Netflix in July: Troy's Straight-Washing, Blue Valentine's Brilliance.

Time to play Streaming Roulette. Each month, to survey new streaming titles we freeze frame the films at random places with the scroll bar and whatever comes up first, that's what we share!

July is kind of a quiet month on Netflix but which of these films will you be streaming for the first time or as a rewatch? Which do you have strong feelings about. Please do tell us in the comments. Ready? Let's go...

ARE YOU CRAZY?!? IF I CAN'T PULL MY CHUTE, YOU'LL DIE TOO!

Get Smart (2008)
Despite being an Anne Hathaway disciple I have not seen this. Worth a watch? Anyone? 

Hey, can I ask you something else: What's the story of that girl that was in here a month ago? 

Blue Valentine (2010)
Ryan Gosling is visiting his grandma because he's a sweet soul. I especially love the editing here. The image cuts to this for the rest of the visiting grandma dialogue...

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The Furniture: Building a Way out of Mudbound

"The Furniture," by Daniel Walber, is our weekly series on Production Design. You can click on the images to see them in magnified detail. 

“I dreamed in brown,” remembers Laura McAllan (Carey Mulligan), surveying the near-monochrome dirt of a Mississippi farm. This small pocket of land is owned by her husband, Henry (Jason Clarke), but one doesn’t get much of a sense that she’d call it home. He appears not to like it either, but is motivated by a sour sense of duty. Perhaps this is why his agricultural efforts fail, barely introducing any green into this expanse of brown.

Even more obvious, when it comes to metaphors, is the way Mudbound begins. Dee Rees opens her earthbound epic on Henry in the dirt, digging a grave. The deceased is his Pappy (Jonathan Banks), an acrimonious Klan member who has done his utmost to pass his ideology down to his sons. It’s largely worked on Henry. Jamie (Garrett Hedlund) resists, but still winds up digging in the mud.

At the bottom of this new ditch, Henry finds a skull. It’s a “slave’s grave,” he declares; he can tell by the bullet-hole. It’s a hint at an old story, one that Rees knows she needn’t bother put into words...

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The Epic and Crowded "Mudbound"

by Murtada

About halfway into Mudbound, the new film from Dee Rees (Pariah), the matriarch of a family of landowners in the Mississippi Delta Laura Mcallan (Carey Mulligan) offers a maid job to Florence (Mary J Blige), whose family are land tenants of Laura's husband Henry (Jason Clarke). The offer comes after Florence had been forced to leave her own family for a few days to help Laura with her sick young daughters. It is a startling offer that comes out of nowhere and Florence isn't given an option to accept or refuse, but rather told it’s been decided to hire her.

However before the audience can process the audacity of Laura’s offer and Florence’s resignation, we are immediately pulled into a combat battle in WWII where Henry’s brother (Garrett Hedlund) and Florence’s oldest son (Jason Mitchell) have enlisted. Herein lies Mudbound's dilemma...

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Dee Rees on 'Mudbound'

by Murtada

Mudbound is having a moment this week. On the eve of its TIFF premiere, the trailer drops and Dee Rees, Carey Mulligan and Mary J Blige get the cover at Variety. Rees talks about how difficult it was to find a distributor at Sundance in the year after The Birth of a Nation debacle:

I feel like we were in the shadow of other films. This film is certainly on the level of — if not better than — that. To burden our film with that was unfair. That’s the hard thing about Hollywood; you realize it’s not fair. It’s not a meritocracy. It’s like, Come on.

More from Rees plus the movie's trailer after the jump..

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Sundance 2017: Mudbound

There’s usually a film every year that premieres at Sundance and goes on to do very well at the Oscars, almost a year later. Think Brooklyn (2015), Whiplash (2014), Beasts of the Southern Wild (2012) and Precious (2009). This year it could be Captain Fantastic, but most definitely will be Manchester by the Sea. And next year it could be Dee Rees's Mudbound...

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