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Entries in Garrett Hedlund (10)

Friday
Jan202017

Sundance 2017: Mudbound

There’s usually a film every year that premieres at Sundance and goes on to do very well at the Oscars, almost a year later. Think Brooklyn (2015), Whiplash (2014), Beasts of the Southern Wild (2012) and Precious (2009). This year it could be Captain Fantastic, but most definitely will be Manchester by the Sea. And next year it could be Dee Rees's Mudbound...

Click to read more ...

Sunday
Nov202016

Podcast: 'Nocturnal Elle's Halftime Walk'

We're back to weekly podcasts! This week Nick, Joe, and Nathaniel discuss the latest films from Tom Ford, Ang Lee, and Paul Verhoeven, only one of which we can recommend.

Index (42 minutes)
00:01-17:22 Ang Lee's awkward Billy Lynn's Long Halftime Walk starring Joe Alwyn and Garret Hedlund

17:23-29:45 Tom Ford's revolting Nocturnal Animals. We don't understand the initial acclaim at all

29:46-42:00 Paul Verhoeven and Isabelle Huppert's provocative collaboration Elle, France's Oscar submission (mild spoilers)

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments.

Nocturnal Elle's Halftime Walk

Wednesday
Oct192016

A Brief Jog Right Past "Billy Lynn's Long Halftime Walk." Get Me Outta Here!

a belated finale NYFF moment with your host, Nathaniel R

Before the world premiere of Billy Lynn's Long Halftime Walk the great director Ang Lee appeared and asked the crowd at the NYFF screening to "keep an open mind." He was speaking about the new technology he used to shoot the 3D movie about a Texas soldier named Billy Lynn (played by talented newcomer Joe Alwyn) on leave from Iraq who is used as a patriotic prop at a football game's halftime show. The movie is shot in 4K (much higher clarity than usual) with a "revolutionary" 140 frames per second as opposed to the standard for decades upon decades now which is 24. As a cinephile without much technical savvy and who doesn't get too caught up in aspect ratios or film stocks or whatnot, I thought "no problem, Ang!"  I always attend movies with eyes wide open and the mind ready to join the party should the movie engage it.

Click to read more ...

Tuesday
Apr282015

Tribeca: Men in the Desert

Our Tribeca coverage is wrapping up. Here's Abstew on two new features starring Oscar Isaac and Viggo Mortensen respectively...

 

Mojave
You have to admire a film that trusts its audience enough to not spell things out for them. Writer/director William Monahan (who won an Oscar for his screenplay for The Departed) allows his film Mojave to unfold like a crazy fever dream as two opposing men in the desert (Garrett Hedlund and Oscar Isaac) wax on poetically about everything from Jesus' temptation to...god only knows what. As a drifter with a gravelly voice and tendency to call everyone brother, Isaac relishes the opportunity to play his unhinged character, making choices that are anything but safe. But Hedlund's straight man is overshadowed by Isaac's wild-eyed stalker, never making them feel evenly matched. And as the film plays out, it starts to feel like perhaps nothing has been spelled out for us because there's nothing actually happening - populated with indie movie eccentrics (Walter Goggins briefly shows up in his tightey whiteys to spout some random thoughts) and a story that can only be described as convoluted...

Click to read more ...

Thursday
Jan232014

Short Link 12

Today's Must Read
The Dissolve Nathan Rabin discusses his own group home experience and his relationship to Short Term 12 which is now out on DVD and BluRay

General Linkage
THR Garrett Hedlund offered the plum Captain Hook role in Joe Wright's Peter Pan adaptation Pan
Ken Levine, inspired by Quentin Tarantino, makes a major announcement 
Variety Scott Thorson (played by Matt Damon in Behind the Candelabra) just sentenced to 8 to 20 years in Nevada! Yikes. 


AV Club Her trailer recut to replace Scarlett Johansson's voice with, uh, Philip Seymour Hoffman's. It's terrifying. you have been warned.
IAR interviews Destin Cretton on Short Term 12
THR a non controversy at Oscar on that strange Original Song nomination from Alone But Not Alone. Pity that Oscar is such sticklers about the rules on some classic important films like Moulin Rouge! and then lets things slide in weird cases like this
Coming Soon the Oscar winning doc Man in Wire could get the narrative feature treatment from Robert Zemeckis
/Film Disney's Frozen getting a sing-along version next weekend
BuzzFeed Rachel McAdams shares her two favorite lines from Mean Girls, 10 years later
Pajiba Chris Pratt sings a song about Jean Claude Van Damme's Sudden Death on Parks and Recreation

Finally...
EW Grace of Monaco pulled from the Weinstein Company's release schedule?!? Don't they realize I need biannual doses of Kidman like Virginia Woolf needs exhilarating trips to London? Readers who've asked how I'm coping should know that I have not yet loaded my coat up with stones. But there will be a reckoning if we never get to see it. 

P.S. Bette Davis thinks you're a vile sorry little bitch*

*show of hands: who thinks Bette is saying "sour" rather than "sorry" - I can't decipher it 

Sunday
Oct062013

Podcast: Best Actor Captain Phillips? Plus Inside Llewyn Davis

For this weekend we have a mini podcast but good things come in small packages.

