feeling. For all of its technical and intellectual merit, it’s also a love letter to Binoche from writer/director Abbas Kiarostami. 

Given it’s musings on what’s real and what’s a copy, Elle (Binoche’s character) might not quite qualify as a “real” woman - her name literally translates as “She” – as much as a platform for Kiarostami and Binoche to examine temperaments, hers change at the drop of hat, and ideas. The film makes you work but is all the more rewarding for it. Late in the movie, Elle and James head to quaint restaurant. They are no longer an affable writer and beleaguered fan they were at first but a beleaguered married couple.

She heads to the bathroom to put on lipstick and a pair of earrings. When she returns he doesn’t notice, too annoyed with the subpar wine. She tries to quell his moodiness. [More...]

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Tribeca: "5 to 7," Or Why Frustrated Writers Should Back Away From Final Draft

Tribeca coverage continues with Diana on 5 to 7 with Anton Yelchin & Glenn Close

Based on the imaginings of an out-of-touch, middle-aged writer-director, 5 to 7 is about a 24 year-old “writer” (Anton Yelchin) who becomes involved with the 33 year-old wife of a French diplomat (Berenice Marlohe). Brian lives in Manhattan, presumedly on his parents’ dime (Glenn Close and Frank Langella, both painfully misused), and attempts to write, his creative juices facilitated by posting a multitude of rejection letters on his wall and playing lonely man wiffleball in his apartment. Arielle also lives in Manhattan  and is oh so very “French” -- husband, two kids, posh neighborhood, and ability to balance high heels with a well-fitting dress.

Spotting Arielle in front of the St. Regis, Brian pursues her through quips that sound more like early drafts of “wit” rather than the finished product (think Woody Allen without the neurotic charm). She tosses words back at him that are meant to signify mutual attraction. When they do end up in a hotel room together (after she hands him the key), there is zip chemistry between the pair, cringingly highlighted all-the-more when Arielle tells Brian that he is a natural lover and asks whether his other lovers had told him that. That’s the crux of the problem with this film - we are told things consistently through voiceover and character iteration (Brian loves Arielle, Arielle loves Brian, Brian’s mother can see that they love each other), but we’re rarely shown anything substantial enough to back up these assertions. [More...] 

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Cannes '14 line-up announced

Tim here. It's Christmas morning, everybody: the Cannes Film Festival announced its line-up today for this year's edition, running from May 14-25.

Opening Night
Grace of Monaco (dir. Olivier Dahan; starring Nicole Kidman)

Official Selection
Sils Maria (Olivier Assayas)
Saint Laurent (Bertrand Bonelo)
Winter's Sleep (Nuri Bilge Ceylan)
Maps to the Stars (David Cronenberg) Yes No Maybe So
Two Days, One Night (Jean-Pierre & Luc Dardenne)
Mommy (Xavier Dolan)
The Captive (Atom Egoyan)
Goodbye to Language (Jean-Luc Godard)
The Search (Michel Hazanavicius)
The Homesman (Tommy Lee Jones) Yes No Maybe So
Still the Water (Naomi Kawase)
Mr. Turner (Mike Leigh)
Jimmy's Hall (Ken Loach)
Foxcatcher (Bennett Miller) We Can't Wait
Le Meraviglie (Alice Rohrwacher)
Timbuktu (Abderrahmane Sissako)
Wild Tales (Damian Szifron)
Leviathan (Andrey Zvyagintsev)

Channing Tatum & Mark Ruffalo as brothers in "Foxcatcher"

Un Certain Regard
Opener - Party Girl (Marie Amachoukeli, Claire Burger, Samuel Theis)
Jauja (Lisando Alonso)
The Blue Room (Mathieu Amalric)
Misunderstood (Asia Argento)
Titli (Kanu Behl)
Eleanor Rigby (Ned Benson)
Bird People (Pascale Ferran)
Lost River (Ryan Gosling, directorial debut) formerly How to Catch a Monster, We Can't Wait
Amour fou (Jessica Hausner)
Charlies Country (Rolf de Heer)
Snow in Paradise (Andrew Hulme)
A Girl at My Door (July Jung)
Xenia (Panos Koutras)
Run (Philppe Lacôte)
Turist (Ruben Östlund)
Beautiful Youth (Jaime Rosales)
Fantasia (Wang Chao)
The Salt of the Earth (Wim Wenders, Juliano Ribeiro Salgado)
Away from His Absence (Keren Yedaya)

Above: the first still from Ryan Gosling's LOST RIVER

All told, a nice mix of established auteurs, up-and-comers, and just enough new names that the Festival can't be accused of too much imagination (though the representation of women directors is still pretty grim). For myself, Winter's Sleep (over three hours long!), Leviathan, and Timbuktu leap out as being the films I'm most interested, by directors whose careers I'm excited to keep following; but what films are you all most excited to see?


Happy Binoche Day

Our favorite French Oscar winner celebrated the big 5-0 today.

Better news:  Several movies on the way!

In both the would be blockbuster Godzilla and Olivier Assayas' Clouds of Sils Maria, both arriving this year, she has potential talent imbalance problems with co-stars (CGI Monster, Kristen & Chloe respectively) but both films might be great, fingers crossed.

She's also currently filming the true-story The 33 with Antonio Banderas and Rodrigo Santoro which is about that Chilean miners who were trapped for weeks.  Three more movies have been announced but announcing and actually happening are two different things with movies. We'll see. Hollywood has lost interest (Hollywood only allows one French lady at a time so Marion Cotillard has to watch her back with Léa Seydoux rising) but we shouldn't!

Juliette Binoche's last team-up with Olivier Assayas was the terrific "Summer Hours"

What's your favorite Binoche? Mine is 100% Trois Coleurs: Bleu though she's perfection in quite a few others, like ahhhh Flight of the Red Balloon. Just gorgeous. 


Cesar Academy Nominates French President's Mistress! (Who cares about movies anyway?)

Julien, your french correspondent, here to discuss the César nominations.

OUTRAGE ! Twitter was in uproar this morning when the nominees for the Best Actress César were announced, and the name Adèle Exarchopoulos was nowhere to be seen. While Léa Seydoux made the cut for her arguably supporting role, Adèle’s astounding lead performance in Blue is the Warmest Color was relegated to the Most Promising Actress category.

Before you raise your pitchforks, consider this perfectly logical explanation: since Tahar Rahim won both the Best Actor and Most Promising Actor gongs for A Prophet in 2010, the rules were altered so that a single performance can only be nominated in a single category -the one which collects the most votes. Fair enough César, but when a category which is supposed to promote new talent prevents the year’s most celebrated performance to be nominated in its rightful place, you’re clearly doing something wrong.

All the nominees and a lot of gay drama and political mischief after the jump...

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Gold is the Most Coveted Color

Léa Seydoux & Adele Exarchopoulos at the Governor's Ball

Let's see Léa & Adèle at all the Oscar-courting events. S'il vous plaît. Werk that circuit, ladies.

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