Best International Film: Austria, Croatia, Malta, and more

by Cláudio Alves

Our voyage around the world through Best International Film Oscar submissions is coming to an end. Tomorrow, the Academy will reveal its shortlist, reducing 92 contenders to just 15. Before that, though, I'd like to shine a light on three fantastic films, regardless of their awards chances. They are a jewel of queer cinema from Austria, a prickly character study from Croatia, and a throwback to the early days of Neorealism courtesy of Malta. At the end of this piece, I shall also reveal what films would make up my ideal Oscar shortlist…

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International Oscar Race Pt 3 - The Movie Stars

by Nathaniel R

We fight to keep our title each year as 'the site that gives you the most when it comes to Oscar's Best International Feature Film race.' Nevertheless, even if we aren't that anymore with all the corporate sites and the indies now covering the race, at least we were influential in popularizing the coverage! 

Speaking of popular. How many of the films have stars that movie-fans will recognize? Let's look at the international stars with fanbases outside their home countries, curiously it's light on familiar actresses this year but the men make up for that...

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Chi Film Fest: "Undine"

Coverage from the 56th annual Chicago Film Festival

by Nick Taylor

Undine opens immediately after the titular character (Paula Beer) has been told by her boyfriend Johannes (Jacob Matschenz) that he’s leaving her for another woman. Seated at an outdoor café, Beer’s expression remains piquant and internalized as Johannes explains himself, half listening to him talk and half deciding how to respond. When she makes up her mind, she informs Johannes they’re still in love, and if he’s not at the café when she gets back from work in half an hour she’ll kill him. He’s not there, obviously. But after hearing an unexpected figure call out her name, she meets a man named Christoph (Franz Rogowski). The two are instantly captivated by each other, and their meet-cute is so strange, heartfelt, and semi-chaotic I’d hate to spoil it. It might be the best scene in the film...

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Interview: Christian Petzold on 'Transit', melodramas and the influence of Fassbinder and Ackerman

by Murtada Elfadl

Transit, opening this weekend in limited release, is the latest from the gifted German director Christian Petzold (Barbara, Phoenix). It is a haunting modern day adaptation of Anna Seghers 1942 novel "Transit Visa". The film stars Franz Rogowski (Happy End) and Paula Beer (Never Look Away, Frantz) as would-be lovers desperate to escape an occupied France. We got a chance to interview Petzold in January when he visited New York for a retrospective of his work by the Film Society of Lincoln Center. When we meet he informs us that he’s been up for more than 24 hours because of a flight delay, so he might struggle to find the words in English. But that's not what happens. There’s a translator but she only chimes in a couple of times in our half hour conversation. Perhaps delirious from no sleep, he’s in the mood to talk.

This interview has been edited and condensed for clarity...

Murtada Elfadl: How did you come to the decision to clash the contemporary setting with the period story. Can you talk about the choice for that dissonance?

CHRISTIAN PETZOLD: I started to write the script as a typical period picture, everything was set in 1942. I was with my son on a father / son journey through California and the writing was coming easy to me --  everything going well is not a good sign. My Mac notebook was destroyed by the sun when I left in the car. I didn't have any back ups. Actually I was relieved that everything was destroyed. Period pictures are mostly museum pictures as if you are going on a journey to old times, you get to see Sherlock Holmes or Keira Knightley in costume. I thought I’d have to cast Ben Kingsley in my movie...

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NYFF: Five Favorite Performances at the Festival

As the New York Film Festival winds down, here's Murtada Elfadl with some of his favorite performances from the movies he's screened.

Sakura Ando in Shoplifters
Shoplifters, Japan's Oscar submission, is about familial bonds that unite with love and real connection rather than blood. Ando plays Nobuyo, the matriarchal figure in this family of outsiders. Her character is the wisest, always knows more than the other characters in any situation. She’s in charge emotionally and that needs an actor who's restrained yet immediate and easy with feelings. She always has the emotional truth in the scene whether her character is having a tender moment with a lover, or facing up to ignorant authority.

Ando shines everytime she’s on screen, yet there’s one moment that is forever marked in my memory...

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