Katey & Joe attended the Inside Llewyn Davis premiere at the New York Film Festival and tell Nathaniel about it from Garret Hedlund's ponytail, Carey Mulligan doppelgangers, Coen ambience shenanigans and film festival fashions.

All three of us loved Tom Hanks performance in Captain Phillips and Nick joins us, finally, to chat about the Best Actor race. We reference this "no frontrunners" article if you missed it. You can listen at the bottom of the post or download it on iTunes. Join in the conversation in the comments.

[Editor's Note: Because iTunes only hosts the 10 most recent episodes (I'm not sure why that is), the podcasts for this year's films we'll start disappearing after this particular episode so make sure and download them if you haven't yet listened to any episode.]

Inside Captain Phillips, Best Actor

Thursday
Jan242013

Yes, No, Maybe So: "Inside Llewyn Davis"

Hello, lovelies: Beau here, searching for distractions from the onslaught of crap coming our way in the next few months, and the fact that I still haven't seen Before Midnight. (insert vicious, hyperbolic rant here.) Luckily for me, the trailer for the new Coen Bros. is just the ticket.

YES:

 

Carey? Carey... are you in there?

  • Coen Brothers. Duh.
  • Carey Mulligan. Duh.

Click to read more ...

Saturday
Dec292012

Kristen Stewart is a Rock Star and Other "On The Road" Discoveries

The Scene: September* 2012, NYC. An industry screening and cocktail party for On the Road.

Kristen Stewart stood at the front of the crowded screening room in a white oversized dress shirt and black slacks. Director Walter Salles and co-star Garrett Hedlund stood beside her and she shifted nervously while they all spoke to the assembled Academy and Guild members and small pockets of press types like me. The "stop looking at me" vibe, already familiar from her many public appearances rippled outward. One wants celebrities to enjoy the rarified air they breathe, both because success is a beautiful coveted trophy and because careers in the public eye require being looked at to achieve any degree of it. I've written about my discomfort with her discomfort before in a piece that was provocatively called "Jodie Foster is Wrong: On the Mandatory Price of Fame." Yet, through the course of the evening I found myself reconsidering her particulars.

Kristen Stewart does her randiest (and maybe her best) work ever in "On the Road".

*Yes, this scene I've set took place in September.

I foolishly didn't write about the party immediately thereafter though it happened to be the first awards season get together of 2012 as "the Doyenne of Buzz" Peggy Siegal reminded us in welcome. Even then On the Road (The Movie) seemed to be as lost in time as its protagonists were on the map as they drove and drove, searching for connection, energy, sex, thrills, drugs, music -- anything that felt alive. I knew the film wouldn't open until the tail end of the year in limited release (possibly near you) and I wondered, as I often do, what I'm to do as a film blogger about movies that remain so elusive, movies with strange and distant release dates. Films, like movie stars, are invented to be looked at, but many of them hide despite the best efforts of publicists, filmmakers and journalists who are eager to embrace them and discuss them with moviegoers.

[I worried, even then, that this moody sweaty retro film would be utterly ignored in the crush of Shiny Noisy Awards-Baiting Behemoths. The Adult-Oriented Christmas Multiplex Glut is simply no place for a film that so pointedly craves wide open spaces and young hormonal surges. I'm mystified that the distributor (Sundance Selects) didn't choose to open this one somewhere between July and October, much more comfortable climates for its subject matter and appeal.]

Very briefly at the after-party I spoke with Kristen Stewart about the green splint on her finger which I had mistaken for an oversized piece of costume jewelry. She told me I wasn't the first and held it up, not for my benefit but for her own 'why do people keep mentioning that?' contemplation. I never learned how she'd hurt her finger and that's all we said to each other. But in the little circles that form themselves around The Talent at these industry parties, she seemed perfectly content, if still a bit restless, to be talking to other people in her profession. As I left the party I felt a little bad about my impatience with her celebrity unease because up close and impersonal, I suddenly saw it from a different and I assume clearer perspective. Kristen Stewart isn't, in spirit, a movie star but a rock star. Rock stars are allowed more antagonistic friction between themselves and the world. Sometimes they're even rewarded for it.

...all of those smashed-up guitars.

Hedlund & Stewart. True Lust Forever.

This is, quite obviously, why Stewart's previous best performance to date was as Joan Jett in The Runaways. And it has to be why she's so mesmerizing again as the untamed teenage bride "Marylou".

Stewart's fame far outstrips that of her male leads but for all her screen magnetism in this particular role, the true star of On the Road is Garret Hedlund as "Dean Moriarty" the object of nearly everyone's affection. Hedlund made his way through that same September party with an eager friendliness in amusing unintentional direct contrast to his co-star. It's remarkably easy to fall in deep like with him and in the film it's impossible not to fall in deep love. Were On the Road to be more widely seen, Hedlund's explosive sexuality as Dean coupled with the quality of his acting would make him an instant 'cast him in everything!' sensation. On the Road doesn't always work but Hedlund's star turn definitely does.

I recently screened the film a second time and left with the same impression. The same impression that the film wisely underlines. The classic book and this film version both conclude with a confessional mantra: 

I think of Dean Moriarty. I think of Dean Moriarty. I think of Dean Moriarty."

I dare you to see the film and leave thinking of anything else.

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