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Entries in Glenn Close (124)

Tuesday
Aug302016

Credit Where It's Due: A Silly Title Card Showdown

by Nathaniel R

An intermittent off center obsession I miraculously don't believe we've discussed after years of blabbering at TFE: title cards, especially as they relate to actors. My personal favorite is when the name in question aligns with the actor's face on screen (quite rare all told since the order is contractual and title card placement feels like that rare piece of cinema construction that no director has ever bothered to worry about - "just put 'em wherever!".

Sometimes they're agonizingly placed (remember when several of the goddess actress names were superimposed over shots of tertiary character John C Reilly at the beginning of The Hours). Just for kicks with the Smackdown but 24 hours away, which Best Supporting Actress nominee wins the battle of 1984 title cards? Let's take them from worst to best after the jump...

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Monday
Aug222016

Swing, Tarzan, Swing! Ch.7: Oscar Loves "Greystoke"

During this summer of the Tarzan reboot we've revisited past films in the long history of Tarzan on film. Four more episodes to go!

Impossible as it may be to move Tarzan away from his ultra-specific origins as a colonial era fantasy, filmmakers have tried over and over again to do exactly that. As we've seen in past installments of our "Swing, Tarzan, Swing!" series, he keeps changing with the times despite his historical baggage. We've seen starkly different depictions of his relationship to Jane from equal partners to Head of the Household suburban conformity. The Lord of the Apes even tried to get bachelor hip with the 1960s at the beginning of the James Bond frenzy. Nearly every Tarzan on television has attempted to place him closer to the actual timeline in which it aired. The new Legend of Tarzan (reviewed) works hard to downplay the racism in the myth, but it's never going completely away given that the story is, at heart, about a white man who becomes king of the jungle and often the savior of Africans in his ongoing adventures.

Tarzan works best when he's allowed to stay in the era to which he belongs. So it was a stroke of inspiration for director Hugh Hudson (fresh off a Best Picture win with Chariots of Fire) to give him the historical epic treatment in Greystoke: The Legend of Tarzan, Lord of the Apes (1984) even though the Ape Man doesn't belong to world history any more than, say, Batman, Superman and Spider-Man who were all also tragically orphaned (it's a superhero thing, okay?). 

The marketing was so committed to this "serious" prestige historical treatment that the poster even has a four paragraph synopsis closer to a novel than a movie tagline...

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Tuesday
Aug092016

Vintage '84: Travel Back in Time...

1984 is our "Year of the Month", as we work towards the Supporting Actress Smackdown on the last Sunday in the month (more on that soon). So let's steep ourselves in that year that was a bit. It was an Olympics year (Los Angeles in summer, Sarajevo in winter), the Ethiopian famine alarmed the world and prompted that "Do They Know It's Christmas" music world response, the first Apple Macintosh went on sale, TV brought us the premiere of the ubiquitous Wendy's commercial "Where's the beef?", several franchises that still won't go away debuted in early forms, for better and worse (The Terminator, Teenage Mutant Ninja Turtles, Transformers), the first MTV Video Awards was held, featuring Madonna's historic "Like a Virgin" performance, and there were two sudden confusing celebrity deaths (35 year old comedian Andy Kaufman to cancer -- which later prompted hoax theories -- and 26 year old beefcake superstar Jon-Erik Hexum who died of an accidental gunshot on the set of his TV show).

Indiana Jones becomes a franchise | Madonna, Kathleen Turner, and Daryl Hannah all become superstars, Geraldine Ferraro is first female VP candidate, and Rob Lowe is the hot new boytoy

Marinate in the Juices of 1984 via Movies, Music, Theater, and Television after the jump...

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Sunday
Jul172016

Q&A: Magnani, Cameos, Oscar Ties, and Homoeroticism

I promised a second round of Q&A this week so here we go. Seven more reader questions answered...

Mr W: Do you have any thoughts on Anna Magnani? She's one of my Top 10 Actresses of all time, but I don't think I've ever read anything on her from you.

I do not. Embarrassing to admit but I've only seen her in The Rose Tattoo (1955) which she was wonderful in. Any suggestions as to where to start?

/3rtful: Is there one unsung veteran actress you would like to see get an award season career boost through Ryan Murphy?

There's very few veterans I wouldn't want to see good a career boost. But i'll just name a dozen (and anyone reading should know I could list another 5 dozen with ease -- I shoulda been a casting director). Given that Murphy usually pulls from the 80s and 90s actressing packs (which, one assumes, reflects his formative fandoms) I wish he would throw a bone to Shelley Duvall (though maybe given her rumored mental health this isn't a good idea), Ally Sheedy, Daryl Hannah, Holly Hunter, or Lesley Ann Warren any of whom might be brilliant within his unusually creepy heightened worlds...

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Wednesday
Jun152016

Warcraft. What were they thinking? 

Six questions that trouble me still from the Warcraft screening last week...

What on earth does Glenn Close need the money for?"

For some reason they only hired sexy men to play these monsters

That's just one of many questions I screamed into the abyss whilst watching this expensive, silly, over-stuffed but under-nourished video game adaptation. What's more this was only one of about 7 questions I screamed to which no answers came in a single scene of the movie. I couldn't even begin to tell you what was going on other than it was important enough to precede the climax of the movie. But I'll try. A young sorcerer (Ben Schnetzer) enters some sort of black gooey CGI cube and meets some sort of anthropomorphized supernatural force with sounds just like Glenn Close and finally looks just like Glenn Close as it solidifies and turns to camera upon which she/it/they bestow(s) on the young sorcerer some sort of magic that they've been withholding from some sort of bureaucrat mystics association so that he can return to battle another sorcerer to become "The Guardian" of the world of Azeroth where this all takes place...and that's not even the A plot!

The A plot is slightly less confusing...

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